Today, Shelby and Patrick are discussing Catwoman 35, originally released October 22nd, 2014.
Such hath been our sinceritie in these tymes, not to give any comfort to the hurt of the King or his countries; and now, if these reports which we heare should be true, we might think ourselves evil recompensed, and should be provoked for our defense to use such means as otherwise of ourselves we did never allow or like.
Queen Elizabeth I, 1570
Shelby: Sadly, we are already knee deep in speculation over who will run for president in 2016. As much as I hate the way politics is far more about campaigns than actually accomplishing anything, I have to admit a certain curiosity over Hillary Clinton; will she try to run again? Is it possible I’ll soon see the first female leader of this country? What sort of unique challenges will she have to face, whether based on Ms. Clinton’s previous political history, or her gender alone (be it Clinton or not)? Based on the numerous references to Queen Elizabeth I in Catwoman 35, I suspect new writer Genevieve Valentine has a lot of similar questions in mind.
Today, Spencer and Drew are discussing Secret Origins 6, originally released October 22, 2014.
Spencer: Patrick and I recently lamented a certain style of comic, the kind that tries to recap an entire lifetime with voiceover, practically becoming an illustrated Wikipedia article in the process. It seems as if the entire purpose of these comics is simply to relay information without attempting to further characterization or plot, and the longer I read comics the more this kind of story bothers me. This particular style seems to pop up most often when retelling origin stories (just check out our Zero Month coverage for proof), and that made me particularly cautious about picking up Secret Origins 6. Each of the three stories presented in this issue tackles the business of telling an origin story slightly differently, yet two of them still stick pretty close to this format. I suppose that raises the question of who this title is actually for: newbies who may need an illustrated Wikipedia article, or long-time readers who might expect a little more from their stories? Continue reading →
Today, Drew and Greg are discussing Teenage Mutant Ninja Turtles/Ghostbusters 1, originally released October 22nd, 2014.
Drew: I think the word “love” is overused when it comes to pop-culture. I mean, I like Star Wars as much as the next guy, but it only took a few shitty prequels to reveal just how conditional that fondness was. More importantly, when we claim to “love” every bit of pop ephemera, the word looses it’s meaning — to paraphrase Syndrome when everything is loved, nothing is. As fond as my memories of The Magic School Bus or M*A*S*H might be, I’m going to reserve “love” for the few things that have a deeper, more profound meaning to me. I say this because I want to be perfectly clear what I mean when I express that I love Ghostbusters and Teenage Mutant Ninja Turtles. Both properties played massive roles in my childhood; I saw the movies (dozens of times each), I watched the shows, I played with the action figures — heck, I even covered the theme songs for both in my band in high school. A crossover event like Teenage Mutant Ninja Turtles/Ghostbusters should be a match made in heaven, then, right?
Well, it turns out it may be a bit more complicated than simply smashing them together — especially if you want to do right by the characters and the universes they occupy. Fortunately, IDW has proven time and time again that they are very invested in doing their crossovers right, giving over the majority of this issue to explaining how these characters could be interacting in the first place. The only downside to all that explanation is that we don’t get much of that interaction in this issue, but that doesn’t stop writers Erik Burnham and Tom Waltz from delivering a ton of fun. Continue reading →
Today, Taylor and Patrick are discussing Zero 11, originally released October 22nd, 2014.
Taylor: While it’s not glamorous, there’s something to be said for the home life. True, this statement probably doesn’t carry much weight from a homebody like myself, but — like a Hobbit — I just love the comforts of my own digs. While some people seem mentally disposed to this lifestyle, others have come to appreciate it because they haven’t always been able to enjoy it. Edward Zero is certainly the latter of these two. After being a spy his entire life, he seems to long for nothing but the quiet life. A house, a partner, and maybe a few chickens sprinkled on the side are all he needs. However, in the case of Zero he didn’t choose the spy life, it chose him. And when that chooses you, it can be difficult — if not impossible — to escape.
Look, there are a lot of comics out there. Too many. We can never hope to have in-depth conversations about all of them. But, we sure can round up some of the more noteworthy titles we didn’t get around to from the week. Today, Drew and Spencer discuss Loki: Agent of Asgard 7, New Avengers 25, Superior Foes of Spider-Man 16, Avengers World 14, Original Sin Annual 1, Batman Eternal 28, and Batman/Superman 15.
Drew: It’s no secret around here that I’m a sucker for some good postmodernism (what can I say? I like art about art), which means it should be no surprise that I’m enjoying the heck out of Loki’s latest adventure with a decidedly self-aware Victor Von Doom in Loki: Agent of Asgard 7. Writer Al Ewing has always imbued the series with some charming winks at the audience, but he takes it a step further here, as Loki begins the issue totally frozen in a time-cube — a seeming nod to would-be detractors of all of the recent changes the character has gone through. Of course, much of this issue is given over to rescuing Latveria from “World War Hate,” which gives Ewing some space to preach about how the solution to hate is understanding one another. Loki gets a little snark in, but that message is mostly delivered with a straight face, which robs the series of the sense of humor that usually makes it so fun. It was mostly a fun issue, but switched into a pervasive joylessness as the issue reached its conclusion. Continue reading →
Today, Ryan and Drew are discussing Trees 6, originally released October 15th, 2014.Ryan: Remember watching Dragon Ball Z when you were younger? Remember how you would be so excited for the final confrontations, but shake your fist of the television screen when an entire episode stretched by and nary a punch was thrown? Well, anime, like manga, like comics, like Dickensian 19th century literature, is serialized. The objective of serialization is to keep readers or viewers invested enough to buy the next installment. Sometimes this can lead to frustrating lulls in action which hide under the guise of building exposition. In many ways, I felt this way about Trees 6. While we receive some rumblings of future events and some fall-out from past occurrences, this issue moves the plot forward the smallest amount possible. Continue reading →
Today, Spencer and Drew are discussing Justice League 35, originally released October 15, 2014.
Spencer: Lex Luthor has basically been the main character of Justice League ever since Forever Evil ended, and to be honest, I’m not quite sure how I feel about that. It’s inevitable that Lex will go back to being a full-time villain at some point (unless writer Geoff Johns manages to pull off the biggest reformation in DC history and make it stick), but I’m not sure how much that should influence my reading of Luthor’s intentions. There are two things I do know for certain, though: 1. Luthor’s presence has finally made the rest of the Justice League the competent, inspirational team we’ve been hoping they’d become since the New 52 began, and 2. even if Luthor’s reformation is somehow 100% legit, he still has plenty of misdeeds in his past to face up to. Continue reading →
Today, Drew and Greg are discussing Veil 5, originally released October 15th, 2014.
“Thus it shall befall Him, who to worth in women over-trusting, Lets her will rule: restraint she will not brook; And left to herself, if evil thence ensue She first his weak indulgence will accuse.”
John Milton, Paradise Lost
Drew: How long do you suppose sexism has existed? The Bible would have us believe it’s basically as long as human sexes have existed — Adam was created first in God’s image, with Eve following up as an afterthought of sorts, made of Adam’s spare parts. Coincidentally, she’s also the one who is tricked (or at least talked into) eating the apple from the tree of knowledge first. Sin may be conceived in the mind of Satan, but it’s brought to humanity in the shape of a woman. I appreciate that this is a bit of a tunnel-vision reading of the creation myth — the Bible is full of men who sin without the aid of women — but the notion that women are lesser beings who tempt men to evil continues to pervade our culture, from how much women are paid at work, to blaming women for “provoking” physical attacks (or threats) against them. Gallons of ink have been spilled over this very subject, but Greg Rucka and Toni Fejzula manage to find a new angle in Veil 5, providing an anti-Eve story that — no surprise — feels decidedly more empowering than the original. Continue reading →
Today, Suzanne and Taylor are discussing Ms. Marvel 9, originally released October 15, 2014.
Suzanne:Ms. Marvel 9 introduces the subject of having a heritage that you don’t necessarily connect to. Who hasn’t gone through that at some point as a teenager? We’ve all been there, usually in less dramatic fashion than Kamala’s trip to New Attilan. For some teens, it looks like telling your dad you don’t want to go to med school like he did. For Kamala, this essentially expands on her feelings of difference and being an outsider as a Pakistani American. Continue reading →
Today, Spencer and Shane are discussing Batman and Robin 35, originally released October 15th, 2014.
Spencer: We here at Retcon Punch haven’t been subtle about our love of Batman’s new Hellbat armor. The suit is awesome, and what’s better is that it isn’t just some gimmick meant to push toys; writer Peter Tomasi has created “realistic” (in comic book terms, at least) reasons for the Hellbat’s great power and for why Batman needs to use it in this particular situation. Still, he and penciller Patrick Gleason, inker Mick Gray, and colorist John Kalisz understand just how cool the Hellbat is, and much of Batman and Robin 35’s success comes from how the creative team chooses to portray the suit — which, in some cases, means not showing it at all. The issue is visually dazzling, and the artists know which types of imagery to use to best convey the stories both on Apokolips and on Earth. Continue reading →