Age of Ultron 10 A.I. comes out on June 29th, 2013 and is written by Mark Waid with Art by Andre Araujo. Click here for our complete Age of Ultron coverage.
Here’s a fun exercise: let’s all embrace the cognitive dissonance regarding Hank Pym. Wolverine may have gone back in time to murder him in Age of Ultron 6, but this event seems to be concluding with a new emphasis placed on the former Ant-Man. (Also fairly dissonant: he’s appears to be alive and well in the present in Daredevil and Scott Lang is Ant-Man in FF.) So what do these preview pages look like to you? A crusader for tiny things? For technology? For coming back from the dead / never dying in the first place? Maybe he’s just a crusader for brightly colored costumes?
Patrick: Geoff Johns’ final issue of Green Lantern is framed with a narrative device I was first introduced to in the movie The Princess Bride: the old man reading the story to a young man. The flick is an adaptation of novel, and the novel proports to be a rediscovered classic, heavily annotated by the “editor,” William Goldman (who actually just wrote the whole thing). All three of these example serve to elevate the story itself – you don’t need to look to the real world to find a captive audience, there’s one right there in front of you. This issue takes the entirety of Johns’ run and gives it a reverent audience, promoting the nine years since Green Lantern: Rebirth to mythic stature. I’ve been following the entirety of that run, so I’m part of that audience, and I’m moved and affected in very real ways reading this issue. But the bright lights and decades-old mythology groan under the weight of so much self-congratulation. This is a victory lap – mileage will vary.
Today, Spencer and Drew are discussing Green Lantern: New Guardians 20, originally released May 22nd, 2013. This issue is part of the Wrath of the First Lantern crossover event. Click here for our First Lantern coverage.
Spencer: My first experience with a major creative team shake-up was back in 2007 when Geoff Johns ended his run on Teen Titans. It was the first book I had ever followed monthly, and I walked around for weeks with an empty feeling in my stomach after I heard the news. Nowadays it feels like creative teams change almost daily, and I’ve developed a thick skin out of necessity, but every once in a while a change will hit me like it’s 2007 all over again. Tony Bedard’s departure from Green Lantern: New Guardians is one of those changes, and this final issue epilogue is such an effective goodbye that I feel completely justified about how much I hate to see it end.
Today, Taylor and Ethan are discussing Uncanny Avengers 8AU, originally released May 22nd 2013. This issue is part of the Age of Ultron crossover event. Click here for complete AU coverage.
Taylor: The thing about parties is that they’re only fun if you know the people who are going to be there. Now, this doesn’t apply to everyone, some of the more socially fluid among us have an ability to mix and match with anyone. However, for your average Joe, going to a strange party means having to make conversation with a lot of people you’ve never met before and who you will never meet again. What do you do; who do you know; is that beer good; this song is great – become your most-used phrases for a couple of awkward hours. By the end of the night all the names and faces blend together and you’re more than happy to leave without saying goodbye to any of the people you just met but couldn’t care about less. In just the same way Uncanny Avengers 8AU is not a fun issue to read unless you are steeped in the mythology of the Marvel Universe. Even then, there is little that is appealing about this issue for fans of the series, both old and new. Continue reading →
Today, Mikyzptlk and Patrick are discussing The Superior Spider-Man 10, originally released May 22nd, 2013.
Mikyzptlk: Before Pinocchio was a “real boy” he was marionette imbued with life, but no knowledge of a conscience. So, as an obvious solution, a cricket by the name of Jiminy was tasked to be the boy’s conscience. Even with Jiminy on his side, however, Pinocchio still managed to get into heaps of trouble. Like, way more trouble than is probably appropriate for kids. Eventually though, with the help of Jiminy, Pinocchio learns what it means to listen to one’s conscience, and is rewarded with true flesh and blood life. It’s a classic tale, but what would have happened if Pinocchio kicked Jiminy Cricket to the curb instead? Would he ever have become a real boy, or would he have been fated to become a total jackass? Enter, possibly, the Superior Spider-Man. Continue reading →
Today, Drew and Scott are discussing the Flash 20, originally released May 22nd, 2013.
Drew: Barry Allen is a man of contradictions. As a police scientist, he is beholden to rigorously examining every scrap of evidence before coming to a conclusion. As a speed-powered superhero, he is all about decisive action. I’ve always found the tension between those two extremes particularly relatable — who among us doesn’t vacillate between those poles? — even when the series itself has been heavier on the action. The scrutiny half of this equation has always come across in the subtext, as writers Francis Manapul and Brian Buccellato have hidden details throughout their runs that reward only the most vigilantly close readings. In The Flash 20, they graduate Barry’s detecting skills from subtext to text, but the results are decidedly mixed. Continue reading →
Today, Patrick and Taylor are discussing Teenage Mutant Ninja Turtles Microseries Villains 2: Baxter Stockman originally released May 22nd, 2013.
Patrick: One of my persistent questions about Teenage Mutant Ninja Turtles has been “why would Baxter Stockman put up with Krang’s bullshit?” After all, regardless of what he could offer, Krang’s ultimate goal is the destruction of the human race. Psst! Baxter, you’re one of those humans. There’s a bully component to their relationship, but Stockman also has this too-cool-for-school attitude, seemingly above intimidation. So why would he work so hard toward the completion of the technodrome? Same reason he does anything: because there’s something in it for him.
Today, Spencer and Drew are discussing Red Hood and the Outlaws 20, originally released May 15th, 2013.
Spencer: Our past can be a burden, but it can also be a gift, and while some things are out of our control, most of what determines how we view our past is how we learn from our mistakes, live with our regrets, and learn to forge on. For Red Hood, Arsenal, and Starfire, their past falls into both camps; a shared history of tragedy is what initially drew these three together and cemented their friendship, but their own inability to reconcile their pasts and find a way to deal might just end up driving the Outlaws apart instead.
Today, Shelby and Drew are discussing Nova 4, originally released May 15th, 2013.
Shelby:In the pilot episode of Firefly, we meet the ship’s pilot Wash as he is playing with some toy dinosaurs. As the T-Rex and his veggie-saurus friend survey their new home, the Rex turns on his friend, prompting the delightful line, “Curse your sudden, but inevitable betrayal!” In last month’s look at issues 1-3 of Nova, Patrick and Drew discussed Jeff Loeb’s penchant for cliches; they assumed Young Sam would be betrayed by Rocket and Gamorra, but because it seemed so obvious, they also assumed it was a fake-out. They weren’t totally wrong; Loeb gives us our inevitable betrayal this issue, but it comes from a completely unexpected direction. Continue reading →
Today, Ethan and Shelby are discussing FF 7, originally released May 15th, 2013.
Ethan: Family is the most important thing. The ones closest to us make all the difference, whether that’s helping us reach our goals, being there for us when we’re down, or providing vital sustenance when we kill them and eat them. More on that later. Writer Matt Fraction and artist Michael Allred continue to shepherd FF forward through the latest crisis — the assault by The Wizard — with the all of the quirks and charm we’ve come to expect. Even for an issue that spends more time than usual on its fight scenes, Fraction still finds ample room to pack in both the standard measure of goofball interactions and touching moments.