Today, Spencer leads a discussion about Convergence 3, Adventure of Superman 1, Batman & the Outsiders 1, Flash 1, Green Lantern Corps 1, Hawkman 1, Justice League of America 1, Superboy & The Legion 1, and Wonder Woman 1.
Spencer: With over 30 issues of Convergence under our belts, the formula’s become pretty clear — every issue covers the same beats, including the effects of living under a dome for a year and Telos’ infuriating speech when the dome finally drops (although to be honest, I stopped reading the speech sometime in the middle of Week 2). While Week 3 can’t help but to follow these same patterns, it’s also by far the most experimental week of Convergence yet. Several issues focus on stories that could have easily been told with these characters outside of the dome, while others are more interested in exploring the Crisis on Infinite Earths backdrop. Whatever the case, this week’s batch of tie-ins is a refreshing change of pace from a pattern that was already starting to grow old.
Today, Taylor and Drew are discussing Star Wars 4, originally released April 22nd, 2015.
Taylor: There’s a been a lot of Star Wars news lately thanks to the release of the second trailer for the upcoming The Force Awakens. Aiding the hype of this trailer has been a number of costumes and props that recently went on display at the “Star Wars Celebration. Additionally, there’s a new Star Wars Battlefront game that’s about to be released, the first in a number of years, which has gamers truly excited. Lost among all of this fanfare has been the teaser trailer for the spin-off Star Wars movie, Rogue One. Like the Star Warscomic, this movie takes place between famous episodes of the primary trilogies and like the the comics it offers a behind the scenes, gritty look at the rebellion. This aspect, more than anything else, is what makes the comic interesting and what makes issue four of the series so fun to read. Continue reading →
Today, Patrick and Spencer are discussing Velvet 10, originally released April 22nd, 2015.
Patrick: Aren’t spies just the coolest? They’re up there with ninjas as some of the most fascinating types of heroes. Part of what makes them both so damn irresistible is their impossible levels of competency. It’s the same reason we love Sherlock Holmes – we can’t fathom a scenario that he can’t clever his way out of. That makes their day-to-day lives the stuff of fascinating stories, even if we have every confidence going in that they’re going to come out victorious. But then, why’s it so satisfying to watch these infallible heroes scramble? There are few moments as narratively disarming as the odd beats when James Bond or Sherlock Holmes or Ethan Hunt are caught off guard. It’s like a violation, seeing the most capable people out-matched. Velvet 10 shows our already on-the-run hero set even further back, and the scope of the story broadens rapidly, mutating so quickly that we barely have time to understand one development before the next steamrolls everything that came before. It’s dizzying, disorienting, and leaves the breathless reader just as lost as our hero. Continue reading →
Today, Drew and Patrick are discussing Convergence: Swamp Thing 1, originally released April 22nd, 2015.
Drew: When Steve Carell left The Office, series writer BJ Novak tweeted a series of Michael Scott story ideas that would never be told. Some of those pitches seemed hilarious, but what actually stuck with me about them is that the opportunity to make them had simply stopped. They couldn’t ever become episodes of The Office because Michael Scott was no longer on the show. That kind of context-specific storytelling is constantly turning over in comics, where the monthly grind of continuity requires that no one situation can last too long. You’ve got a great Superior Spider-Man pitch? You’ve missed the boat. A Dick-as-Batman idea? Not gonna happen. A JSA arc? Too late. Convergence has offered one last hurrah for characters from very specific moments in their history, but that “one last hurrah” has often felt more like a eulogy than a celebration. With Convergence: Swamp Thing 1, Len Wein and Kelley Jones take that sense of mourning a step further, as Pre-Crisis Swamp Thing barely clings to life. Continue reading →
Look, there are a lot of comics out there. Too many. We can never hope to have in-depth conversations about all of them. But, we sure can round up some of the more noteworthy titles we didn’t get around to from the week. Today, Patrick, Drew and Spencer discuss Ms. Marvel 14, Nova 29, Loki: Agent of Asgard 13, Secret Identities 3, and the Kitchen 6.
Patrick: Heading in to Secret Wars means counting down to the endings for a lot of characters and series. This week saw us reaching conclusions for Loki and Nova, but the headstrong Kamala Kahn keeps barreling forward with her teenage / superhero drama like she couldn’t even be bothered with something like Secret Wars. It’s an exciting meta statement of purpose for the Ms. Marvel: she’s got her own shit going and, and isn’t about to let a little thing like the end of the world(s) get in the way of that. Continue reading →
Today, Spencer and Shane are discussing Convergence: Superboy 1, originally released April 15th, 2015. This issue is part of Convergence. For our conversations about the rest of Convergence last week, click here.
Spencer: If there’s one flaw to this second week of Convergence tie-ins that wasn’t present in the first, it’s the fact that these characters can’t really change or evolve. Since week one took place at the end of the Post-Crisis DC Universe, the creative teams could examine what an “ending” for their protagonists may look like (before cruelly snatching those endings away), but this week’s books have to keep their stars in a sort of suspended animation — unable to evolve or drift too far from their established fate, they’re more than ever defined by their most basic conflicts and character traits. This isn’t always a bad thing (it works out better for Parallax than, say, Azrael), but it is a bit of a tricky hurdle to leap. Do Fabian Nicieza and Karl Moline manage to succeed in crafting a compelling story for Superboy despite the limitations of the format? I’d say yes, but despite this impressive success, they do falter just a bit on some of the smaller details. Continue reading →
Today, Taylor and Michael are discussing Uncanny X-Men 33, originally released April 15th, 2015.
Taylor: When watching any of the Star Trek series you quickly become aware that every episode centers primarily on one character. Depending on how important the character to the series, they’ll have more episodes than others. For example, Picard generally gets about five to six focus episodes each TNG season while Troy gets two to three. Generally, this means you know if an episode is going to be good or not. Picard episode? Yes! Geordi episode? No. With as cast that numbers somewhere in the thirties (at least) it comes as no surprise that Brian Michael Bendis would try this technique with Uncanny X-Men. This way, every character gets a taste of the limelight and most readers leave satisfied. The question though, is does this doom the series to a Star Trek-like cycle where some issues are great and others are not solely based on stars in them? Continue reading →
Today, Patrick and Mark are discussing The Fox 1, originally released April 15th, 2015.
So the seasons change
and the storefronts change,
everything else stays the same.
The wind don’t blow
and the grass don’t grow:
you’re never leaving Silver Street.
Ben Folds “Silver Street”
Patrick: There’s a sweet mystique to the idea of the Home Town. For me, Kenosha, Wisconsin, will always be trapped in the 1990s — a place frozen in time. I know that’s not actually the case: the years pass in Wisconsin much as they do everywhere else (if a few degrees cooler), and any qualities of being fixed in time are being selfishly imposed by me. It’s easier if I can image a place that will forever house my childhood enthusiasms and explorations. It’s a shock to my system every time I go home and discover that something has changed. Dean Haspiel and Mark Waid explore these concepts of change and timelessness as Paul Patton Jr. — aka, The Fox — takes a trip down memory lane and finds it blocked by both the passing of time and time’s refusal to pass. Continue reading →
Today, Michael and Patrick are discussing Convergence: Green Lantern/Parallax 1, originally released April 15th, 2015. This issue is part of Convergence. For our conversations about the rest of Convergence last week, click here.
Michael: With the leak of the trailer for Batman v Superman: Dawn of Justice this past week, I’ve been thinking about Man of Steel a lot lately. And while I could write a book on why I didn’t like that movie, it really boils down to the fact that I found most of the things that Superman did in Man of Steel to be very out of character for the hero that I know. In the realm of comic books, characters go through many changes — I mean, you’ve gotta keep things interesting. But the changes that work are typically those that essentially feel true to those characters. Tony Bedard has been handing in some very solid Convergence tie-ins so far; they’re not perfect but he really has the core of these characters down, no matter what point in time they’re in. Continue reading →