Today, Drew and Patrick are discussing Fables 144, originally released September 17th, 2014.
Han: How we doin’?
Luke: Same as always.
Han: That bad, huh?
Return of the Jedi
Drew: If I had to point to a line that hooked me on Star Wars, it would be this line from Return of the Jedi. Maybe I should back up. I had somehow made it to age 9 without ever seeing a Star Wars movie when my 3rd grade teacher perplexingly allowed us to watch the first half-hour of Jedi in class. Knowing nothing about the movies, I was thoroughly enjoying my introduction to the Star Wars universe when the above exchange blew my mind straight out of my eyeballs. There are other adventures like this one? I honestly don’t think I could have been as hard up for the other movies if I had seen them in order. I suppose that’s my way of saying beginning a story at the end can be a rewarding, if unorthodox approach. It’s a particularly intimidating prospect in a world as steeped in its own mythology as Fables, but I’ll be damned if issue 144 doesn’t give me that same “I’ve got to go back and read them all” feeling. Continue reading →
Today, Suzanne and Spencer Drew are discussing Hawkeye 20, originally released September 10th, 2014.
Drew: Of all the ways a writer can use to emphasize their storytelling beats, shuffling the chronology of the events always demands my attention. I almost called it “distracting” but I think I mean “demands my attention” — I absolutely appreciate that it’s a handy tool in the savvy writer’s toolkit, but we’re so used to perceiving events one after the other that flipping them around feels noticeably alien. Again, I don’t want to imply that it’s inherently bad — there are lots of compelling reasons to tell a story out-of-order — but that it draws attention to itself in ways that aren’t always accounted for. Fortunately, Matt Fraction has routinely proven himself capable of handling (and justifying) these types of stories, making Hawkeye 20 an excellent example of nonlinear narrative done right. Continue reading →
Today, Patrick and Spencer are discussing Superman Unchained 8, originally released September 10th, 2014.
Patrick: I’d never really considered how strange it is that we refer to the biggest global political players as “super powers.” It’s…weird, right? That’s a phrase taken from our capes and cowls, our frequently immature power fantasies, and applied to governments. It might be comforting to think of the United States as Superman, swooping in to altruistically save the day, but the truth isn’t so clear-cut. How can a government take altruistic action when there is no “self” to sacrifice? One body makes a decision, another carries out the action, and a third has to deal with the consequences. Heroism comes from that internalizing the whole process, from decision-making through the consequences. With Superman Unchained 8, Scott Snyder suggests that Superman can (and should) be that singular entity. Continue reading →
Today, Greg and Drew are discussing Velvet 7, originally released September 10th, 2014.
Greg: When’s the last time you dorked out in public? For me, “dorking out” is a simultaneously freeing yet embarrassing experience. The feeling of visceral pleasure and physical high you get from an unbound joy something gives you, crashing into the realization that the folks you’re dorking out too don’t have much of a frame of context, and can’t join in. I once spent five minutes dorking out over a long-take fight scene in Skyfall to my parents, who in response, coughed awkwardly and said “That sounds nice.” They’re gonna have to look out, though, because Velvet is so staggeringly good and checks every box of stuff I love, that it’s 100% being added to my “dork-out” pile.
Today, Drew and Patrick are discussing Lazarus 11, originally released September 10th, 2014.
Drew: There’s a scene late in Lazarus 11 that finds Malcolm Carlyle dictating a message for Forever to deliver. We’ve seen Forever take on the role of messenger/negotiator before, but what’s remarkable here is how open Malcolm is about his means of manipulation. He’s considered every action and reaction that will happen as Forever carries out his orders, and is able to maintain exacting control in spite of being thousands of miles from the actual negotiations. It’s an unsettling display of raw power, but also opens the possibility that Malcolm is himself being manipulated — it would only take a mind equal to Malcolm’s to have anticipated all of his actions here. With all of this subterfuge, it’s easy to see why Forever might question if she’s getting the whole truth from her father about her parentage. Continue reading →
Today, Taylor and Drew are discussing East of West 15, originally released September 10th, 2014.
Taylor: Some of the oldest and most enduring philosophical questions ever asked have to do with the nature of reality. Actually, maybe that’s basically a working definition of the subject in general. The question of what is reality is one that spans the world. The Taoist philosophers of Ancient China believe that what we perceive is actually an illusion. Likewise, in the West, the Ancient Greeks believe that reality is but a shadow of some ideal world crafted in our minds. That two such disparate cultures should come to similar conclusions shouldn’t be surprising. After all, it’s long been known that we can’t trust our senses to accurately inform our world view. Given the ubiquity of this idea, it’s not surprising to see it spring up in the latest issue of East of West. The series is nothing if not philosophical and the question of reality seemed like a matter of ‘if’ not ‘when’. While this doesn’t surprise in issue 15, what does is just how destructive this question might prove to the world of the Seven Nations.
Today, Patrick and Greg are discussing Swamp Thing 1: Futures End originally released September 3, 2014.
Patrick: Okay, so why “five years later,” huh? What’s the point of all these glances into the theoretic furutre of DC Comics? I know it shouldn’t matter that these stories may prove to be part of a future-narrative that gets wiped out of the canon, but it’s hard to shake the feeling that we’re reading a bunch of what-if stories. Intriguingly, these glimpses into future have their eyes set on the past; evoking elements of Pre-Flashpoint continuity and reconciling that with what’s been established since September of 2011. The future is a point on a line, plotted using the past and present as reference. It’s a herculean task, but one that writer Charles Soule and artist Jesus Saiz are more than up for, aligning themselves with the intrepid Alec Holland, perhaps unsure that they would make it through to the other side unharmed.
Today, Taylor and Drew are discussing Uncanny X-Men 25, originally released September 3rd, 2014.
Taylor: While comics readers know it not to be true, there is a stigma that hero worship is something juvenile. Why this stigma persists I can’t say — after all, we have grown men who wear the jerseys of their sports heroes on a weekly basis. Why superhero worship is considered nerdy in comparison to these other idols, I don’t know. Still, it says something about people that we love to have heroes, even after we’ve reached an age where we like to think we don’t need them anymore. But the weird thing about heroes is that they seldom live up to our conception of them. We seem to never outgrow this aspect of hero worship, and as Scott Summers learns in Uncanny X-Men 25, this can be a bitter pill to swallow.
Today, Spencer and (guest writer) Mark are discussing on Batman Eternal 22, originally released September 3rd, 2014.
Spencer: 2014 marks the 75th Anniversary of Batman, so it’s easy to understand why DC decided to publish a weekly Batman book this year. It’s interesting to me to think about Batman Eternal as a part of the celebration, though, because it’s a series that is decidedly not about Batman; instead, it’s focused on those who Batman has inspired and the city he protects. Issue 22 is the first in a new arc, but it only further emphasizes those themes, welcoming a reluctant new ally into the family and presenting more villains with their own twisted ideas about what Gotham city truly is.
Today, Drew and Patrick are discussing Original Sin 8, originally released September 3rd, 2014.
Drew:As the final chapter of a summer crossover event, Original Sin 8 has significantly more baggage than the average comic issue. In addition to wrapping up its own 8-issue maxi-series (9 if you count that zero issue), this issue is essentially charting of the trajectory of the Marvel Universe in the short term, setting up an array of new series and new volumes of old series that seem to fall out of the aftermath of this event. All that is to say that it’s easy for this conversation to turn into a discussion of Original Sin as a whole, or even how we feel about some of the lasting changes this issue presents. There’s certainly value in those conversations (and believe me, I’m going to talk about them a bit), but first, I want to examine whether or not this issue manages to be entertaining in its own right. Continue reading →