Taylor: The internet is an amazing tool. The rhetorical nature of that comment is almost so great that it’s remarkable, but I think it’s occasionally a good exercise to step back and take stock of the amazing things that make up our world. In the recent past the internet has caused real social change given its ability to unite people behind a singular cause. In particular, the movement for gender equality seems to be gaining more and more steam, as both women and men are able to voice their experiences with prejudice in their daily lives. Comics, being a reflection of the world of which gave them birth, are also picking up on this trend. It seems only natural that Wonder Woman, a title which features an empowered female lead, would eventually weigh in on this subject. However, the subtlety and grace with which it broaches this topic in issue 30 is both unexpected and wonderfully wrought, making for an memorably understated episode.
Look, there are a lot of comics out there. Too many. We can never hope to have in-depth conversations about all of them. But, we sure can round up some of the more noteworthy titles we didn’t get around to from the week. Today, Patrick, Shelby and Drew discuss All-New Ultimates 1, Superior Foes of Spider-Man 11, All-New Ghost Rider 2, Iron Fist: The Living Weapon 1, Shutter 1, Green Lantern Corps 30, and Astro City 11.
Patrick: We start our round-up in that most peculiar corner of the Marvel Universe, the Ultimate corner. All-New Ultimates 1 introduces the titular team — now comprised of Spider-Man, Spider-Woman, Cloak and Dagger and Bombshell — as they try to reclaim their claim in a post-Cataclysm New York City. Without S.H.I.E.L.D. to support them, or anyone with any managerial experience, it looks like the series is positioned to explore the way groups of teenagers function without central leadership. And while that’s sorta interesting, so much of it happens in costume, the only exception to that is a single scene between Jessica and Kitty Pryde (on whose couch Jessica is crashing). Continue reading
“There are no facts, only interpretations.”
This notion is a kind of unofficial mantra for Retcon Punch. We fully embrace that our perspectives are limited, which is why virtually everything we publish features at least two writers and an open comment section. It’s an attitude that serves us very well when discussing works of art, where interpretation is paramount, but makes us decidedly less good at journalism, which aims to transcend interpretations in pursuit of facts.
We’ve largely shied away from reporting news (honestly, there are so many sites for comic news out there already), and while we will wade in every once in a while, our cross-talk format results in longer gestation times than the twitter-assisted news cycle tends to have patience for. We’re happy to focus on discussing comics and leaving the news to other sites, but we felt like we needed to speak up about the Janelle Asselin Controversy and fallout. This story is obviously bigger than the facts in question – something that might warrant the kind of longer, slower conversations we do here — and more importantly, it addresses issues that matter to us personally. Continue reading
Hell is a terrible place. Maggots are your sheet, worms your blanket, there’s a lake of fire burning with sulfur. You’ll be tormented day and night for ever and ever. As a matter of fact, if you actually saw hell, you’d be so frightened, you would die.
Miss Albright, “Homer vs. Lisa and the 8th Commandment”
Drew: Do you ever get the impression that people are trying way too hard to make hell scary? Fire and brimstone is exactly as generically horrible as harps and white robes are generically pleasant — I understand the gist, but holy crap do those rewards and punishments have no relation to my everyday life. I suppose the reason the over-the-top conception of hell is so frustrating to me is that it ignores a much scarier truth about a life of sin, one that remains true even if you don’t believe in any kind of afterlife: that you may be forever tormented by your own guilt. If you believe you are deserving of some horrible fate, you will spend your days waiting for the axe to fall, while someone at peace with their actions may lead a more serene, contented existence. In that way, Heaven and Hell aren’t destinations we move to at the ends of our lives, but mindsets we create for ourselves as we move through them. These are feelings that tend to lie dormant, but can be brought to the surface by something as big as a loved one passing, or as small as having one too many drinks. Manifest Destiny 6 finds Lewis and Clark confronted by both ends of the spectrum (if you replace the drinks with a potent floral hallucinogen), and shows just how differently they respond.
Drew: Ah, the anthology-style anniversary issue. I absolutely appreciate the concept of bringing in a bunch of top creators to riff on a character they know and love, but in practice, all of that talent ends up competing to leave an impression. That often means wild deconstructions of the very character the issue is celebrating — a thrilling exercise for longtime fans, but one that runs the risk of alienating more casual readers. In the letters column for Daredevil 1.5, editor Ellie Pyle asks what Daredevil means to us, but the question in my mind is “who is this comic for?”
Today, Shelby and Drew are discussing Superman/Wonder Woman 7, originally released April 9th, 2014.
Shelby: I’m pretty bad at talking about my feelings. I’ve gotten better, because I have realized the value in just stating how I feel or what I want plainly, but I still sometimes have a hard time with it. Talking to dreamy men is still my biggest challenge; there’s just something about the simple phrase, “You are cute and cool, want to grab a drink?” that causes my brain to just completely melt down. I recognize it’s pretty silly, but am at the same time powerless to stop it. Maybe it’s an extreme fear of rejection? Or maybe I’m worried I’ll end up in a awkward situation like Clark and Diana, who have an unspoken, “I love you, too” hanging between them (not to mention nuclear fallout).
Look, there are a lot of comics out there. Too many. We can never hope to have in-depth conversations about all of them. But, we sure can round up some of the more noteworthy titles we didn’t get around to from the week. Today, Drew and Patrick discuss Pretty Deadly 5, Private Eye 6, Red Sonja 8, Red Sonja and Cub Magneto 2, Black Widow 5, and Swamp Thing 30.
Drew: We like thinking about comics on this site — it’s literally the only reason it exists — which often predisposes us to patience. We’re willing to put the time in to unpack a dense work of art or give creators the benefit of the doubt that this will all pay off because we know how rewarding those experiences can be. That patience means we may be willing to wait a little longer for answers — heck, it may mean we actually like waiting for answers — but there’s a point of diminishing returns on ambiguity. Indeed, the bliss of ignorance can obscure the conflict necessary to drive a narrative. Or, put another way: is it possible to appreciate a solution if we never understood the problem? Continue reading
Spencer: She-Hulk is a superhero lawyer. What does that mean? Well, she’s a superhero who is also a lawyer, but that’s obvious. Does it mean she takes on cases involving superpowered individuals? No doubt they’re a huge part of her clientele, but I think there’s more to it. Charles Soule and Javier Pulido’s She-Hulk 3 finally gives us a chance to see Jennifer Walters, attorney-at-law, in action, and she’s every bit as great at the job as we’ve been told. What stood out to me the most, though — and what truly makes her a “superhero lawyer” in my eyes — is that she tackles the case with the same kind of enthusiasm and dedication that she devotes to fighting crime. Continue reading
Marvel continues to grow its movie universe with its second installment of our favorite super soldier in Captain America: Winter Soldier. Naturally, we all want to talk about it. Probable spoilers after the break: welcome to the Chat Cave.