We try to stay up on what’s going on at Marvel, but we can’t always dig deep into every issue. The solution? Our weekly round-up of titles coming out of Marvel Comics. Today, we’re discussing A-Force 2, Amazing Spider-Man 7, Sam Wilson: Captain America 6, Captain Marvel 2, Deadpool: Mercs for Money 1, Howard the Duck 4, and Rocket Raccoon and Groot 2.
Today, Michael and Drew are discussing Detective Comics 49, originally released February 3rd, 2016.
Michael: Jim Gordon has been Gotham’s Dark Knight since June and with Bruce descending into the Batcave in the pages of Batman, it seems that Gordon’s rooftop days are nearing their end. That kind of bums me out to be honest. While Snyder’s work on Gordon in Batman has been bombastic fun, I’m not sure that he’s had enough time to engage in the wide array of Batman capers. Enter Pete Tomasi’s three-part story arc: “The Bronze Age.” Continue reading
Today, Drew and Spencer are discussing The Vision 4, originally released February 3rd, 2016.
Drew: I recently watched a video titled “Why Donald Trump is a Gift to Democracy,” which effectively argues that the correlation between Trump’s disproportionate coverage and high poll numbers reveals the problems in how a profit-driven news media can be hijacked by anyone desperate for attention. I’m not as optimistic as the video seems to be about our collective will to change this phenomenon, but the more I think about it, the more absurd a profit-driven news agency is — if good reporting and the bottom line don’t match up, a publicly traded company really only has a duty to the latter. It’s ultimately not in service of the public it reports to, but the shareholders. This may seem like an odd introduction to a discussion of a comic about a robot-family’s struggles at fitting in in suburbia, but a profit-driven news media is actually the closest thing I can think of to an artificial intelligence that would harm humans in order to sustain itself. Only, you know, I have a lot more sympathy for the family of robots. Continue reading
Today, Drew and Ryan D. are discussing Black Magick 4, originally released January 27th, 2016.
Drew: I’ve been thinking a lot about genre lately. Specifically, how we might define genre as a concept. I tend to think of genre as a checklist of conventions; guns and horses? That’s a western. Period costumes and overly-earnest impressions? That’s a biopic. But every convention you can think of has numerous exceptions, and writers love deconstructing genres, which means there’s no one trait that would actually be true of an entire genre. Instead, “genre” is more of a cloud of possibilities, and any given story’s placement within that genre is a negotiation of the conventions that fit within that cloud and the subversions of those conventions. Why use those conventions at all? There are a number of reasons, but one of the most practical is that those conventions work as a shorthand — we don’t need the concepts of interrogation rooms or fortresses of solitude explained to us, even though we’ve never experienced them ourselves. This allows writers to skip ahead to the subversions, showing us what’s unique about this particular genre story. We all know what’s unique about Greg Rucka and Nicola Scott’s Black Magick (it’s right there in the name), but issue 4 is the first to hint at just how different that might make this story. Continue reading
Look, there are a lot of comics out there. Too many. We can never hope to have in-depth conversations about all of them. But, we sure can round up some of the more noteworthy titles we didn’t get around to from the week. Today, we discuss Cry Havoc 1, Faith 1, Jem and the Holograms 11, Jupiter’s Circle Volume 2 3, Outcast 15, Ringside 3, and Spire 6.
We try to stay up on what’s going on at Marvel, (especially when All of these things are New) but we can’t always dig deep into every issue. The solution? Our weekly round-up of titles coming out of Marvel Comics. Today, we’re discussing Daredevil 3, Moon Girl and Devil Dinosaur 3, Spider-Woman 3, and All-New Inhumans 3.
Today, Drew and Ryan M. are discussing Saga 33, originally released January 27th, 2016.
Drew: I’m currently taking a class on autobiographical comics, and the discussion thus far has centered around the question of subjectivity. Many of the memoirists we’ve examined thus far have favored the “truth” found in their subjective experience, as opposed to the “historical truth” of a more objective account, but I’ve always found the assumption that history is objective to be problematic. “History is written by the victors,” as the saying goes, revealing not only that history is necessarily biased, but also that history is more the story of wars than life. Indeed, even a historical account of a war has to consider who the story is really about: Generals? Individual soldiers? Civilians? Reporters? That last one may seem out of place, taking a narrow focus on people who neither represent the masses nor the machinations of war, but as the ones literally writing the histories as they happen, reporters are the only ones capable of giving an account that isn’t filtered through the subjective experience of someone else (as, say, a civilian’s story as told by a reporter would be). There are more layers of subjectivity to explore here, but the point is: reporters’ stories are just as important as those they cover, which makes Saga 33‘s turn to Upsher and Doff so welcome. Continue reading
Today, Spencer and Drew are discussing Teenage Mutant Ninja Turtles 54, originally released January 27th, 2016.
Spencer: Telling someone they see things in black and white is practically tantamount to calling them childish. The general idea is that as people grow up, the world and the decisions they have to make in it become more ethically gray, and trying to hold onto clear definitions of “good” and “evil” in the light of that is futile. Of course, when confronted with that line of reasoning many respond just as Calvin did in the strip above — they claim that sometimes things really are that simple! In essence, this is the argument that dominates Teenage Mutant Ninja Turtles 54, where the Mutanimals nearly splinter over the discovery of Old Hob and Hun’s alliance. Continue reading
Look, there are a lot of comics out there. Too many. We can never hope to have in-depth conversations about all of them. But, we sure can round up some of the more noteworthy titles we didn’t get around to from the week. Today, we discuss Batman and Robin Eternal 16, Robin: Son of Batman 8, American Monster 1, Wolf 5, Star Wars 15, and Judge Dredd 2.
We try to stay up on what’s going on at Marvel, but we can’t always dig deep into every issue. The solution? Our weekly round-up of titles coming out of Marvel Comics. Today, we’re discussing Deadpool 6, Hercules 3, Ms. Marvel 3, New Avengers 5, Patsy Walker A.K.A. Hellcat 2, Silver Surfer 1, and Uncanny Inhumans 4.