Today, Greg and Taylor are discussing Daredevil 10, originally released November 19th, 2014.
Greg: Like many folks who work in a creative field, I battle with depression. Now I know that this is a site that critiques comic books, not the critics’ psyches, so I won’t go into agonizing detail, but I will tell you that there are times when you feel like you’re drowning among loved ones, I’m currently feeling a lot better, and that feeling better is something you work on daily. I’ll also tell you the only reason I’m being this forward is because Daredevil 10 touches on depression in such a refreshingly accurate and harrowing way, that I can’t help but feel disappointed when it ultimately devolves into a hastily tidy wrap-up. Continue reading →
Today, Taylor and Patrick are discussing Zero 12, originally released November 19th, 2014.
Taylor: As a comic, Zero has bucked many of the conventions that have come to define our understanding of a comic book series. Whereas most comics enjoy a prolonged run of writer and artist, Zero has one writer with a rotating cast of artists each issue. Instead of following a straightforward plot progression, Zero tells its story with no truly describable pattern, instead exploring mood and ideas before plot. The hero, usually given the most amount of ink in words and artwork, here shares his pages with other characters in an act that shifts the focus of the story away from him and onto the world he calls home. All that being said, it’s easy to see why Zero might be overlooked by some. But for those seeking a unique reading experience, there’s nothing quite like it. Continue reading →
Today, Drew and Taylor are discussing All-New Captain America 1, originally released November 12th, 2014.
Drew: Am I the only one who sees Captain America as an unlikely legacy hero? I understand that the precedent was set back when Bucky first took up the mantle, but Captain America has always struck me as a character more defined by his personality than his power-set. I think that tends to be true of Marvel’s heroes in general — Iron Man is less the adventures of a guy with a metal suit, and more the adventures of Tony Stark, for example — which makes the thought of separating the hero from the alter-ego seem almost impossible. If you take Steve Rogers out of the equation, what is Captain America other than a good fighter with a patriotic outfit? That question seems to be at the center of Rick Remender and Stuart Immonen’s All-New Captain America, and while the first issue only addresses it glancingly, it’s clear they have a compelling answer. Continue reading →
Today, Taylor and Spencer are discussing Thor 2, originally released November 12th, 2014.
Taylor: One of the best (and if I’m being totally honest with myself, the very best) parts of visiting a comic book convention is seeing the costumes donned by the attendees. It’s rare that you get to see grown men and women enthusiastically dressed in costumes which reference their pastimes. In particular, I’ve always enjoyed the gender-swapped costumes which many an industrious con-goer has crafted. It speaks to a reader’s dedication when they take the time to craft a costume that is at once recognizable as being the character in question, but also bold enough to envision that character as a different gender. The reboot of Thor, with a lady acting as the titular character, seems to have taken ques from the bold women who have gender swapped heroes in the past. In similar fashion, this She-Thor doesn’t take guff from anyone and is at once assured and powerful. Continue reading →
Today, Suzanne and Taylor are discussing Gotham Academy 2, originally released November 5th, 2014
Suzanne: A few years ago, I lost interest in reading literature about teenagers and coming-of-age stories. Maybe I read books like Catcher In the Rye too many times in high school. Or when I hit my mid-twenties, I could finally get up on my soap box about how youth-obsessed American culture can be without feeling (too) hypocritical.
Then Kieron Gillen and Jamie McKelvie’s Young Avengers shook up my perspective, proving that the right creative team can sell almost any genre. Since then, books like Batgirl and Gotham Academy are (soon to be) mainstays on my pull list. Relationship drama? Impulsive heroes? Hipster fashion? Check. Check. Check. I’m hoping that Gotham Academy can maintain its unique tone without lapsing into a paint-by-numbers romantic drama.
Today, Shane and Taylor are discussing Action Comics 36, originally released November 5th, 2014.
Shane: Horror in comics has recently hit a major revitalization. Heralded by the meteoric success of The Walking Dead, we’ve seen such titles as American Vampire, Uzumaki and Locke & Key emerge to terrify the market. Even mainstream superhero books like Animal Man and X-Men have made real attempts to embrace the horror genre, but, honestly, answer me a question: If you had to pick an iconic superhero, one of the real icons, to have a major horror arc…would Superman be your first choice? No. Not at all. Batman, sure — he fits right into the dark world. Even Wonder Woman, with her mythological connections, could gravitate towards a number of unsettling stories. But Superman, the paragon of hope? Not a chance. Continue reading →
Today, Greg and Taylor are discussing Death Of Wolverine: Deadpool & Captain America, originally released October 29th, 2014.
Greg: Is it macabre to say I hope I go to an Irish wake one day? Maybe my view is distorted by inaccurate media representations, but they seem vibrant, emotionally charged, full of humor and, well, life. Yet a sense of melancholy reverberates throughout — not unnecessarily maudlin, but genuine and cathartic. Death Of Wolverine: Deadpool & Captain America hits these disparate Irish wake-ish notes expertly, taking the reader through outstanding jokes and poignant gut-punches, sometimes on the same page. Continue reading →
Today, Taylor and Drew are discussing All-New X-Men 33, originally released Ocotber 29th, 2014.
Taylor: A sense of belonging is important for our day-to-day lives. The city we live in, the place we work, where we sleep, and who we interact with are in some way or another based on our desire to feel we belong. Now, whether this sense borders on the quasi-mystical or is a simple impulse to feel comfortable is unimportant. Rather, humans being social animals just want to belong to part of the whole. When you’re a mutant, however, finding a place where you feel that sense of belonging becomes all the more difficult. It’s hard to relate to others when they very may well despise you (and also when they don’t know what it’s like to levitate and the like). The All-New X-Men, more so than their regular X-Men counterpart,s know this quandary, as they’re displaced in time along with being displaced socially. So what happen’s when their sense of belonging is stretched even further? Continue reading →
Today, Mark and Taylor are discussing Arkham Manor 1, originally released October 22nd, 2014.
Mark: As DC’s unquestionable cash cow, there is never a dearth of new Batman-related titles and spinoffs in the works. Within the past month DC has launched two new Batman-adjacent titles, first the youth-oriented Gotham Academy and now Arkham Manor. Continue reading →
Today, Taylor and Patrick are discussing Zero 11, originally released October 22nd, 2014.
Taylor: While it’s not glamorous, there’s something to be said for the home life. True, this statement probably doesn’t carry much weight from a homebody like myself, but — like a Hobbit — I just love the comforts of my own digs. While some people seem mentally disposed to this lifestyle, others have come to appreciate it because they haven’t always been able to enjoy it. Edward Zero is certainly the latter of these two. After being a spy his entire life, he seems to long for nothing but the quiet life. A house, a partner, and maybe a few chickens sprinkled on the side are all he needs. However, in the case of Zero he didn’t choose the spy life, it chose him. And when that chooses you, it can be difficult — if not impossible — to escape.