Patrick: How do we heal? Whether the wounds are physical or emotional, there’s almost never a good answer to that question — certainly never an easy answer. When I look back on the biggest hurts I’ve recovered from, I know that I did heal, but I couldn’t for the life of me tell you how. I remember at the time feeling like there would be no relief — from a broken heart, or a broken bone. I was always afraid that I’d never get better, that I would only ever forget what “better” feels like and accept broken as my new emotional base. It’s unsatisfying and it’s messy and it’s prone to regression. The biggest fuck of it all is that there are no shortcuts. All of the Turtles (and their friends) are in need of healing, and it’s been such a slow beautiful process, I can’t help but feel unnerved when April introduces a magic healing goo. Fortunately, the tension between the quick fix and honest healing is right at the front of yet another fantastic issue of TMNT. Continue reading
Today, Taylor and (guest writer) Aaron are discussing X-Files Conspiracy Teenage Mutant Ninja Turtles, originally released February 19th, 2014.
Taylor: The crossover is deadly move in basketball. The quick change in direction shakes up the defender and often creates unique scoring opportunities for whoever employs it. Outside of the basketball court, however, the crossover enjoys a more dubious reputation. Countless times have two entertainment franchises created a crossover event to help generate buzz for each property, and countless times has this resulted in a complete and utter mess. I can’t blame publishers and studios for doing this though; it seems like a logical thing to do at first glance. Just take two things people like and mash ‘em together to create double interest! However, jamming two distinct franchises together is actually pretty hard, especially when each has its own distinct universe set up. That being said: what in the world can we expect from a crossover between Teenage Mutant Ninja Turtles and the X-Files?
Today, Ethan and Taylor are discussing the Teenage Mutant Ninja Turtles 30, originally released January 29th, 2013.
Ethan: It’s easier to break than to mend. Anyone who’s ever fallen out of a tree and landed on their arm, or dropped an upright piano on their foot on moving day*, has first-hand experience with this phenomenon. Bones snap in a hurry, but they take forever to rebuild. The Mutant Ninja family just went through hell, and now that they’re safely ensconced in the barn down the road from April’s parents’ house in the country, they’re getting down to the painful process of knitting themselves back together. While this issue deals with the same setting and general themes as the previous one, it moves us forward in ways that make sure we don’t feel like it’s just a re-tread. Not to mention that its final panels signal that we’ll soon be leaving the realm of sleepy barns in the woods for a return to beat-down brawls against the Foot. Continue reading
Today, Patrick and Taylor are discussing Teenage Mutant Ninja Turtles: Utrom Empire 1, originally released January 22nd, 2014.
Patrick: Leadership is the damnedest thing. Unless the people you’re leading believe or value the same things you value, everything falls apart. Hearts and minds, right? Without ideological unity, imperialism fails. These are the kinds of thoughts that didn’t bother 9 year old Patrick — nor should they have — so I never considered the tenuous position Krang finds himself in constantly: fighting for an empire that no one even seems to give a shit about. In Paul Allor and Andy Kuhn’s Utrom Empire, Krang’s authority is tested at every turn, and the abstract concept of the “Utrom Empire” starts to take the mythical shape of a force bigger than any one character’s ambition. It’s about fear, it’s about power, it’s about survival. Continue reading
We all love a good one-off or anthology, but it’s the thrill of a series that keeps us coming back to our comic shop week-in, week-out. Whether it’s a decades-spanning ongoing or a short-run miniseries, serialized storytelling allows for bigger casts, bigger worlds, and bigger adventures. We were lucky to read a lot of great series over the past year, but it’s those that pushed the boundaries that we wanted to sing special praises of. These are our top 13 series of 2013.
Today, Taylor and Patrick are discussing the Teenage Mutant Ninja Turtles 29, originally released December 18th, 2013.
Taylor: Despite its dubious reputation, the 1990 live action Teenage Mutant Ninja Turtles film is actually a pretty good movie. While some see it simply as a cash cow (which, it also certainly was), it also has a good amount of heart and depth. Midway through the movie, the turtles get pretty beat up by the Foot Clan and Master Splinter is captured. The turtles retreat to April’s farmhouse and while there, they heal and experience a spiritual and meaningful growth. They learn to function better as a team and dig into the depths of their beings and find what it is that makes them special. This is the climax of the movie. These scenes are where the turtles come into their own and turn the corner and realize they must and can defeat Shredder. With this in mind, it’s exciting to see the TMNT series move its focus to April’s farm. In the wake of City Fall, what can the turtles learn? What must they learn in order to survive as a force for good and family? Continue reading
Today, Taylor and Drew are discussing Teenage Mutant Ninja Turtles Microseries 8: Shredder, originally released December 4th, 2013. Taylor: For many things, the magic is in the mystery. Not knowing how a magician sawed that lady in half makes the trick something more than it really is. We all know that the magician isn’t actually cutting a living person in two and putting them back together again. However, we don’t know exactly how they created that illusion and are left to wonder how exactly the trick (or illusion) was pulled off. This blurs the line between reality and perception and lets the imagination fill in the gaps. Anything is possible in this space and therein lies the beauty of a magic show. Just so, the circumstances surrounding Oroku Saki’s death and rebirth have, up to this point, been shrouded in mystery. It’s been fun speculating just how the turtle’s age old enemy has defied death, but in Teenage Mutant Ninja Turtles Microseries 8: Shredder, we get some definite answers. With the illusion of his rebirth dispelled, it seems that the TMNT universe has lost a little magic of its own.
Today, Drew and Taylor are discussing the Teenage Mutant Ninja Turtles 28, originally released November 27th, 2013.
Don’t it always seem to go/that you don’t know what you’ve got till it’s gone?
-Joni Mitchell, Big Yellow Taxi
Drew: It’s easy to take things for granted. In our never-ending quest for the better, we often overlook the value of what we already have — especially if we’ve always had it. “Youth is wasted on the young,” as they say, which I’ve always taken to mean that you can only truly appreciate a carefree existence once you’ve lived a careful existence. Because kids have never lived in a world where their parents weren’t always there for them, they can’t really understand what it is their parents do for them in the first place. I’ve long felt the same way about Leonardo. He’s the leader because he’s always been the leader — I’ve never really understood what it is he brings to that role on the team (you know, besides having any of the more distinctive quirks of his brothers). City Fall has long featured some exploration of what life without Leo looks like, but Teenage Mutant Ninja Turtles 28 shows just how well the turtles work without him. Continue reading
Today, Drew and Ethan are discussing The Rocketeer & The Spirit: Pulp Friction 3, originally released November 13th, 2013.
“It’s the moment, when the movie … becomes an entirely different movie.”
Drew: I’ve said it before (and I’m sure I’ll say it again): I love thinking about form. It’s one of the most fundamental elements of storytelling, and I believe that studying a narrative’s form informs us more about our own experience reading it than even the best plot or character analyses. I’m always looking for new perspectives on form, and was happy to see John Roger’s post on 3-Point Plotting on Mark Waid’s own Thrillbent. It’s a fairly straightforward introduction to the standard three act structure, but I had never seen it broken down so succinctly into “disruption, reversal, and conclusion.” I was particularly intrigued by Roger’s discussion on the reversal — which he defines using that McCarthey quote — as it explains the all-too familiar experience of a narrative changing direction abruptly after I’m already invested in what was going to happen. What happens when you liked what a story was more than the story it becomes? Continue reading
Today, Ethan and Patrick are discussing Teenage Mutant Ninja Turtles Microseries Villains 7: Bebop and Rocksteady originally released October 30th, 2013.
Ethan: If the Teenage Mutant Ninja Turtles franchise were a film, it would be a little tricky to say what role Bebop and Rocksteady play. Not quite supporting actors, but more than extras, they fill an interesting niche in that world. They were originally conceived as a way to pack more mutants into the cast in order to sell action figures, but they’ve grown a bit past that, especially now in their own TMNT issue Villain Microseries 7: Bebop and Rocksteady. The story and art by Dustin Weaver and Ben Bates gives us a fresh take on their origins and follows their antics and induction into the Foot Clan, taking us right up to the events of TMNT #27, building out the characters into more than just the comic relief cardboard cutouts we saw in the cartoon series and somehow making them both easier and harder to relate to as we see their friendship and violence enhanced in step. Continue reading