Drew: Last month, Patrick laid out the difference between time travel narratives that amount to fish-out-of-water stories and those that are actually about time travel — that is, those where the actions and repercussions of time travel are the point of the story. Turtles in Time 1 fell squarely into the first category, basically giving the Turtles an excuse to run around with dinosaurs for a while. It’s certainly a noble endeavor (and darn successful — we loved the heck out of that issue), but for a mini-series titled Turtles in Time, it seems only natural that the focus should shift back to the time travel itself, bringing all the concerns of causation and the space-time continuum to the fore as the Turtles encounter themselves pre-reincarnation in feudal Japan. Continue reading
Today, Patrick and Drew are discussing The Last Fall 1, originally released July 16th, 2014.
Patrick: You know what’s wrong with the narrative in the Star Wars prequels? I mean, beyond “everything” — if you had to pin-point what’s so awful about the story itself, what overarching storytelling philosophy leads that series astray? I’m sure everyone has their own answer to this, but for me, the biggest culprit is Lucas’ refusal to make the interstellar conflict personal. All the motivating factors for going to war are tariffs and alliances — which could be effective if only our characters had some sort of relationship to how futile and trivial their efforts are. That’s a damn shame: there’s a lot of compelling mileage to mine from the futility of war. Tom Waltz and Casey Malone’s The Last Fall is set to explore just that thematic territory.
Patrick: I’ve always considered Back to the Future Part II to the be only movie in the series that’s really about time travel. The first movie is kind of a send up of the ’50s (through the eyes of ’80s, all of which is hilarious in the ’10s), and the third one a fish-out-of-water cowboy story. It’s only really in the second film that the consequences of time travel become the subject of the story, and not just the result of the story. This isn’t a knock against the other flicks at all — you should never underestimate how much fun it is to put characters in a time which they don’t belong. Free from any worries about paradoxes and time-loops, Teenage Mutant Ninja Turtles in Time sets out to simply have fun plugging the iconic characters into a history that has no place for them. And holy shit, is it fun. Continue reading
Today, Patrick and Taylor are discussing the Teenage Mutant Ninja Turtles 34, originally released June 4, 2014. Patrick: Are you ever at a party and meeting someone new and they ask what you do? Conventional wisdom says that you should just tell the person what your day job is — “I work in an office;” “I’m a teacher;” “I work in fundraising” — but we all know that’s a woefully inaccurate representation of what you do. We’re all hobbies and clubs and jobs and passions and interests. Prioritizing those identities is hard, so we tend to just slide back to describing ourselves by where we’re employed. But maybe we should all be introducing ourselves by saying “I read comics and foster daily online conversations about them” or “I’m an improviser” or whatever. Our priorities say more about who we are than where we burn eight hours in the middle of the day, right? The Teenage Mutant Ninja Turtles are currently having their unified identity challenged by this very idea, as the looming threats of Krang and Shredder vie for the top of their priorities list. Continue reading
Patrick: This series always makes me feel warm and fuzzy about families. While the four brothers all have their differences, it’s clear that their shared strength — both emotional and physical — is greater than the sum of the parts. They struggle, but they also love. Part of the reason I find those relationships so powerful is because I was exposed to them at a very early age, when I was trying to figure out how I fit into a family with my siblings, so it’s been easy to see myself and my sisters in the turtles. I had a pretty healthy family, maybe a little touch too cold and German, but everyone was happy and allowed to be whatever they needed to be. Not all families are so healthy, and Teenage Mutant Ninja Turtles 33 turns it eye towards the most dysfunctional family in the line-up: the Jones’. It’s a heartbreaking look at what happens when support structures fail.
Greg: There’s a level of poker-faced sincerity in The Illegitimates that is, at the very least, somewhat admirable. At times the issue reminded me of VHS box art to 1980s action movies, the “blue skies” of USA shows like Burn Notice, and a sense of hazy nostalgia that I’ve played this video game before but couldn’t tell you the name of it. I offer muted applause to the issue for offering unironically these kinds of low-stakes, predictable pleasures gleaned from these cultural experiences, yet can’t help but notice it neither commits hard enough nor subverts strongly enough to make any lasting impact.
Patrick: IDW’s Teenage Mutant Ninja Turtles has been something of a revelation for me. As an adult, I have been delighted to see the teenage-ness of these characters explored for the universal tragedy we all know it to be — isolation, anger, confusion. That’s hard shit that we all went through. These last couple issues at Northampton have allowed the creative team to meditate on those feelings against the quiet backdrop of some uneasy healing. But damn it all, they’re also ninjas. That means that part of their experience, part of the way they process their emotions, is through violence. Issue 32 trades in its quiet moments for explosive action beats, and while it’s harder to relate to that kind of resolution, the fact that it works so well for the Turtles reminds the readers that, for all we have in common with dorky teenagers, they are warriors and their salvation comes from making war.
Patrick: How do we heal? Whether the wounds are physical or emotional, there’s almost never a good answer to that question — certainly never an easy answer. When I look back on the biggest hurts I’ve recovered from, I know that I did heal, but I couldn’t for the life of me tell you how. I remember at the time feeling like there would be no relief — from a broken heart, or a broken bone. I was always afraid that I’d never get better, that I would only ever forget what “better” feels like and accept broken as my new emotional base. It’s unsatisfying and it’s messy and it’s prone to regression. The biggest fuck of it all is that there are no shortcuts. All of the Turtles (and their friends) are in need of healing, and it’s been such a slow beautiful process, I can’t help but feel unnerved when April introduces a magic healing goo. Fortunately, the tension between the quick fix and honest healing is right at the front of yet another fantastic issue of TMNT. Continue reading
Today, Taylor and (guest writer) Aaron are discussing X-Files Conspiracy Teenage Mutant Ninja Turtles, originally released February 19th, 2014.
Taylor: The crossover is deadly move in basketball. The quick change in direction shakes up the defender and often creates unique scoring opportunities for whoever employs it. Outside of the basketball court, however, the crossover enjoys a more dubious reputation. Countless times have two entertainment franchises created a crossover event to help generate buzz for each property, and countless times has this resulted in a complete and utter mess. I can’t blame publishers and studios for doing this though; it seems like a logical thing to do at first glance. Just take two things people like and mash ‘em together to create double interest! However, jamming two distinct franchises together is actually pretty hard, especially when each has its own distinct universe set up. That being said: what in the world can we expect from a crossover between Teenage Mutant Ninja Turtles and the X-Files?
Today, Ethan and Taylor are discussing the Teenage Mutant Ninja Turtles 30, originally released January 29th, 2013.
Ethan: It’s easier to break than to mend. Anyone who’s ever fallen out of a tree and landed on their arm, or dropped an upright piano on their foot on moving day*, has first-hand experience with this phenomenon. Bones snap in a hurry, but they take forever to rebuild. The Mutant Ninja family just went through hell, and now that they’re safely ensconced in the barn down the road from April’s parents’ house in the country, they’re getting down to the painful process of knitting themselves back together. While this issue deals with the same setting and general themes as the previous one, it moves us forward in ways that make sure we don’t feel like it’s just a re-tread. Not to mention that its final panels signal that we’ll soon be leaving the realm of sleepy barns in the woods for a return to beat-down brawls against the Foot. Continue reading