Shelby: Everyone needs a reality check every now and again. It’s that moment at the end of a vacation when you first check your work email, when the fantasy you’d been living is revealed to be just that, and it’s time to get back to reality. It’s not a fun feeling, discovering something seemed too good to be true because it was, that the “happily ever after” you thought you had was just a story and now the story’s over. Kate Bishop has been trying to build herself a new reality away from a certain, “needy abusive black hole of crippled emotions,” and it was finally beginning to look like she’d succeeded. Unfortunately, she’s got a massive dose of reality headed her way, and it’s not going to be pretty.
Spencer: Hawkeye is consistently one of the most daring comic books on the shelf. That doesn’t necessarily mean it’s always making the biggest, most shocking moves, but it does mean that anything’s fair game when it comes to this book. An issue told from the point of view of the dog? Sure! Killing off a beloved supporting character then spending months and months revisiting the event from every conceivable angle? Why not?! Separating the main characters then dividing up the narrative between them? Seems do-able! Matt Fraction doesn’t shy away from taking risks with Hawkeye, no matter how strange or mundane, and Hawkeye 17 is one of the strangest of all. Fortunately, it’s charming as all get out. Maybe that’s the true legacy of Hawkeye: the risks always pay off. Continue reading
Spencer: Why do we love Clint Barton so much? I could probably devote my entire word count to the reasons, but the one that sticks in my head is that he’s heroic, but still endearingly flawed. Clint screws up a lot, but he’s always trying to do the right thing, no matter how badly he goes about it. Matt Fraction and David Aja’s Hawkeye 15 reveals that Clint’s attempts to save his building are less than legal and have only pushed the Tracksuits to more desperate measures. But despite it all, I can’t help but like the guy even more; his heart’s in the right place. Continue reading
It can be hard to keep up with all the comics you love. But it’s damn near impossible to keep up with all the comics you’re interested in.
Retcon Punch got you covered.
Clint Barton, a.k.a. Hawkeye, became the greatest sharpshooter known to man, then he became an Avenger – this is what he does when he’s not being an Avenger. He lives! He loves! He loses! We wrap up the first 13 issues of Hawkeye and explain why Kate Bishop left and why Clint’s so damn sad all the time.
Spencer: Hawkeye writer Matt Fraction calls Wednesday “the worst day in comics.” Why? Because it’s the day all the writer’s mistakes “become fixed and permanent.” Yeah, it can be hard for any creative individual to put their work out there and be satisfied with it; personally, sometimes I even have a hard time not going back into these articles after they’ve published to fix them up. Hawkeye 16 provides an object lesson on why we should put our work out there anyway through the life stories of Will and Grey Bryson, brothers and musicians whose relationship has been ruined by the forty years they’ve spent composing their magnum opus. Continue reading
Today, Shelby and Patrick are discussing Hawkeye 14, originally released November 27th, 2013.
Shelby: There’s a very idealistic romance to being young and on your own. It’s easy for me, at the ripe old age of 29, to see younger people’s enthusiasm and just roll my eyes. I’m just jaded enough to have very little patience for that sort of thing. As Matt Fraction’s Hawkeye continues with the adventures of Hawkeye (not Hawkguy) Kate Bishop in L.A., we get a heavy dose of romance, both of the idealistic-youth type and the couple-in-love type. Is Fraction laying it on thick to crack through my jaded, exterior shell?
Shelby: FINALLY! Six months ago, something terrible happened to our favorite hot mess Clint Barton. I won’t spoil it here before the jump, but if you’ve been reading this title you know what I’m talking about. Matt Fraction has taken us on a whirlwind tour of everyone’s involvement and reactions, and I mean everyone: the man responsible, Kate, Lucky the Dog, even Clint’s brother. The one voice who’s been silent is the one I’ve been most eager to hear. That is, of course, Clint, and finally today Fraction, David Aja, and Matt Hollingsworth tell us Clint’s side of the story. It’s exactly as heartbreaking and lonely as you would expect.
Today, Patrick and Drew are discussing Hawkeye Annual 1, originally released July 24th, 2013.
Patrick: My favorite comedic bit in any issue of any comic I’ve ever read is conversation Clint Barton has with his buddy Grills about his superhero identity. “Hawkguy?” “Hawkeye.” It’s so endearing that most of us just call the character Hawkguy now and smile on the inside. So, when this issue sees a nervous Kate Bishop accidentally introduce herself as “Kate Hawkguy, Bishop,” it’s hard not to draw immediate comparisons to the very mentor she’s trying to distance herself from. Lucky for Kate (and for us), she’s only inherited his most charming character traits. Continue reading
Today, Drew and Spencer are discussing Hawkeye 12, originally released July 10th, 2013.
Drew: What is it that excites you most about a narrative? Or, what element of a story is so important to you that you might overlook other issues? Obviously, there’s a baseline for quality, but in a pinch, some of us might excuse weak plotting if the character work is good, or flat characters if the story is exciting enough. For me, that magic element is form. I’m willing to excuse wrote plotting or stiff characters as long as the story is told to me in a new way. Hawkeye has never suffered from either of those problems, but its recent discursive plotting and focus on seemingly every character except Clint has the potential to bore plot- and character-philes. Its form, on the other hand, has been absolute crackerjacks. Issue 8 kicked of a series of issues — each from a different perspective — that have revisited scenes time and again, each offering a different perspective on the events. It’s part Roshomon, part A/B plotting, creating a hybrid form that keeps each episode emotionally satisfying, all while weaving an incredibly dense chain of events. Hawkeye 12 adds Barney Barton to the mix, mining a great deal of pathos from the brothers’ childhood. Continue reading
Today, Ethan and Shelby are discussing Hawkeye 11, originally released June 26th, 2013.
Ethan: Heroes often have a fundamentally different way of perceiving the world than the rest of us – a unique challenge for the artists who have to bring them to life in comics. We’ve seen Iron Man’s in-suit view, cluttered with dozens of HUD displays showing vectors, power levels, and incoming angry phone calls. Spider-Man suffers an attack of Wavy-Line-Halo when he’s in danger. Daredevil’s world of radar-sense is one of the most foreign: wireframe surfaces instead of color, ripples of information spreading from source to receiver. In Hawkeye #11, artists Matt Hollingsworth and David Aja gives us our first close look at one of this title’s new heroes, along with his fascinatingly alien way of experiencing his surroundings. Lucky, the Pizza Dog, is pretty out of this world. Continue reading