Drew: Adults are very good at pretending to know what they’re doing. Indeed, they’re so good, most folks don’t figure this out until they’re already in the midst of pretending to know what they’re doing themselves, and by then, they’re already adults. It’s almost a secret that there’s basically nothing that qualifies us to have jobs, pay rent, get married, have kids, and whatever else it is that grownups do. You’re not going to be adequately prepared for these things by the time you start doing them, and you’re only going to get better through trial and error. It’s that “error” part that’s scary — nobody wants to lose their job, home, spouse, or kids — but fortunately for us, the stakes of any single mistake are relatively low. Batman, on the other hand, has always played for much higher stakes — typically the wellbeing of his hometown — and Batman 30 explores just what happens when he isn’t up to the challenge.
Patrick: Thaal Sinestro is a complicated character, driven by exactly as many conflicting emotions and values as the Great Hal Jordan. While the yellow ring-slingers bear his name, he was always underserved by that characterization. Sinestro is no monster, but the Sinestro Corps is nothing but. He’s a Green Lantern. He’s a patriot. He’s a hero. Cullen Bunn and Dale Eaglesham take the first issue of their new series to explore the gulf between what Sinestro is and what Sinestro is supposed to be. Continue reading
Today, Patrick and Spencer are discussing Justice League 29, originally released April 16th, 2014.
Patrick: Here’s a little bit of a confession: I don’t know why we make fun of people who use Internet Explorer. I think most of us use Chrome or Safari to navigate the internet, and I know a lot of smart, young, web-savvy types that will also use Firefox in a pinch. But IE? You might as well be my grandmother at that point. The browser is so closely associated with disinterested or novice internet use that it’s sorta become shorthand for “the person using this product doesn’t know anything about technology.” I’m sure that’s unfair, and I’d be willing to wager that most of the bugs and clumsy UIs that drove us all away from IE in the first place have been worked out and it’s a totally serviceable browser. Still though. Fucking n00bs, right? As Geoff Johns decides that technology vs. humanity has always been a theme of Forever Evil, the solutions feel less logical and reasoned and more magical. If the story is trying to convince me that it’s in anyway tech savvy, Justice League 29 is not putting forth the most compelling argument. Continue reading
Drew: What do we expect of this series? Grand world-building? Serviceable (if maybe uninspired) Batman stories? When we discussed the first issue, I argued that the way this series addresses our expectations — the way it fulfills some but defies others — may be its most distinctive characteristic. Indeed, issue 2 is so drastically different in form and focus, it’s easy to see defiance of expectations as this series’ unifying trait.
Taylor: The internet is an amazing tool. The rhetorical nature of that comment is almost so great that it’s remarkable, but I think it’s occasionally a good exercise to step back and take stock of the amazing things that make up our world. In the recent past the internet has caused real social change given its ability to unite people behind a singular cause. In particular, the movement for gender equality seems to be gaining more and more steam, as both women and men are able to voice their experiences with prejudice in their daily lives. Comics, being a reflection of the world of which gave them birth, are also picking up on this trend. It seems only natural that Wonder Woman, a title which features an empowered female lead, would eventually weigh in on this subject. However, the subtlety and grace with which it broaches this topic in issue 30 is both unexpected and wonderfully wrought, making for an memorably understated episode.
Patrick: One of the tricks to performing satisfying long form improv is the ability to call out an unusual thing and deal with it. In fact, most of the Upright Citizens Brigade’s comedic philosophy is based around that single truth: whatever’s happening, let’s identify it, explore it and process it. “Don’t be coy” is what that usually breaks down to. Issue 30 of Batgirl is mercilessly coy, refusing to share its biggest secret, but still tries desperately to mine pathos out of it. The result is an emotional clusterfuck — one that I doubt would be satisfying even if the powers that be deemed us worthy of Forever Evil‘s biggest reveals.
Patrick: I love Batman, but I’ve been exposed to so many books and games and movies and TV shows (plus one Stunt Show Spectacular at Six Flags), that very little in a Batman story can genuinely surprise me. The writing team on Batman Eternal acknowledges this familiarity, simultaneously leveraging those emotional beats for everything they’re worth, and suggesting that there are still some surprises out there. Continue reading
Today, Shelby and Drew are discussing Superman/Wonder Woman 7, originally released April 9th, 2014.
Shelby: I’m pretty bad at talking about my feelings. I’ve gotten better, because I have realized the value in just stating how I feel or what I want plainly, but I still sometimes have a hard time with it. Talking to dreamy men is still my biggest challenge; there’s just something about the simple phrase, “You are cute and cool, want to grab a drink?” that causes my brain to just completely melt down. I recognize it’s pretty silly, but am at the same time powerless to stop it. Maybe it’s an extreme fear of rejection? Or maybe I’m worried I’ll end up in a awkward situation like Clark and Diana, who have an unspoken, “I love you, too” hanging between them (not to mention nuclear fallout).
Shelby: Because I like to stay on top of pop culture trends, I recently discovered the TV series Legend of the Seeker. It’s a pretty straight-forward magic-based fantasy, based on Terry Goodkind’s series The Sword of Truth. You know, right up my alley. Anyway, there are two groups of magical women in this universe: Confessors and Mord-Sith. The Confessors’ power is based on love and truth; they can see when someone is lying, and as a last resort force them to tell the truth by causing people to fall desperately in love with them. The Mord-Sith, however, get their power from hate; all love, kindness, and compassion is burned out of them from youth until all they know is how to cause pain and hatred. While neither situation is ideal, it’s made clear that the love for a Confessor can elicit positive change in a person, whereas “training” from a Mord-Sith can only breed more hate. So, what do you get when someone is motivated by both love AND hate? By quiet dignity and unbelievable cruelty? Maybe we should ask Green Arrow.
Scott: Segues: you either love ‘em or you hate ‘em. I’ve listened to enough standup comedy to know that I’m a fan of the clean break, the abrupt change of topic. Lengthy transitions are just a waste of time. In longer storytelling formats, such as monthly comic books, there’s more of a virtue in spinning many plates at once. Even though stories are broken into defined arcs, some elements carry over from one arc to the next, making the clean break impossible. It results in issues like Action Comics 30, where writer Greg Pak’s first major arc comes to an end while also introducing important pieces of the story to come. The issue looks fantastic, but the story gets a little messy as it tries to connect the old with the new, making me wonder if Pak might have been better off nixing the segue.