Spencer: Unsurprisingly for a group that claims to rule the world in secret, the Illuminati functions much like a government. Both are made up of various individuals each supposedly dedicated to bettering the world (or their country, whatever), but who are also devoted to personal causes of their own which quite often cause major conflicts of interest. In the past, we’ve worried that these conflicts could tear the Illuminati apart, but New Avengers 12 flips that situation by showing the Illuminati putting aside their differences (if only temporarily); their actions keep the world safe, but do serious damage to their personal lives. Continue reading →
Today, Greg and Shelby are discussing Pretty Deadly 2, originally released November 27, 2013.
Greg: There’s a difference between something feeling “challenging” and “hard”. The way I visualize it – and be forewarned, this is going to be super dumb – a brain approaches a thing that’s “challenging” like a cocky knight approaching a dragon: he knows he will be tested, but he knows he can ultimately triumph based on his skills. Conversely, a brain approaches a thing that’s “hard” like a cocky knight approaching a titanium wall that goes on forever: try as he might, all he’s gonna be able to do is bash his head against the wall.
This issue of Pretty Deadly feels like a titanium wall. One that’s particularly pretty, mind you.
Today, Scott and Mikyzptlk are discussing The Flash 25, originally released November 27, 2013.
Scott: Have you ever said goodbye to someone outside a restaurant and then proceeded to walk down the street in the same direction as them? It’s weird. That’s what I was expecting out of The Flash 25, since writer/artists Francis Manapul and Brian Buccellato are back one last time after penning what felt an awful lot like their farewell issue a month ago. But rather than an awkwardly silent side-by-side walk to adjacently parked cars, this issue feels like a wake-up call. Manapul and Buccellato illustrate (I mean, literally illustrate) the reasons why I’m going to miss them. The issue is merely a tie-in with little significance to Flash as a series, but when these guys are doing the art (as they are for only a portion of this issue), they don’t need much story to turn out something great. Continue reading →
Today, Patrick and Scott are discussing Deadpool Annual 2013, originally released November 27th, 2013.
Homer: Next, I’ll tell you the origin of Maggie’s pacifier.
Marge: What origin? We get ‘em for $1.95 down at the Safeway.
The Simpsons, “Lisa’s Sax”
Patrick: “Whys?” are important. At least, we want them to be. The Simpsons episode “Lisa’s Sax” explores the origins of — you guessed it — Lisa’s saxophone. The story features Bart’s disenchantment with the education system, the Simpsons’ poverty and the cold swirling mystery of raising a child. It’s insightful and heartfelt and honest: we learn about a crucial piece of the show’s mythology and just how much it informs, and is informed by, the series’ cast. It makes the saxophone Important in a way it hadn’t been before. But the episode is tagged with the exchange above, which readily admits that not all origins can be so fulfilling, no matter how integral a piece of mythology is. The Deadpool Annual explores both the origin, and subsequent termination, of Deadpool’s white voice over boxes. Is this a saxophone story or a pacifier story? Continue reading →
Today, Shelby and Patrick are discussing Hawkeye 14, originally released November 27th, 2013.
Shelby: There’s a very idealistic romance to being young and on your own. It’s easy for me, at the ripe old age of 29, to see younger people’s enthusiasm and just roll my eyes. I’m just jaded enough to have very little patience for that sort of thing. As Matt Fraction’s Hawkeye continues with the adventures of Hawkeye (not Hawkguy) Kate Bishop in L.A., we get a heavy dose of romance, both of the idealistic-youth type and the couple-in-love type. Is Fraction laying it on thick to crack through my jaded, exterior shell? Continue reading →
Ethan: When I was starting college, I knew – objectively – that I would at some point no longer be a student; I’d graduate, get a job, do the adulthood thing. But at the time, steeped in the day-to-day evasion of and frantic return to schoolwork, hanging out with friends, sleeping as little as possible, the thought if college actually ending rarely crossed my mind. And then BAM it was time to get up to go to the early-morning rehearsal for the graduation ceremony. College was finished, I was moving into a new apartmen and starting a new job. That sense of disconnect – when something long awaited feels as though it happens and is shoved into the past before we have the chance to actually experience – is the same feeling I’ve gotten during most of the turning points in the Infinity event, and the same is true of its finale. Continue reading →
Today, Drew and Taylor are discussing the Teenage Mutant Ninja Turtles 28, originally released November 27th, 2013.
Don’t it always seem to go/that you don’t know what you’ve got till it’s gone?
-Joni Mitchell, Big Yellow Taxi
Drew: It’s easy to take things for granted. In our never-ending quest for the better, we often overlook the value of what we already have — especially if we’ve always had it. “Youth is wasted on the young,” as they say, which I’ve always taken to mean that you can only truly appreciate a carefree existence once you’ve lived a careful existence. Because kids have never lived in a world where their parents weren’t always there for them, they can’t really understand what it is their parents do for them in the first place. I’ve long felt the same way about Leonardo. He’s the leader because he’s always been the leader — I’ve never really understood what it is he brings to that role on the team (you know, besides having any of the more distinctive quirks of his brothers). City Fall has long featured some exploration of what life without Leo looks like, but Teenage Mutant Ninja Turtles 28 shows just how well the turtles work without him. Continue reading →
We here at Retcon Punch are total saps for tradition and nostalgia and dumb stuff like that. So, in order to properly celebrate Thanksgiving with all the rest of you, Patrick came up with the best, most traditional way to do it: hand-traced turkeys.
We had a little craft time, and present to you, the Internet, the Retcon Punch First Annual Thanksgiving Superhero Hand Turkey Extravaganza!
First up is Mikyzptlk’s tremendous BoosTurkey Gold. More after the cut, Happy Thanksgiving!
Look, there are a lot of comics out there. Too many. We can never hope to have in-depth conversations about all of them. But, we sure can round up some of the more noteworthy titles we didn’t get around to from the week. Today, Drew and Ethan discuss Thunderbolts 18, A+X 14, Superior Spider-Man Annual 1, Longshot Saves the Marvel Universe 2, Young Avengers 12, Uncanny X-Men 14, X-Men 7, and X-Men: Legacy 20.
Drew: Our Infinity-fatigue is pretty well catalogued at this point, but Charles Soule continues to find a fresh angle in Thunderbolts 18. Where other series are preoccupied with piecing together a monolithic narrative by retracing the same steps, Soule has stayed very street-level, keeping his team focused on the mission at hand, even as New York crumbles around them. They manage to succeed in that mission in spite of each of them being focused on their own problems. Indeed, with a significant portion of the resolution arriving via the coincidental overlap of those problems, this series feels all the world like the superhero version of Seinfeld. Continue reading →
Look, there are a lot of comics out there. Too many. We can never hope to have in-depth conversations about all of them. But, we sure can round up some of the more noteworthy titles we didn’t get around to from the week. Today, Mikyzptlk and Patrick discuss Batwoman 25, Red Hood and the Outlaws 25, Birds of Prey 25, Forever Evil: Rogues Rebellion 2, Green Lantern New Guardians 25 and Fables 135
Mikyzptlk: Hey y’all, let’s kick things off with Birds of Prey 25, shall we? Many years ago, Sensei Desmond found a young Dinah Lance in a hungry and homeless state. He gave her a home, taught her how to fight, and, after his death, his dojo. During the Zero Year, Dinah gets mixed up in an affair involving government agents and ninja assassins, but she is able to help said agents track down important intel that could lead them to Riddler. The lead agent John Lynch, then asks her to join his team. Continue reading →