Today, Mikyzptlk and Patrick are discussing Aquaman 24, originally released October 23rd, 2013.
Mikyzptlk: Families can be tough to deal with. Sometimes, you want nothing more than to make sure that everyone is happy, even if that means doing what is expected of you. Other times, maybe even most of the time, you just want to head for the hills and do your own thing. Aquaman has it infinitely worse because he has a royal family to deal with. For years, Aquaman was planted firmly in the hills doing his own thing until he made the choice to become the king of Atlantis. It’s a bit of a bummer though, because Aquaman 24 reveals that he was never meant to be king in the first place and that he might just be the villain of this piece…or at least the descendant of one. Continue reading →
Spencer: One of my favorite hobbies is explaining comic book storylines to people who don’t read comics (“Hey guys, did you know that the Justice League once fought a giant floating psychic island that shoots dinosaurs?!”). It’s always fun to watch their expressions, but it’s also an interesting reminder that comics, at their core, are goofy as hell. Personally, I don’t think that’s a bad thing. I’m glad comics are finally being respected as an art form, and I wouldn’t be writing here if I didn’t love poring through comics and discussing their depths, but sometimes it’s just fun to turn off my brain and embrace the goofiness, and no story’s been better for that lately than Trinity War. It’s so much fun that I don’t even mind that big fat “to be continued” at the end—well, I don’t mind it that much…
Drew: Determining a level of focus is perhaps the most important step in evaluating a work of art. These foci are specific to the style at hand — harmonic analysis is likely going to tell you very little about a rap song, just as an examination of brush strokes wouldn’t add much to a discussion of da Vinci. Intriguingly, these styles often begin to resemble each other as you zoom in and out — abstract paintings may share concepts of form, color, or composition with those of the Rennaisance masters, for example — further increasing the importance focus in an analysis. Geoff Johns has always written “big” — he’s been at the helm (or at least sharing the helm) of some of DC’s most important events over the past decade — and his writing has often chafed at the analyses of his critics. Justice League of America 7 actually avoids many of the pitfalls Johns is often cited for (a lot of stuff actually happens here), but it still has me wondering if we’re simply using the wrong tool for the job of evaluating a giant, Geoff Johns-penned event. Continue reading →
Today, Shelby and Mikyzptlk are discussing Aquaman 20, originally released May 29th, 2013.
Shelby: An interlude is a mini bit of music, inserted in the middle of a larger musical composition. Like an intermission, except you don’t get to go to the lobby to stretch your legs and stand in the bathroom line for 15 minutes. If we’re talking a theatrical interlude, it’s a little play squished between acts of a bigger play; why we wouldn’t just keep watching the regular play, I couldn’t tell you. I may not see the necessity of an interlude as a member of the audience, but sometimes the entertainers just need a 15 minute breather, and I guess providing some sort of filler entertainment is considerate. But if you’re going to stop the action for something completely different that isn’t especially good, don’t be surprised if I walk out before the second act. Continue reading →
Today, Mikyzptlk and Brandon are discussing Aquaman 19, originally released May 1st, 2013.
Mikyzptlk: The game of Tetris is one of the most popular videogames of all time. To this day, people still enjoy that particular puzzle game, making sure that the many pieces fit together just right to get the best score. Similarly (just go with me on this), there’s been quite a few moving pieces in Aquaman during the fallout of Throne of Atlantis. Geoff Johns has been busy pushing his story elements and its characters forward, and I’m (mostly) interested in where this story is going. However, while there are certainly pieces of this puzzle I’m fascinated by, this issue may suffer from paying too much attention to getting all pieces to fit in the right place, and not enough to the titular hero. Continue reading →
Scott: Much like nations at political odds, the relationships between superheroes can be delicate. Nowhere is this more apparent than in Justice League 19, which finds our heroes causing a ruckus in the Middle East while also tending to some interpersonal matters. Writer Geoff Johns packs a surprising amount of story into this issue, which continues prior plotlines involving new Justice League inductees and the relationship between Superman and Wonder Woman while introducing an intriguing new mystery. It skirts close to melodrama at one point, but the result is a satisfying mix of new questions and answers, a creatively packaged, fast-paced thriller. Continue reading →
Today, Shelby and Patrick are discussing DC Universe Presents 19, originally released April 17th, 2013.
Shelby: I won’t lie to you, gentle readers: I wasn’t especially excited to write about this issue. I had heard rumor that the secret hero from the future was going to be Booster Gold. I don’t have anything against ol’ Booster, but I don’t feel any strong connection, either, so I wasn’t particularly joyful about it. But, as I took a closer look at the cover and saw the giant sword impaling Flash, and remembered the last time I saw Tony Bedard and Jesus Saiz [editor's note: the issue was actually drawn by Javier Pina - Patrick talks about it in his response] team up, I grew more and more excited. I won’t spoil it here, in case you haven’t read it yet and want to be surprised. Continue reading →
Today, Shelby and Mikyzptlk are discussing Aquaman 18, originally released March 27th, 2013.
Shelby: Aquaman 17 seemed to mark a new direction for our favorite King of the Seven Seas. Already tired of dealing with the political machinations of his new throne, he seemed ready to devote himself to the ocean, because fish don’t give a shit which political party you represent. I was intrigued where this would take the story; would it turn into a Captain Planet-esque crusade to protect ocean-life? Would that be lame, cool, or just enough of both to be enjoyable? As it turns out, all my speculation was for naught; despite Arthur’s desires, he finds himself mired more and more tightly in the politics of the throne. Continue reading →
Today, Patrick and (guest writer) Evan are discussing Justice League 18, originally released March 20, 2013.
Patrick: I’m always missing something when I read a DC or Marvel comic. The companies and the characters have been around too long and there’s just too much material for me to be well-versed in all of it. That’s not an apology or an admission of any kind – I think we should all accept that readers have a infinite amount of time and money and memory and interest. One of my biggest pet peeves is when someone stares at me, mouth agape and says “Oh my God, I can’t believe you haven’t read blank.” Justice League 18 digs deep into the DC archives but also embraces brand new creation and mixes vigorously. Suddenly, it doesn’t matter what you’ve read before. Continue reading →
Today, Patrick and Shelby are discussing Aquaman 17, originally released February 27th, 2013.
Patrick: When I originally got my friend Taylor into comic books, I suggested Scott Snyder’s Swamp Thing series. Taylor was intrigued, saying that the idea of a Captain Planet made of Plants seemed like a really fun book to read. Of course, Snyder’s Swamp Thing has more to do with elaborate mythologies and alternate futures and cool stuff like that, but that idea stuck with me. We read so few comic books about superheroes that stand for anything. Our heroes are driven by revenge or obligation or circumstance to fight crime, but none of them end up championing any causes – they just keep fighting whatever supervillains pop up to challenge them. After the events of Throne of Atlantis, Aquaman finds himself wedged uncomfortably between the roles of superhero and supervillain. What other choice does he have than to enact his own values and forge his own path?