Spencer: I’ve been told that the key difference between introverts and extroverts is that interaction with other people drains introverts’ energy, while it recharges extroverts. I can believe that — I love spending time with friends, but if I’m around people too much it can be mentally exhausting, and I end up retreating to my room to charge my batteries for a few days. As an extrovert, though, Dick Grayson — the newest agent of Spyral — has the opposite problem: he needs people and personal connections to thrive. Dick certainly has the skills necessary to succeed as a spy, but his personality is much less suited to the job. Being alone is not Dick’s forte, and his need to connect could every well end up being his downfall. Continue reading
Mark: It took me a long while to decide what it was I really wanted to do in life. About two years ago I packed up everything that would fit in my car and moved to Los Angeles without a job and without knowing anyone. Ever since then, like Sonic the Hedgehog, I’ve felt the need to go fast. In some ways I feel far behind my peers, and I try to work double to make up for lost time. The sad reality, of course, is that you can’t make up time.
Detective Comics 36 wraps up a two-part story, Terminal, by the guest creative team of writer Benjamin Percy and penciler John Paul Leon. The set up is a familiar mystery thriller trope: a passenger jet lands at Gotham International Airport and careens into the terminal, crew unresponsive. When Batman and the airport’s Chief of Police board the plane, they find everyone onboard is dead and their flesh decayed. What could have killed them? Continue reading
Mark: In a few weeks, the Batman Eternal creative team will have produced more issues than even the longest running New 52 books. With the task of producing so much content, the challenges of serialization in a weekly title are magnified compared to a monthly title. Plot and action have to be metered out very carefully as to not burn through too much too fast, but at the same time every issue still has to feel like an event as readers have been trained to expect by monthlies. With that in mind, it’s enjoyable for me to watch the writers of Batman Eternal juggle the many, many plot threads they have introduced over 30 issues. I’ve read every issue since the title launched, and every few weeks I have a good “Hey, remember when this thing was about NANOBOTS?!” moment when something introduced months ago and seemingly dropped suddenly comes back to the forefront. The narrative whiplash is part of the fun. Continue reading
Mark: As DC’s unquestionable cash cow, there is never a dearth of new Batman-related titles and spinoffs in the works. Within the past month DC has launched two new Batman-adjacent titles, first the youth-oriented Gotham Academy and now Arkham Manor. Continue reading
Spencer: So far Grant Morrison’s The Multiversity has been chock-full of ideas and meta-commentary, but while the first issue was essentially a celebration of everything comics offer as an art form, The Multiversity: The Just 1 explores much more critical, perhaps even cynical takes on the medium. Fortunately, it’s just as dense, thought provoking, and flat-out bonkers as the issues that came before. Continue reading
Such hath been our sinceritie in these tymes, not to give any comfort to the hurt of the King or his countries; and now, if these reports which we heare should be true, we might think ourselves evil recompensed, and should be provoked for our defense to use such means as otherwise of ourselves we did never allow or like.
Queen Elizabeth I, 1570
Shelby: Sadly, we are already knee deep in speculation over who will run for president in 2016. As much as I hate the way politics is far more about campaigns than actually accomplishing anything, I have to admit a certain curiosity over Hillary Clinton; will she try to run again? Is it possible I’ll soon see the first female leader of this country? What sort of unique challenges will she have to face, whether based on Ms. Clinton’s previous political history, or her gender alone (be it Clinton or not)? Based on the numerous references to Queen Elizabeth I in Catwoman 35, I suspect new writer Genevieve Valentine has a lot of similar questions in mind.
Spencer: Lex Luthor has basically been the main character of Justice League ever since Forever Evil ended, and to be honest, I’m not quite sure how I feel about that. It’s inevitable that Lex will go back to being a full-time villain at some point (unless writer Geoff Johns manages to pull off the biggest reformation in DC history and make it stick), but I’m not sure how much that should influence my reading of Luthor’s intentions. There are two things I do know for certain, though: 1. Luthor’s presence has finally made the rest of the Justice League the competent, inspirational team we’ve been hoping they’d become since the New 52 began, and 2. even if Luthor’s reformation is somehow 100% legit, he still has plenty of misdeeds in his past to face up to. Continue reading
Spencer: We here at Retcon Punch haven’t been subtle about our love of Batman’s new Hellbat armor. The suit is awesome, and what’s better is that it isn’t just some gimmick meant to push toys; writer Peter Tomasi has created “realistic” (in comic book terms, at least) reasons for the Hellbat’s great power and for why Batman needs to use it in this particular situation. Still, he and penciller Patrick Gleason, inker Mick Gray, and colorist John Kalisz understand just how cool the Hellbat is, and much of Batman and Robin 35’s success comes from how the creative team chooses to portray the suit — which, in some cases, means not showing it at all. The issue is visually dazzling, and the artists know which types of imagery to use to best convey the stories both on Apokolips and on Earth. Continue reading
Patrick: Comic books aren’t exactly a safe space for women. Like any medium with a long enough memory, comics carry some pretty ugly baggage when it comes to the depiction and treatment of female characters. It seems things are even rougher for residents of Gotham City, arguably the quintessential “comic book city” — not only are the police corruption and organized crime families stuck in the 1930s, but an awful lot of those gender politics linger there too. You needn’t look any further than the most recent Catwoman series to know what I’m talking about. A lot of the same specifics that plagued that series are present in Batman Eternal 27 — themes of sexual slavery, Selina’s dangerous naivety, gratuitous ass shots, even a cameo from Mr. Bone — but the issue manages to present these problems as a contrast to the world Batman Eternal seems hellbent on cultivating. Is the BE team’s Gotham a better place for female characters? Continue reading
Spencer: Back in the 1930s and 40s comic books had a lot of variety — the still-new superhero genre was published alongside horror, romance, western, and detective books, just to name a few. As the decades passed those other genres gradually faded away until superhero books became the predominant genre, and while I absolutely love superhero books with all my heart and soul, we’re no doubt worse off for the lack of diversity. Fortunately, Becky Cloonan, Brenden Fletcher, and Karl Kerschl’s Gotham Academy 1 is all about diversity, not only amongst the cast, but simply in the kind of book it is. Gotham Academy is equal parts teenage drama, coming-of-age tale, and supernatural mystery, and we’re certainly better off with it on the shelves. Continue reading