Batman and Robin 34

batman and robin 34

Today, Patrick and (guest writer) Mark are discussing Batman and Robin 34, originally released August 20th, 2014.

Patrick: When The Death of the Family was heading into its final issue, Scott Snyder appeared in a ton of interviews claiming that this conclusion was going to have a lasting effect on Batman and the Batfamily. But after that story line wrapped up, Snyder took his own series into Batman’s past, conveniently avoiding working through much of this fallout. Similarly, Grant Morrison killed Damian in Batman Incorporated, but wrapped up his series only a few issues later. The emotional heavy lifting as fallen to Peter Tomasi and Patrick Gleason, who have dutifully presented the most erratic, emotional and frustrating Batman possible. Everything that Batman is — the selfless knight of justice, the patriarch of the Batfamily, the infallible detective — has been undermined in the wake of these twin tragedies. Understandably, that pushes Batman away from his readers, and his alienation from the world started to reflect the audiences’ alienation from the character. In issue 34, Tomasi and Gleason have Bruce offer a naked apology to his protégés, but they’re also inviting us to trust Batman again. Fuck yes: I’m ready to forgive. Continue reading

Batman 34

batman 34Today, Spencer and Drew are discussing Batman 34, originally released August 13th, 2014.

Spencer: Although I haven’t been talking about it much (if only because I’d work myself into a frenzy it’d take hours to recover from), I’m absolutely livid about the injustices going on in Ferguson right now. A police force essentially militarizing and terrorizing an entire city to cover up the murder of a child is some straight-up supervillain level madness, but what’s worse is that no one in any positions of authority are doing anything about it. I’m legitimately having a hard time focusing on comics at the moment, but if there’s one book that can bring me some peace of mind right now, it’s Scott Snyder, Gerry Duggan, and Matteo Scalera’s Batman 34. Although the situation faced by the Meek’s victims isn’t exactly the same as the people of Ferguson’s, it’s hard not to see parallels in how both groups are looked down upon or considered unworthy of merit or compassion. This issue is a timely reminder to always treat everyone with dignity, but it’s also a showcase of the best sides of Batman’s personality; here he provides an example we should all aspire to. Continue reading

Batman 33

Alternating Currents: Batman 33, Drew and ShelbyToday, Drew and Shelby are discussing Batman 33, originally released July 23rd, 2014.

Drew: The Riddler may not have seemed like the most intuitive choice for a retelling of Batman’s origin — he’s in no man’s land, much more specific threat than those posed by organized crime in Year One, but he’s also not Batman’s biggest villain. Of course, that ignores the specific nature of this origin story, one that openly acknowledges how well-known the story is — or at least how well we think we know the story. That is, in order to not be a total retread, it requires the type of surprise ending we typically associate with riddles. It’s the kind of ending that recontextualizes the three-part story we’ve been reading as one emotional arc with a focus on something we may not have been expecting: Bruce’s relationship to Alfred. Continue reading

Batman Eternal 13

batman eternal 13

Today, Patrick leads a discussion on Batman Eternal 13, originally released July 2nd, 2014.

Patrick: One of the bigger driving forces within Batman Eternal is Carmine Falcone’s desire to rid Gotham of “freaks” like the Penguin and Professor Pyg. In effect, Falcone is trying to drive all the fantastical elements out of Gotham City — whether they’re heroes or villains doesn’t seem to matter much to him. He’s even gone so far as pit the police directly against the Bat Family, furthering the absoluteness of this idea of fantasy vs. reality. But there’s a point that Falcone is missing — or willfully ignoring: everyone engages in a little bit of fantasy to get what they want. What Jim Gordon experienced in the train station – was that fantasy or reality? Covering up a gang war: fantasy or reality? Issue 13 brings that dichotomy into stark relief, showing how embracing fantasy can be equal parts advantageous and horrifying. Continue reading

Superman Unchained 7

superman unchained 7Today, Shelby and Scott are discussing Superman Unchained 7, originally released July 2nd, 2014.

Shelby: On the surface, the phrase “fight fire with fire” doesn’t really make a whole lot of sense. I mean, what are you going to do, set the fire on fire? That’s not going to get you anywhere. While it’s come to mean “taking extreme measures in the face of extreme threat,” its origin is actually fairly logical. As an early fire-fighting method, people would set small, controlled fires to burn up potential fuel and prevent larger, far more damaging fires from spreading. It’s logical until you consider how easy it is for a controlled fire to turn on you, however. In the end, no matter how you use the phrase, ultimately you’re just going to end up getting burned, a lesson learned by General Lane and Wraith in the latest installment of Superman Unchained.

Continue reading

Batman 32

batman 32

Today, Shelby and Spencer are discussing Batman 32, originally released June 25th, 2014.

Shelby: I prefer playing games where everyone knows the rules. Sure, there are some PC games out there where you’re just dumped in the game universe and have to figure out what to do and how to do it (Myst, I’m looking at you), but that’s different. That’s more me trying to solve a puzzle than not knowing the rules. If I’m going to play a game with other people, I want everyone to know the rules; what’s the fun in beating someone at a game they don’t know how to play? In Zero Year, Scott Snyder has had a very young Batman pitted against the Riddler in a game our hero has consistently lost. Personally, I think there are two big reasons Batman has been losing this fight: he assumes he knows the rules of the game, and he assumes the bad guy will actually abide by them.

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Batman Eternal 12

batman eternal 12Today, Spencer leads a discussion on Batman Eternal 12, originally released June 25th, 2014.

Spencer: Batman Eternal is a loaded title. In our world, Batman is already 75 years old, and it’s easy to see this character, with his endless reinterpretations, existing on in perpetuity. Yet, within the narrative, Batman is very much fallible, and has already died once, with Dick Grayson taking up the mantle in his absence. Bruce Wayne may not be eternal, but the legacy he leaves behind will be, be it the good he does for the city or the crimefighters he raises, trains, and/or inspires. Of course, Batman’s not the only one in this title with a legacy.

Continue reading

Superman 32

Alternating Currents: Superman 32, Drew and ScottToday, Drew and Scott are discussing Superman 32, originally released June 25th, 2014.

Drew: When I was five years old, I told my then four-year-old cousin that he was adopted. Nobody had told me that he was, and certainly nobody told me that I wasn’t supposed to tell him, but he was immediately distraught, running to his mother to assure him I was lying. A young kid’s relationship to his parents is his whole world, and the thought that there might be something unusual about it is understandably upsetting. Totally unintentionally, I put my aunt in an incredibly awkward position, forcing her to confront a truth outside of her terms, when her son was already distressed by the idea. Complicating the issue was that his brother is not adopted, which only creates more potential for feelings of alienation. Superman has long been the poster child for adoption, but what if his adopted home had its own “last son” that seemed to be every bit as “super” as he is? Might Clark grow a chip on his shoulder about being “the adopted one”? These are exactly the questions Geoff Johns and John Romita Jr. set up in Superman 32, stopping just shy of showing us the answers. Continue reading

Batman and Ra’s al Ghul 32

batman ras al ghul 32

Today, Patrick and Spencer are discussing Batman and Ra’s al Ghul 32, originally released June 18th, 2014.

Patrick: No one’s got a deeper bench than Batman. A lot has been made of the integrity of his relationships lately — it’s almost the most important piece of Batman’s mythology in the New 52. Check it out: Batman Eternal is all about Batman struggling with his relationship with the city, and even pulls Gordon out of rotation. This comes on the heels of The Death of the Family and the Leviathan killing Damian, which all just compounds the stress put upon those relationships. Nightwing, Batgirl, Red Robin, Red Hood, they all have reason to distrust the man who’s a superhero first, and a human being second. But Batman’s not just the biggest superhero in Gotham, he’s the biggest superhero in the DC Universe, so there’s no end to the relationships we can explore to learn something just a little bit more about Bruce Wayne. Continue reading

Batman Eternal 11

batman eternal 11Today, Drew leads a discussion on Batman Eternal 11, originally released June 18th, 2014.

Drew: Happy belated Fathers’ Day, everyone! I know I’m close to a week late, but hey, it’s not like your my dad, right? Okay, I may have missed the moment there, but Batman Eternal 11 actually hits a bit closer to the mark, landing only four days after the actual holiday. Still seem a little late? Consider how non-topical other comics tend to be. It makes sense; a six-issue arc may span a matter of days of narrative time, but would cover six months in real time — how do you sync that up to fixed holidays? It’s still done from time to time, but it’s usually relegated to one-off anthologies, or even commemorating events a few months after the fact. There are a few notable exceptions, which manage the feat largely by synching their narrative rate to their release schedule, like The Long Halloween or 52, two series to which Batman Eternal obviously owes a great debt. The weekly format truly gives the writers an opportunity to line events up on the calendar, giving us just a bit more to relate to in the pages. Far from hackneyed or forced, this issue reveals one of the primary perks of such a large ensemble cast: it’s easy to find occasion-appropriate themes when so many plates are spinning at once. Continue reading