Today, Scott and Drew are discussing The Flash 28, originally released February 26th, 2014.
Scott: As a kid, I didn’t enjoy ghost stories very much. I did my best to avoid them, but sometimes, late at night at a slumber party or around a campfire, it was impossible. I endured; listening wasn’t the hard part. In the moment, whatever shock or gore the stories contained didn’t affect me much. It was the aftermath, the lingering psychological torment — the fear, however irrational, that maybe the deranged killers they told these stories about might actually exist. In The Flash 28, Barry Allen is confronted with my greatest fear: the murderous monster from his childhood ghost story is real. A ghost story combined with a detective story, this issue is as fun as you can imagine, even though all of the elements don’t mix together quite right. Continue reading →
Today, Patrick and Spencer are discussing Forever Evil: Rogues Rebellion 5, originally released February 12th, 2014.
Patrick: Let’s talk a little bit about the need for, and the necessity of, spectacle in superhero comics. At first blush, it seems absolutely crucial, right? If our characters aren’t using their powers and punching each other in the face and teleporting and zapping each other with lightning, then like, what’s the point of making them superheroes in the first place? There’s something about the non-stop, out-of-the-frying-pan-into-the-fire pacing of Rogues’ Rebellion that feels like superhero comics stripped down past the concepts of good and evil and great responsibility all that stuff. It’s pure adrenaline-powered action, with only a modicum of scheming to slow things down. Perhaps it’s fitting, then, that these are Flash’s baddies — and that we even get some time with Johnny Quick — as the plot ramps up to a fever pitch heading to the conclusion. Continue reading →
Today, Drew and Scott are discussing The Flash 27, originally released January 29th, 2014.
Drew: As a society, we emphasize “truth” above all else — even as we often acknowledge the necessity (or at least convenience) of small lies. We tell lies to beg off of social invitations, or to save face after doing something stupid — I once even made a fake email account just to avoid having to explain a too-complicated truth. These lies are generally pretty transparent, but we feel compelled to maintain the facade because “actually, your band sounded terrible,” just feels cruel. Of course, all of those lies flying around make it possible for people to get a false sense of themselves (or at least a false sense of how interested coworkers are in looking at pictures of their cats), that is, those little lies can become a bigger truth, upon which someones own sense of self might be based. Its those kinds of truths that seem to be in play in The Flash 27, as Barry begins to chip at the finish of his candy-colored world. Continue reading →
Today, Mikyzptlk and Patrick are discussing Forever Evil: Rogues Rebellion 4, originally released January 15th, 2014.
Mikyzptlk: While Batman and Spider-Man’s rogues are most likely considered to be the deadliest of them all, I’ve long found The Rogues to be the most interesting of the various superhero rogues galleries. As far as I know, they are the only villainous group who follow a code of honor. They are all about the take, and they go out of their way to refrain from hurting anyone unless they absolutely have to. Their code of honor is why this very miniseries exists. In a world run by villains, The Rogues don’t really look so bad, and they are now suffering for that fact. The intent behind this series seems to be to explore what makes The Rogues so different from all of the other villains of the world. In issue 4, Brian Buccellato continues his examination of The Rogues in a serviceable, if not entirely mind-blowing fashion. Continue reading →
In such a collaborative medium as comics, it can be difficult to say where a writer’s influence on the story ends, but there’s no question on where it begins: words on the page. Whether they thrill, elate, chill, or deflate, the best writers create characters, settings, and situations we want to return to, again and again. These are our top 13 writers of 2013. Continue reading →
Time was, you might only ever get a chance to interact with your favorite comics creators if they happened to be attending a con near you, but technology (for better or for worse) has now put them only a few clicks away. Still, some manage it better than others, and we wanted to take a moment to single out those creators that have gone above and beyond with crafting an inviting, entertaining twitter presence. Here it is, our 13 favorite creator twitter personalities of 2013. Continue reading →
Today, Scott and Taylor are discussing Black Bat 7, originally released December 4th, 2013.
Scott: I like failure. Wait, I should clarify that a little; I like it when superheroes fail. It sucks for them, sure, but at least it’s exciting. When you read a lot of comics, you get used to seeing the heroes being, well, heroic. It’s nice to see one screw the pooch once in a while. So I can’t think of a better place for us to dive into Brian Buccellato’s The Black Bat. You see, The Black Bat just messed up real bad. I’m talking scores-of-people-are-now-dead-because-of-him bad. It’s a tough situation for anyone to rebound from, but if this issue teaches us one thing, it’s that Black Bat bounces back from failure with a vengeance. And if it teaches us a second thing, it’s that Buccellato isn’t afraid to move through plot points quickly. A little too quickly, I’d go so far to say. Continue reading →
Today, Scott and Mikyzptlk are discussing The Flash 25, originally released November 27, 2013.
Scott: Have you ever said goodbye to someone outside a restaurant and then proceeded to walk down the street in the same direction as them? It’s weird. That’s what I was expecting out of The Flash 25, since writer/artists Francis Manapul and Brian Buccellato are back one last time after penning what felt an awful lot like their farewell issue a month ago. But rather than an awkwardly silent side-by-side walk to adjacently parked cars, this issue feels like a wake-up call. Manapul and Buccellato illustrate (I mean, literally illustrate) the reasons why I’m going to miss them. The issue is merely a tie-in with little significance to Flash as a series, but when these guys are doing the art (as they are for only a portion of this issue), they don’t need much story to turn out something great. Continue reading →
Today, Drew and Scott are discussing The Flash 24, originally released October 23rd, 2013.
Drew: Endings are hard. Part of it is simply that people tend to struggle with goodbyes — we hate to let a good thing go — and part of it is that they’re inherently unnatural. Short of every character dying, there’s always more story that could be told (not to be confused with the story that should be told). Attempting to “end” a run in a serialized setting is doubly tricky, as a creator’s desire to wrap things up neatly is at odds with the fact that the story isn’t actually ending. Technically, Flash 24 isn’t Francis Manapul and Brian Buccellato’s final issue on the series (their “last” issue is 25, and Buccellato is actually coming back for three more with Rogues Rebellion artist Patrick Zircher), but it features such a clean, unlabored assertion of their thesis, concluding their run while pointing the way forward for the series, it works beautifully as a farewell. Continue reading →
Today, Drew and guest writer John Crowley are discussing Forever Evil: Rogues Rebellion 1, originally released October 16th, 2013.
Drew: We’re reminded over and over again that it isn’t the powers that make superheroes heroes. Anytime a newly powered teenager or well-meaning techno-geek runs into the established heroes, they’re given a speech about the great responsibility that comes with their powers. But what about the other side of the coin? What makes a supervillain a villain? The Rogues have always been a little less villainous than, say, Batman’s baddies, but their thievery has always put them on the wrong side of the law. The Crime Syndicate’s arrival has shifted the moral landscape significantly, placing the rogues firmly on the side of angels, as Rogues Rebillion 1 finds them protecting the Gem Cities — much like Flash would if he were there. Continue reading →