Spencer: Back in the summer of 2010 I was obsessed with Bryan Lee O’Malley’s Scott Pilgrim comics, and eagerly awaited the release of their movie adaptation. I spent the weeks leading up to it reading and rereading the comics and preparing myself for the awesomeness I knew the movie would surely be. After I actually saw the movie, though, I was oddly disappointed by the many changes made between it and the comics. It took me quite a while to reconcile the two versions, but once I did, I ended up seeing it twice more in theaters and it quickly became my favorite movie. I had a similar experience reading Detective Comics 28 this week. After last month’s introduction to the “Gothtopia” storyline I was expecting a lot out of this issue—specifically, more exploration of this new Gotham utopia—but the story ended up veering in another direction entirely. I was disappointed at first, but fortunately, the story I got instead ended up being pretty enjoyable in its own right. Continue reading →
Today, Greg and Mikyzptlk are discussing Batman and Robin Annual 2, originally released January 29th 2014.
Greg: My friends often make fun of me for liking everything, and they have a good point. If one of them asks me for a movie recommendation, I’ll give twenty, and get at least one “I heard that was terrible” in response. If someone rags on the recently cancelled and critically reviled Sean Saves The World, I’ll pipe in and counter that it was actually one of the best new comedies of the season, prematurely put down. The new Paramore album? On repeat, in my car stereo, no apologies. Sometimes I’ve been criticized as not having enough cultural taste or filtration. My counterargument is that the consumption of media and storytelling fundamentally stems from love and positivity. It behooves a consumer to like things, because of the positive feelings you get. So, whenever I do genuinely, fully, through-and-through dislike something, not only do I mean it, but it pains me to say it out loud. It blots out my blinding sun of naive media love. I’ll put it frankly, no matter how much it hurts me to say: Batman and Robin deserve better than this issue. Continue reading →
Today, Shelby and Drew are discussing Batman 27, originally released January 22nd, 2014.
Shelby: We all know why Bruce Wayne became Batman: parents killed, city corrupted, a cowardly and superstitious lot, etc. We get it, we get Batman. But that has never been enough for Scott Snyder. Throughout his run on Batman, Snyder has forced Bruce to recognize his allies, and nearly lose them. In Night of the Owls, the very city of Gotham seemed to turn on Batman, and Death of the Family saw Bruce realize how important the Bat-family is to him just in time to nearly lose it (or actually lose it, the family certainly hasn’t been the same since). While on its surface, Zero Year is another retelling of the Batman origin, Snyder actually gives us a much closer look at Bruce’s motivations, and the beginnings of those relationships he grew to value so dearly. Continue reading →
Today, Mikyzptlk and Drew are discussing Detective Comics 27, originally released January 8th, 2014.
Mikyzptlk: Detective Comics 27 is an anniversary issue not only because it’s the second “Detective Comics 27” in DC’s publishing history, but also because it’s Batman’s 75th anniversary (or close to it, anyway). With that, DC has brought on an impressive array of writers and artists (Brad Meltzer! Neal Adams!) in order to celebrate the Bat’s 75th birthday. The result is as intriguing as it is entertaining and heartwarming. Continue reading →
Today, Scott and Patrick are discussing Batman 26, originally released December 11th, 2013
Scott: There’s real risk in presenting a story like Zero Year. Mostly, there’s a risk that there won’t be enough tension to keep the story interesting. One thing that makes a story exciting to read is that we don’t know what will happen to the characters, and there’s always the possibility of tragedy striking a character we love. Those possibilities are limited in Zero Year. Since it takes place in the past, we know a lot of things can’t happen. Bruce can’t die in Zero Year. Neither can Alfred, Jim Gordon, Lucius Fox, or any other character we saw in the first 20 issues of Batman. With that in mind,let’s take this opportunity to thank goodness that Scott Snyder knows how to exploit all of the things this type of story can do. Zero Year shows an evolution — one of strange people becoming the characters we’ve come to know — and it’s full of mystery. Seems like a risk worth taking. Continue reading →
Today, Mikyzptlk and Shelby are discussing Batman 25, originally released November 13th, 2013
Mikyzptlk: From the moment that Zero Year was first announced, it has been shrouded in mystery. What exactly was the “Zero Year” and how would it change the origin of Batman that we’ve been familiar with for so long? We are now five issues into the story, and while some of the mysteries are becoming clear, there seems to be tons of new ones cropping up left and right. Issue 25 of Batman is no exception. At the same time, we are introduced to a brand new/really old Batman villain that may just be revealing more about our hero than he is about himself at this point. Continue reading →
Today, Spencer and Shelby are discussing Green Arrow 25, originally released November 6th, 2013.
Spencer: Much like Wonder Woman or Batwoman, Jeff Lemire’s run on Green Arrow has been steadily building its own mythology that feels completely removed from anything else going on in the DC Universe. Despite that, Lemire’s still managed to make Ollie’s connections to the Justice League of America and Roy Harper work within the context of his larger saga, but he isn’t so fortunate with this month’s Zero Year story. The tie-in feels pointless, and it’s only the new character of John Diggle that anchors things to the book’s ongoing plot at all. Continue reading →
Today, Drew and Scott are discussing Batman/Superman 5, originally released November 6th, 2013.
Drew: Ironic detachment is a dangerous thing in a work of art. It calls our attention to the weaknesses of a story, but it can’t do much to address those weaknesses. In calling our attention to the foibles of a work of art, the artist is intentionally leaving them in, which either means they’re either left there intentionally (maybe just to point them out), or they’re actually unavoidable, in which case, making fun of them is entirely superficial. Either way, it makes the art about itself, which is great if the point of the art is to comment on the limitations of the form, but starts to break down if it needs to make any other points. Unfortunately, Batman/Superman 5 aims for something beyond its postmodern trappings, and falls firmly into this latter category. Continue reading →
Today, Drew and Taylor are discussing All-Star Western 24, originally released October 23rd, 2013.
Drew: The lone wolf has always been an alluring figure. Every continent has their tales of solitary, wandering soldiers — most often period stories (knights, ronin, cowboys) — but comics have always featured that notion pulled into the modern day. All-Star Western has always been about playing with that line, often in reverse, pushing our expectations of superheroes back to the old west, but the current arc makes that relationship explicit, pulling Hex into the modern day DC Universe. Surprisingly, he fits in quite well. Continue reading →
Today, Scott and Spencer are discussing Batman 24, originally released October 9th, 2013.
Scott: It’s not enough just to tell a Batman origin story anymore. We know that story. The Bruce Wayne story. Bruce watches his parents die, he runs away, he trains, he becomes a great warrior, he returns to his city and his fortune, he fights crime, yada yada yada. It’s a great story and it’s fun to read, it’s just that, in this Bat-saturated day-in-age, it’s not enough. It’s not enough to see how Bruce Wayne becomes Batman, we need to see how Batman becomes Batman: The Legend. Finally, Scott Snyder is giving us a look at how the myth of Batman is born, or rather, carefully constructed by Bruce and his trusty aide, Alfred Pennyworth. The ensuing story doesn’t just feel like new. It feels like enough. (And I mean that in a very good way.) Continue reading →