Mark: As DC’s unquestionable cash cow, there is never a dearth of new Batman-related titles and spinoffs in the works. Within the past month DC has launched two new Batman-adjacent titles, first the youth-oriented Gotham Academy and now Arkham Manor. Continue reading
Spencer: Lex Luthor has basically been the main character of Justice League ever since Forever Evil ended, and to be honest, I’m not quite sure how I feel about that. It’s inevitable that Lex will go back to being a full-time villain at some point (unless writer Geoff Johns manages to pull off the biggest reformation in DC history and make it stick), but I’m not sure how much that should influence my reading of Luthor’s intentions. There are two things I do know for certain, though: 1. Luthor’s presence has finally made the rest of the Justice League the competent, inspirational team we’ve been hoping they’d become since the New 52 began, and 2. even if Luthor’s reformation is somehow 100% legit, he still has plenty of misdeeds in his past to face up to. Continue reading
Suzanne: As a reader, I’m constantly shifting my understanding of “realism” in comics. I try to be mindful of my relationship with suspension of disbelief, although the line between credible and ridiculous is a subjective thing. Some people look for flaws and inconsistencies in storytelling while others are just looking to be entertained. Superboy Prime’s punch through reality not withstanding, I usually am able to fully transport myself into the world of fantasy. This isn’t necessarily easy in a universe where a man can harness a ring of willpower and befriend a talking alien chipmunk in the same panel. Continue reading
Patrick: Comic books aren’t exactly a safe space for women. Like any medium with a long enough memory, comics carry some pretty ugly baggage when it comes to the depiction and treatment of female characters. It seems things are even rougher for residents of Gotham City, arguably the quintessential “comic book city” — not only are the police corruption and organized crime families stuck in the 1930s, but an awful lot of those gender politics linger there too. You needn’t look any further than the most recent Catwoman series to know what I’m talking about. A lot of the same specifics that plagued that series are present in Batman Eternal 27 — themes of sexual slavery, Selina’s dangerous naivety, gratuitous ass shots, even a cameo from Mr. Bone — but the issue manages to present these problems as a contrast to the world Batman Eternal seems hellbent on cultivating. Is the BE team’s Gotham a better place for female characters? Continue reading
Spencer: Back in the 1930s and 40s comic books had a lot of variety — the still-new superhero genre was published alongside horror, romance, western, and detective books, just to name a few. As the decades passed those other genres gradually faded away until superhero books became the predominant genre, and while I absolutely love superhero books with all my heart and soul, we’re no doubt worse off for the lack of diversity. Fortunately, Becky Cloonan, Brenden Fletcher, and Karl Kerschl’s Gotham Academy 1 is all about diversity, not only amongst the cast, but simply in the kind of book it is. Gotham Academy is equal parts teenage drama, coming-of-age tale, and supernatural mystery, and we’re certainly better off with it on the shelves. Continue reading
Suzanne: I fondly remember reading Batman: Hush for the first time over five years ago. There is so much to like about that book — Jeph Loeb’s long-form storytelling, Jim Lee’s pencils, and the Batman-Catwoman relationship to name a few. Loeb develops the friendship between Bruce Wayne and Tommy Elliot so convincingly that it adds creative tension to the final reveal. You almost want Hush to be someone else because of the depths of his betrayal to Bruce.
Batman Eternal introduces Hush to the New 52 as the Big Bad behind the crippling of Gotham City starting with the arrest of Jim Gordon. How does this series’ treatment of Hush add relevance to him as a character? After Loeb and Lee’s story arc, some readers felt that Hush was overused and his appearances were mediocre at best. Certain characters benefit from a dormant period and less can be more, such as The Joker. I’m hoping that three years of living in New 52 character purgatory makes this appearance all the more effective. Continue reading
Patrick: I’d never really considered how strange it is that we refer to the biggest global political players as “super powers.” It’s…weird, right? That’s a phrase taken from our capes and cowls, our frequently immature power fantasies, and applied to governments. It might be comforting to think of the United States as Superman, swooping in to altruistically save the day, but the truth isn’t so clear-cut. How can a government take altruistic action when there is no “self” to sacrifice? One body makes a decision, another carries out the action, and a third has to deal with the consequences. Heroism comes from that internalizing the whole process, from decision-making through the consequences. With Superman Unchained 8, Scott Snyder suggests that Superman can (and should) be that singular entity. Continue reading
Spencer: Although I haven’t been talking about it much (if only because I’d work myself into a frenzy it’d take hours to recover from), I’m absolutely livid about the injustices going on in Ferguson right now. A police force essentially militarizing and terrorizing an entire city to cover up the murder of a child is some straight-up supervillain level madness, but what’s worse is that no one in any positions of authority are doing anything about it. I’m legitimately having a hard time focusing on comics at the moment, but if there’s one book that can bring me some peace of mind right now, it’s Scott Snyder, Gerry Duggan, and Matteo Scalera’s Batman 34. Although the situation faced by the Meek’s victims isn’t exactly the same as the people of Ferguson’s, it’s hard not to see parallels in how both groups are looked down upon or considered unworthy of merit or compassion. This issue is a timely reminder to always treat everyone with dignity, but it’s also a showcase of the best sides of Batman’s personality; here he provides an example we should all aspire to. Continue reading
Drew: The Riddler may not have seemed like the most intuitive choice for a retelling of Batman’s origin — he’s in no man’s land, much more specific threat than those posed by organized crime in Year One, but he’s also not Batman’s biggest villain. Of course, that ignores the specific nature of this origin story, one that openly acknowledges how well-known the story is — or at least how well we think we know the story. That is, in order to not be a total retread, it requires the type of surprise ending we typically associate with riddles. It’s the kind of ending that recontextualizes the three-part story we’ve been reading as one emotional arc with a focus on something we may not have been expecting: Bruce’s relationship to Alfred. Continue reading
Shelby: On the surface, the phrase “fight fire with fire” doesn’t really make a whole lot of sense. I mean, what are you going to do, set the fire on fire? That’s not going to get you anywhere. While it’s come to mean “taking extreme measures in the face of extreme threat,” its origin is actually fairly logical. As an early fire-fighting method, people would set small, controlled fires to burn up potential fuel and prevent larger, far more damaging fires from spreading. It’s logical until you consider how easy it is for a controlled fire to turn on you, however. In the end, no matter how you use the phrase, ultimately you’re just going to end up getting burned, a lesson learned by General Lane and Wraith in the latest installment of Superman Unchained.