Today, Greg and Mikyzptlk are discussing Batman and Robin Annual 2, originally released January 29th 2014.
Greg: My friends often make fun of me for liking everything, and they have a good point. If one of them asks me for a movie recommendation, I’ll give twenty, and get at least one “I heard that was terrible” in response. If someone rags on the recently cancelled and critically reviled Sean Saves The World, I’ll pipe in and counter that it was actually one of the best new comedies of the season, prematurely put down. The new Paramore album? On repeat, in my car stereo, no apologies. Sometimes I’ve been criticized as not having enough cultural taste or filtration. My counterargument is that the consumption of media and storytelling fundamentally stems from love and positivity. It behooves a consumer to like things, because of the positive feelings you get. So, whenever I do genuinely, fully, through-and-through dislike something, not only do I mean it, but it pains me to say it out loud. It blots out my blinding sun of naive media love. I’ll put it frankly, no matter how much it hurts me to say: Batman and Robin deserve better than this issue. Continue reading →
Today, Mikyzptlk and Drew are discussing Detective Comics 27, originally released January 8th, 2014.
Mikyzptlk: Detective Comics 27 is an anniversary issue not only because it’s the second “Detective Comics 27” in DC’s publishing history, but also because it’s Batman’s 75th anniversary (or close to it, anyway). With that, DC has brought on an impressive array of writers and artists (Brad Meltzer! Neal Adams!) in order to celebrate the Bat’s 75th birthday. The result is as intriguing as it is entertaining and heartwarming. Continue reading →
Today, Mikyzptlk and Spencer are discussing Batman 24, originally released October 16th, 2013.
Mikyzptlk: Origin stories. We are getting a lot of origin stories from DC Comics these days. I suppose it’s only natural given the relative newness of the New 52. It’s been a few years now, but there are still a lot of lingering questions and a lot more room to reinterpret certain origins. Still, I’ve been suffering from “origin-itis” lately, especially with Villain’s Month throwing a ton of new origins our way. While Peter Tomasi didn’t use the Two-Face Villain’s Month special to explore the origin of the villain, he’s certainly using this current arc to do so. So, how does he do? Well, Tomasi brilliantly circumvents my origin-overload by tying Harvey’s past directly into his present. Continue reading →
Drew: I’m not sure I’ve ever “gotten” Ra’s al Ghul. Sure, as the immortal leader of a criminal empire, he’s a great villain, but I never fully understood why he’s a Batman villain. The best Batman rogues highlight some important element of Bruce Wayne: Joker’s gleeful chaos reflects Batman’s brooding order, for example. Without a gimmicky hook, I was always left thinking that Ra’s was meant to highlight Bruce’s mortality, which is kind of a defining characteristic, but one that is brought up every time he’s put in moral peril, so not really specific to Ra’s. With Batman and Robin 23.3: Ra’s al Ghul, writer James Tynion IV finds that parallel in the way both men wield myths to make them stronger, turning in a character-defining secret origin that actually builds on the character’s history, rather than simply rehashing it. Continue reading →
Today, Shelby and Mikyzptlk are discussing Batman and Nightwing 22, originally released August 21st, 2013.
Shelby: Grief is hard. Even the most well-adjusted, grounded person will struggle with it, and I think it’s pretty safe to say that Bruce Wayne is pretty far from well-adjusted. His grief over his parents’ deaths so many years ago still propels him forward, so it’s no surprise he’s been having difficulty letting go of Damian. It’s not until he lets himself see the grief in those around him that he really begins to move towards acceptance.
Today, Drew and Patrick are discussing Batman Incorporated 13, originally released July 31st, 2013.
It never ends. It probably never will.
Drew: What does it mean to end a run writing Batman? How do you “end” a story featuring a character that has been published in perpetuity for over 70 years with no signs of slowing down? Sure, Grant Morrison “killed” Bruce Wayne, but that was back at the close of his epic’s second act. No, the ending here had to be something much grander, something much truer to the unrelenting nature of Batman. The sheer scope of Morrison’s epic is deserving of the same pomp and circumstance of “the definitive end” of Geoff Johns’ Green Lantern, but Morrison manages to approach that same grandiosity with modest deference, keeping in mind that, while the he may be done, Batman will keep on going. That simple nod turns his elaborate love letter to Batman’s past into an equally impassioned love letter to Batman’s future, and gracefully shifts Morrison from center stage to the audience. Continue reading →
Today, Spencer and Mikyzptlk are discussing Batman and Catwoman 22, originally released July 17th, 2013.
Spencer: I’m probably in the minority among the Retcon Punch writers, but I’m actually a huge fan of Catwoman. When written properly she’s an unpredictable, fun character, but I’m particularly fond of her team-ups with Batman. Catwoman’s been a lot of things to Batman in the past: a villain, a temptation, an ally, and even a love interest, and each version brings out a new aspect of Batman’s personality. When you throw these two characters together you can never be quite sure how they’ll react, and their team-up in Batman and Catwoman 22 doesn’t disappoint; Selina even manages to make Batman smile.
Today, Drew and Patrick are discussing Batgirl 22, originally released July 10th, 2013.
Drew: Gail Simone gets Barbara Gordon. I mean that both in that Simone understands Babs’ motivations and has a clear sense of her voice AND that she understands what makes her an interesting character. Early issues of Batgirl featured a fresh balance of uncertainty both under the cape (pertaining to PTSD and survivor’s guilt) and out of it (pertaining to the more pedestrian trappings of being an unemployed twenty-something looking for an apartment). More recent developments in this title (and Batman) have piled on a few more issues, from questioning the trust of Bruce Wayne to guilt over killing her own brother, which threatened to crowd out those elements I loved so much. Issue 22 finds both Simone and Babs taking a step back, separating the bat from the girl, and refocusing the story on Babs. Continue reading →
Today, Drew and Patrick are discussing Batman Incorporated 12, originally released July 3rd, 2013.
Drew: I don’t know when exactly I learned the phrase “grand finale,” but for much of my childhood, I only associated it with Fourth of July fireworks shows. I don’t know if it was just youthful impatience, or just excitement over getting to use those special words, but that was the only part of the show I ever cared about — who wants to see brilliant explosions paced out slowly when they can all go off in rapid succession? To some degree, I think there’s still an expectation for finales to be grand — remember everyone’s reaction to The Sopranos finale? — even if that ignores that narratives aren’t the same thing as fireworks shows. A satisfying conclusion to a narrative features consequents to the antecedents set up throughout the story, effectively closing all of the open parentheses. That job is already tough (think of how many otherwise decent stories have been totally ruined by a botched ending), but becomes exponentially tougher as the antecedents and open parens pile up over the years — especially when Grant Morrison is writing. His Batman Epic has been truly epic — it features both a global scope and a historical perspective, and has introduced countless characters, relationships, and histories — all of which require additional consideration as the story winds to its close. This entire final chapter of Batman Incorporated has been about starting that process, but issue 12 suggests that Morrison might actually intend to close ALL of his open parentheses AND give us the grand finale our inner child has been begging for for the past seven years. Continue reading →