Retcon Punch is on Summer Hours, which means we’re going to be writing fewer in-depth pieces for the month of August. But we’re addicts at this point, so we need a place for our thoughts on all those comics we can’t stop reading. Today, we’re discussing Bizarro 3, Black Canary 3, Dr. Fate 3, Green Lantern The Lost Army 3, Justice League 43, Martian Manhunter 3 and Robin: Son of Batman 3.
Spencer: We see a lot of redemption stories in comics (and in pop culture in general), and while many of them end in death, almost all of them end with the person seeking redemption finding some sort of forgiveness. Yes, the ideas of atoning for past crimes and being forgiven for them tend to go hand-in-hand, but should they? It’s an interesting notion, one which Patrick Gleason seems interested in examining throughout Robin: Son of Batman 2. Damian Wayne is out to atone for a year full of horrors he committed before becoming Robin, but atoning for some crimes is clearly going to be much harder than atoning for others — and it may simply come to down to who he’s seeking redemption from. Continue reading
Today, Drew and Taylor are discussing Gotham Academy 7, originally released June 10th, 2015.
Aren’t you two just the most precious, holding hands like that?!
Drew: There are few experiences in life more alien than navigating your first crush. Fairytales and Disney movies insure that we’re all familiar with the idea of romance long before we ever feel those feelings ourselves, which makes them all the more bizarre when they start happening. With so much of childhood filled with understanding our emotions, it’s almost cruel that we’re thrown a totally new one just as we enter the most awkward stage of our lives. Indeed, that we don’t know how to process those feelings is exactly we tend to be so bad about acting on them, pulling pigtails or standing sheepishly at the middle school dance. It takes a while for kids to gain the confidence to push past that awkward confusion. Unless, of course, you’re Maps Mizoguchi, in which case a magic quill will take care of that for you. Continue reading
Today, Michael and Shane are discussing Batman and Robin Annual 3, originally released April 1, 2015.
Michael: Convergence has already begun, whose end will signify the sort-of-new direction for DC’s entire line. While Batman and Robin 40 was Patrick Gleason’s final issue on the series, Batman and Robin Annual 3 marks the quiet death of the Batman and Robin series that Gleason and Pete Tomasi re-launched back in 2011. So prepare yourselves for Batman and Robin IN SPAAAAAAACE!
Today, Drew and Spencer are discussing Batman and Robin 40, originally released March 25th, 2015.
Drew: Bruce Wayne’s back was broken. Otto Octavius took over Peter Parker’s body. Superman had a mullet. Steve Rogers was dead. We often talk derisively of these kinds of easily-reversed changes in superhero comics because they seem gimmicky and cheap — what better way to boost sales than to trumpet the death of Superman? — but I’d actually argue that these stories offer a clever way of exploring what makes these heroes great. Moreover, they remind us not to take what we like about these characters for granted. Fewer characters have been put through quite so many changes recently as Damian Wayne, who has both died and gained superpowers, so while Batman and Robin 40 ends with him back in his non-dead, non-superpowered state, it’s actually kind of refreshing. Continue reading
Mark: One of the complaints leveled at comic books is that nothing ever sticks. A character dies, only to be brought back at the next best opportunity. Damian was dead, but now he’s back. Reborn Damian has super powers, but it’s probably only a matter of time before he’s de-powered. Does the inevitability detract from what’s happening now? As a reader, that’s not something that’s ever bothered me. My only expectation/hope when reading a series is that individual arcs will be satisfying. Comic books are mini-rebooting between arcs all the time. If a good arc is followed by a bad arc, it doesn’t diminish what came before.
Batman has had a lot of surrogate children over the years (it seems like recently we’re having a Robin graduation every year or so), but there’s obviously something unique about his relationship with Damian. It’s been a long journey to Damian’s resurrection, and finally seeing the Dynamic Duo back in action is a lot of fun. Still in the end, as much as this is sold as a new beginning, this issue is more of a concluding chapter to the Robin Rises saga. Continue reading
Patrick: One of my least favorite criticisms of serialized fiction is that a story “didn’t go anywhere.” We have an expectation that the journey we’re on with the characters is somehow part of an investment that pays off in a meaningful way as events progress. We literally use that term “pay off,” as though the entertainment itself in a cost-benefit proposition. I resent the idea that we can’t enjoy a single issue on its own merits, and instead comfort ourselves with the idea that one volume seeded something that will feel significant later. Robin Rises Alpha 1 closes out the Damian’s Resurrection story by finally giving readers a glimpse of what it means to have a superpowered Wayne behind Robin’s mask. It’s an issue frustratingly short on content, repeating themes, scenes and pages from elsewhere in Batman and Robin, all but guaranteeing that the pay-off here is a retread of the past, rather than boldly striking out into the future of the character. Continue reading
…for us and for our salvation, He came down from heaven: by the power of the Holy Spirit, He was born of the Virgin Mary and became man. For our sake, He was crucified under Pontius Pilate; He suffered, died and was buried. On the third day He rose again, in fulfillment of the scriptures; He ascended into heaven and is seated at the right hand of the Father.
-The Nicene Creed
Patrick: Growing up in the Catholic church, I always had a little bit of a problem with this part of the Nicene Creed. On the one hand, it’s very clear: Jesus sacrificed everything — including his life — in order to save the whole world from sin. But on the other hand, death didn’t share any of the long-lasting consequences it does for anyone else. Jesus died, but then he returned, three days later. What’s more is that he transcends his human flesh and embraces his fully divine nature by hanging out with God in heaven. While the drama of death and resurrection is enough to stir a body to faith, it betrays a fundamental truth about death. What’s hard about death isn’t that someone dies, it’s that they stay dead. And yet, this narrative — of death and rebirth — is so powerful it’s one of the stops on Joseph Campbell’s hero’s journey. Batman and Robin has allowed Bruce Wayne to deal with Damian’s death in grounded, real ways for almost two years, but now that “resurrection” is in play, subtlety goes right out the window. This is Damian, the bat-Christ-figure to beat the band, and he only marches back on the field to fireworks. Continue reading
Spencer: So far Grant Morrison’s The Multiversity has been chock-full of ideas and meta-commentary, but while the first issue was essentially a celebration of everything comics offer as an art form, The Multiversity: The Just 1 explores much more critical, perhaps even cynical takes on the medium. Fortunately, it’s just as dense, thought provoking, and flat-out bonkers as the issues that came before. Continue reading
Spencer: We here at Retcon Punch haven’t been subtle about our love of Batman’s new Hellbat armor. The suit is awesome, and what’s better is that it isn’t just some gimmick meant to push toys; writer Peter Tomasi has created “realistic” (in comic book terms, at least) reasons for the Hellbat’s great power and for why Batman needs to use it in this particular situation. Still, he and penciller Patrick Gleason, inker Mick Gray, and colorist John Kalisz understand just how cool the Hellbat is, and much of Batman and Robin 35’s success comes from how the creative team chooses to portray the suit — which, in some cases, means not showing it at all. The issue is visually dazzling, and the artists know which types of imagery to use to best convey the stories both on Apokolips and on Earth. Continue reading