Spencer: Hawkeye is consistently one of the most daring comic books on the shelf. That doesn’t necessarily mean it’s always making the biggest, most shocking moves, but it does mean that anything’s fair game when it comes to this book. An issue told from the point of view of the dog? Sure! Killing off a beloved supporting character then spending months and months revisiting the event from every conceivable angle? Why not?! Separating the main characters then dividing up the narrative between them? Seems do-able! Matt Fraction doesn’t shy away from taking risks with Hawkeye, no matter how strange or mundane, and Hawkeye 17 is one of the strangest of all. Fortunately, it’s charming as all get out. Maybe that’s the true legacy of Hawkeye: the risks always pay off. Continue reading
Spencer: Why do we love Clint Barton so much? I could probably devote my entire word count to the reasons, but the one that sticks in my head is that he’s heroic, but still endearingly flawed. Clint screws up a lot, but he’s always trying to do the right thing, no matter how badly he goes about it. Matt Fraction and David Aja’s Hawkeye 15 reveals that Clint’s attempts to save his building are less than legal and have only pushed the Tracksuits to more desperate measures. But despite it all, I can’t help but like the guy even more; his heart’s in the right place. Continue reading
It can be hard to keep up with all the comics you love. But it’s damn near impossible to keep up with all the comics you’re interested in.
Retcon Punch got you covered.
Clint Barton, a.k.a. Hawkeye, became the greatest sharpshooter known to man, then he became an Avenger – this is what he does when he’s not being an Avenger. He lives! He loves! He loses! We wrap up the first 13 issues of Hawkeye and explain why Kate Bishop left and why Clint’s so damn sad all the time.
The comics industry might have trained us incorrectly. We’re meant to gobble up as much story as possible, as quickly as possible. That way we buy more comics, and Batman and Spider-Man can continue to punch dudes into perpetuity. But the books we read are far from disposable — they contain some truly astounding artwork from some of the most talented storytellers out there. They’re our directors, our actors, our choreographers, our set and costume designers. These are our top 13 artists of 2013. Continue reading
It’s that time of year again: where we suck up all of our grumblings about art being unquantifiable and compile our best-of lists. Today, we’re looking at our favorite single issues. Love or hate the subjectivity of this list, at the very least, it serves as a great reminder of all of the fantastic comics we’ve read over the past year. We’re sure your list will be different (and welcome your thoughts in the comments), but here are our top 13 issues of 2013. Continue reading
Shelby: FINALLY! Six months ago, something terrible happened to our favorite hot mess Clint Barton. I won’t spoil it here before the jump, but if you’ve been reading this title you know what I’m talking about. Matt Fraction has taken us on a whirlwind tour of everyone’s involvement and reactions, and I mean everyone: the man responsible, Kate, Lucky the Dog, even Clint’s brother. The one voice who’s been silent is the one I’ve been most eager to hear. That is, of course, Clint, and finally today Fraction, David Aja, and Matt Hollingsworth tell us Clint’s side of the story. It’s exactly as heartbreaking and lonely as you would expect.
Today, Ethan and Shelby are discussing Hawkeye 11, originally released June 26th, 2013.
Ethan: Heroes often have a fundamentally different way of perceiving the world than the rest of us – a unique challenge for the artists who have to bring them to life in comics. We’ve seen Iron Man’s in-suit view, cluttered with dozens of HUD displays showing vectors, power levels, and incoming angry phone calls. Spider-Man suffers an attack of Wavy-Line-Halo when he’s in danger. Daredevil’s world of radar-sense is one of the most foreign: wireframe surfaces instead of color, ripples of information spreading from source to receiver. In Hawkeye #11, artists Matt Hollingsworth and David Aja gives us our first close look at one of this title’s new heroes, along with his fascinatingly alien way of experiencing his surroundings. Lucky, the Pizza Dog, is pretty out of this world. Continue reading
Today, Courtney and Shelby are discussing Hawkeye 9, originally released April 10, 2013.
Courtney: Oh, poor, dear boy, Clint, what will we do with you? Getting mixed up with shady ladies, pissing off cops and criminals alike, dirtying the name of the Avengers by living in the morally gray, breaking hearts, and, always, always getting hit in the face. Continue reading
Courtney: Once, in high school, I attempted to make an 800-mile cross-country road trip in secret over spring break, not because I really wanted to, exactly, but because a girl I really liked had demanded it, and at seventeen, that was enough to get me to agree to what I knew was perfectly stupid. (I was saved, incidentally, by the sage intervention of my less-stupid, less-seventeen brother, who later went on to found Retcon Punch.) I like to think we all grow out of that by the time we start making regular car payments, but this month’s Hawkeye raises some unsettling questions. Continue reading
Today, Patrick and Courtney are discussing Hawkeye 7, originally released January 30th, 2012.
Patrick: Last time we were hanging out in fuzzy pants as discussing Hawkeye, we were reflecting on the Christmas issue (complete with Clint in a Santa hat). This month, we’ve got in our hands another Very Special Issue of Hawkeye, one that should feel a little less celebratory. Yes, it’s the end of October 2012 on the eastern seaboard, and the subject of our latest Hawkeye adventure is Super Storm Sandy. Never one to rest on a gimmick, Matt Fraction builds two tales for two Hawkeyes, one fun and the other touching, while staying emotionally and factually true to the event that inspired him. Clint and Katie are always easy to identify with, and their reactions to the storm echo our own in a dazzling display of artistic empathy.