Today, Courtney and Shelby are discussing Hawkeye 9, originally released April 10, 2013.
Courtney: Oh, poor, dear boy, Clint, what will we do with you? Getting mixed up with shady ladies, pissing off cops and criminals alike, dirtying the name of the Avengers by living in the morally gray, breaking hearts, and, always, always getting hit in the face. Continue reading
Today, Courtney and Drew are discussing Hawkeye 8, originally released February 27th, 2013.
Courtney: Once, in high school, I attempted to make an 800-mile cross-country road trip in secret over spring break, not because I really wanted to, exactly, but because a girl I really liked had demanded it, and at seventeen, that was enough to get me to agree to what I knew was perfectly stupid. (I was saved, incidentally, by the sage intervention of my less-stupid, less-seventeen brother, who later went on to found Retcon Punch.) I like to think we all grow out of that by the time we start making regular car payments, but this month’s Hawkeye raises some unsettling questions. Continue reading
Today, Patrick and Courtney are discussing Hawkeye 7, originally released January 30th, 2012.
Patrick: Last time we were hanging out in fuzzy pants as discussing Hawkeye, we were reflecting on the Christmas issue (complete with Clint in a Santa hat). This month, we’ve got in our hands another Very Special Issue of Hawkeye, one that should feel a little less celebratory. Yes, it’s the end of October 2012 on the eastern seaboard, and the subject of our latest Hawkeye adventure is Super Storm Sandy. Never one to rest on a gimmick, Matt Fraction builds two tales for two Hawkeyes, one fun and the other touching, while staying emotionally and factually true to the event that inspired him. Clint and Katie are always easy to identify with, and their reactions to the storm echo our own in a dazzling display of artistic empathy.
We generally avoid quantifying our enthusiasm around here — we’ll gladly praise or condemn comics as our tastes dictate, but turning that into a grade or a score makes us uncomfortable. As there are in our pull-list, there are holes in this ‘Best of’ list. Mea culpa. We’ve had some great experiences with comics this year, and these are the series that were consistently fun, thoughtful and beautiful. Too subjective for a year-end list? Ignore the rankings. Any way you slice it, these are fantastic series that deserve the scrutiny we heap on everything. Each is a rewarding read and well worth your attention. Our picks for the top 12 series of 2012:
You know you shouldn’t judge a book by its cover, but that doesn’t mean you can’t judge the cover on its own merit. Some covers are so excellent that they back all the drama, excitement and emotion of the whole issue into one succinct image. Sometimes they end up being their own surreal experience. And other times, we’re just exciting to see our favorite heroes kicking ass one more time. These are our top 12 most awesome, creative and graphic covers of 2012.
Today, Courtney and Shelby are discussing Hawkeye 6, originally released December 19th, 2012.
Courtney: Do you remember the moment you realized that Kill Bill: Volume 2 had only one fight scene? I think I watched it at least three times before I realized that it was about 80% less violent than its famously gory predecessor, because somehow the two films were so beautifully of a set. In some way like that, Hawkeye 6 features almost no action at all, yet it is decidedly cut from the same cloth as every issue in which Clint crashes out of a tenth-story window. The difference, though, is that in this case, the order is flipped. It is the mundane, domestic story of Clint trying to learn how to take a few days off and enjoy the holidays which more nakedly exposes the question that all of the smash-smash-punch episodes have been driving at, ie, “What if this super-hero really were just a pretty cool person?” Continue reading
Today, Drew and Courtney are discussing Hawkeye 4, originally released November 21st, 2012.
Drew: Back in issue 2, Clint assured us that “work’s work.” The very notion of considering the Avengers a day job says a lot about his character, but the notion that he could separate his personal life from his professional one is laughable. Hell, my mom can’t even do that, and her job doesn’t involve killing people, saving the world, or supervillains bent on exacting revenge (at least, I don’t think her job involves those things). The first three issues of Hawkeye have brilliantly explored what a guy like Clint might get up to when he has nothing better to do — fighting local crime and righting small wrongs just for the hell of it — but issue 4 brings reality back to Clint’s doorstep. It just so happens that, for Clint, reality comes in the form of a floating aircraft-carrier filled with superheroes. Continue reading
Today, Patrick and Shelby are discussing Hawkeye 1-3, originally released August 1st, September 5th, and October 17th, 2012.
Patrick: My Improv 101 teacher, used to stop our scenes all the time to give the following note: “Today’s the day.” What he meant was that today was the day these characters confronted the thing that was already weird about their relationship: everything comes out into the open, and friendship may not survive the encounter. It’s fantastic advice for making a short narrative infinitely more compelling – we all have routines and we all inherently understand the drama that unfolds when one of our routines is broken. As superhero comics have grown in such cultural importance, the need to express the routine of a superhero has gone the way of Blockbuster Video. There’s so much implied crime fighting between the issues we actually read, that they tend to focus on gigantic, world-shifting EVENTS. And those events are grim. Somewhere between the Rotworlds and Deaths-of-Families, among the Third Armies and H’els on Earth, I forgot that comics can speak the language of fun. Hawkeye not only speaks that language, it’s a master dialectician, artfully deploying the most elegant fun you’re going to see printed on the page.
