Today, Spencer and Drew are discussing Red Hood and the Outlaws 20, originally released May 15th, 2013.
Spencer: Our past can be a burden, but it can also be a gift, and while some things are out of our control, most of what determines how we view our past is how we learn from our mistakes, live with our regrets, and learn to forge on. For Red Hood, Arsenal, and Starfire, their past falls into both camps; a shared history of tragedy is what initially drew these three together and cemented their friendship, but their own inability to reconcile their pasts and find a way to deal might just end up driving the Outlaws apart instead.
Today, Scott and Shelby are discussing Nightwing 19-20, originally released April 17th and May 15th, 2013, respectively.
Scott: Moving to a new city is hard. Finding the right place to live, learning your way around town, making friends, it all takes time. Unfortunately, Dick Grayson doesn’t have much chance to settle into his newfound home in Chicago. He’s in the Windy City with a purpose- to find the man who killed his parents- and he’s hardly welcomed with open arms. Nightwing 19 and 20 serve as a beginning to a new chapter for Dick, away from the torpedo of death and depression that Gotham has come to represent for him. New life is breathed into Nightwing, courtesy of a gust of wind off of Lake Michigan, and it is something to behold. Continue reading →
Today, Drew and Patrick are discussing Batman Incorporated 10, originally released April 25th, 2013.
Drew: One of the defining characteristics of Batman is his relative plausibility. Fictional technology aside, he’s basically an extremely wealthy, extremely determined individual — no alien DNA, no radioactive animal bites, no magic. Writers will vary in just how plausible they want their version of Batman to be, but most respect that believability as one of the character’s biggest draws. Every so often, writers will break that rule — Jason will be resurrected via magic, or Bruce might call in a favor from Superman — to show you just how big the stakes are. In this issue, the situation is so dire, Bruce turns to not one, but several such outlandish solutions, tapping into every corner of Batman-exess he can. Continue reading →
Today, Drew and Patrick are discussing Batman Incorporated 9, originally released March 27th, 2013.
Drew: In Batman Incorporated 0, Grant Morrison asserted that “the first truth of Batman” was that he was never alone, and backs it up with the fact that Alfred was there from the start. But is that the first truth of Batman? If Batman was born that night in his father’s study, he was surely conceived 18 years earlier as Thomas an Martha died, making loss the first truth of Batman. With that loss comes the loneliness that Morrison’s “first truth” was reacting to. Sure, Bruce sought comfort in his friends and wards, but every moment of his life was shaped by the crushing loneliness he felt watching his parents die. The death of Damian reemphasizes that point, distancing Bruce even from Alfred, who — as Morrison asserted — was always there. The result is a uniquely lonely Batman, spinning another take on the character into the tapestry of Morrison’s epic. Continue reading →
Today, Scott and Mikyzptlk are discussing Nightwing 18, originally released March 20th 2013.
Scott: It’s a bad time to be Dick Grayson. He perhaps lost more than anyone in the Death of the Family, with Joker destroying Amusement Mile and undoing all of the hard work Dick put into Haly’s Circus. At the end of Nightwing 17, he finally found some comfort in the words of Damian Wayne, who was promptly killed in Batman Incorporated 8, leaving Dick with even greater grief. Even a man as level-headed and generally unfazed as Dick might start to question the fairness of these events- why he keeps getting punished when he hasn’t done anything wrong. But of course, when it rains, it pours, and Nightwing 18 only manages to torture Dick further with more terrible news. Continue reading →
Today, Mikyzptlk and Drew are discussing the Batman Incorporated 8, originally released February 27th, 2013.
Mikyzptlk:Spoiler Alert. Hahaha, just kidding. Fuck you very much, internet. Alright, now that I’ve gotten that out of my system–Seriously, couldn’t you have just kept your mouth shut for a few more days?!? Okay, it’s okay, I’m all better now. As I write this, I’ve just finished reading issue 8 of Grant Morrison’s Batman, Inc. and I’m still not quite sure what to make of things. We all know by now that Damian “The Boy Wonder” is dead. And though I have some wild theories that say he’s not actually dead, the issue leaves us with that conclusion. Grant Morrison has stated (a bit earlier than he should have mind you) what the death of Damian means in the greater sense of the themes he was presenting us with, but I’d like to focus on the character of young Damian and what his death means in the context of the world in which these characters live. I’ll leave the heavy lifting to Drew. Continue reading →
Today, Drew and Scott are discussing Nightwing 17, originally released February 20th 2013.
Drew: Our discussions of Nightwing often find us exploring Dick’s identity. As a former-sidekick turned full-fledged superhero turned replacement-for-hero-he-sidekicked-for turned his own superhero again, it’s understandable that he might have some identity issues to work out, but what is identity in the first place? Is it fixed or dynamic? Does it stem from the person in question, or is it a series of expectations held in the world around them? In Nightwing 17, Kyle Higgins takes up these questions, yielding some rather unexpected results. Continue reading →
It can be hard to keep up with all the comics you love. But it’s damn near impossible to keep up with all the comics you’re interested in.
Retcon Punch got you covered.
Sure, you’re reading Batman. Did you realize there are like 20 other issues that contain Death of the Family stories? How can you possibly understand the mind-bending reveal in Batman 17 without those volumes of additional content? Here’s how: we collected every single issue of the Death of the Family — all but the very last — so you can be totally, 100% caught up. (All of our coverage of individual issues can be found here.)
Today, Patrick and Drew are discussing the Batman Incorporated 7, originally released January 30th, 2013.
Patrick: If the last issue of Batman Incorporated was a little heavy on the heady themes and explicit symbolism (it was), then issue 7 is the antidote. The issue starts with Batman in free fall, then zips ably through surprise reveals, heartwrenching goodbyes, booby-traps and betrayals. As Talia calls the members of Leviathan into action — be they security guards or children — it’s immediately clear that The Plan is in motion, and Damian is uniquely positioned to put a stop to his mother’s attacks and save his father.
Today, Mikyzptlk and Scott are discussing Nightwing 16 originally released January 23rd, 2013. This issue is part of the Death of the Family crossover event. Click here for complete DotF coverage.
Mikyzptlk: “BOOOM” “KAKOOOM” “BOOOOOM”That is the “sound” of the Joker blowing up this series to smithereens. I’m sorry, have I gotten ahead of myself? Let me explain. A good fictional narrative will take one or more characters from point A, to B, and eventually to, you guessed it, point C. If we, the audience, are lucky, we’ll get a few good themes tossed in along the way as we watch our characters grow and progress throughout the story. A big theme behind Nightwing of late, has been “you can never go home again.” In Dick Grayson’s case, “home” was Haly’s Circus, and his recent life has been consumed with rebuilding it. It’s too bad then, that in the course of two issues, The Joker has not only destroyed Haly’s Circus, but made the series practically pointless and completely lacking of any payoff.