Michael: Words are an interesting thing, are they not? In one of those “Woah, its crazy how humans work” moments, the assemblage of letters, words, sentences, punctuations and so on is impressive. Memorable moments in pop culture can often be whittled down to a few buzzworthy quotes – especially with our 2015 short attention span. This particular mindset heavily influenced my reading experience of Cyborg 1; and that’s not really a good thing. Continue reading
Today, Patrick and (guest writer) Reid are discussing Justice League 42, originally released July 15th, 2015.
Patrick: Justice League 42 is all about gods – who are gods, who are not gods, who can defy gods, who can become gods, whose godliness can be taken away. But that’s the real difference between a ‘god’ and a ‘superhero?’ Is it physical abilities? Do our gods need to be able to destroy worlds? Do we need our gods to present pure morality? Do we just need to feel that our gods are in control and have a plan? Or maybe gods just need to come from an established pantheon? Whatever other qualities you want to ascribe to gods, I think the most important idea is that they matter in a way that mere humans don’t. Geoff Johns and Jason Fabok’s “Darkseid War” zeroes in a conflict so big and so “important” that we need to check in on the godliness of every hero and every villain. Continue reading
Today, Michael and Mark are discussing Justice League 41, originally released June 3rd, 2015.
Michael: My biggest gripe with super hero movies or comic book reboots is that their world isn’t fully-formed; typically we have to wait an hour into the movie before the hero does the hero-ing we came to see. Origins, exposition and plot machinations take up an overwhelming amount of time and space in these situations. “Darkseid War” might be my favorite Justice League story yet because it doesn’t take that commonplace route. While Justice League 41 does have a lot of exposition, we are entering into the fully-formed world of the New Gods of Apokolips. This isn’t the origin story of Mister Miracle; he’s BEEN Mister Miracle for a while now. Continue reading
Today, Michael and Patrick are discussing Convergence: Green Lantern/Parallax 1, originally released April 15th, 2015. This issue is part of Convergence. For our conversations about the rest of Convergence last week, click here.
Michael: With the leak of the trailer for Batman v Superman: Dawn of Justice this past week, I’ve been thinking about Man of Steel a lot lately. And while I could write a book on why I didn’t like that movie, it really boils down to the fact that I found most of the things that Superman did in Man of Steel to be very out of character for the hero that I know. In the realm of comic books, characters go through many changes — I mean, you’ve gotta keep things interesting. But the changes that work are typically those that essentially feel true to those characters. Tony Bedard has been handing in some very solid Convergence tie-ins so far; they’re not perfect but he really has the core of these characters down, no matter what point in time they’re in. Continue reading
Today, Mark and Michael are discussing Superman 38, originally released February 4th, 2015.
Mark: Well, it’s finally happening. DC announced late last week that starting in June, following the events of the Convergence event, The New 52 will no longer exist. Having run for almost 4 years, it’s not hard to understand why as The New 52 branding was getting a little long in the tooth. What does this mean for our favorite characters? Apparently not much, as no continuity reboot is planned. I mention this because when I first read Superman 38 before the post-Convergence announcements last week, I assumed that the two major revelations in this issue were being unloaded now so they could easily be walked back in only a few months. Continue reading
Today, Michael and Patrick are discussing Justice League 38, originally released January 21st, 2015.
Michael: No one is 100% honest 100% of the time. We often present each other with “versions of the truth.” In Star Wars, Obi-Wan Kenobi told Luke Skywalker that Darth Vader had murdered his father. After Luke figured out that Vader was the daddy, Obi-Wan justified his actions as telling the truth “from a certain point of view.” People withhold information from one another for a lot of reasons, but typically it’s to protect someone else or to protect yourself. Continue reading
“Humankind cannot gain anything without first giving something in return. To obtain, something of equal value must be lost. That is Alchemy’s First Law of Equivalent Exchange.”
Edward Elric, Fullmetal Alchemist
Spencer: Equivalent Exchange isn’t just applicable to alchemy (or anime) — it’s a principle we all follow every day. We exchange our time for money. We exchange money for goods. We can even (metaphorically) give our hearts in hope of gaining affection in return. The point is, nothing comes for nothing, and the more we hope to gain, the more effort we have to put out to obtain it. This is even true of Ulysses’ Great World — it turns out that the price to maintain its “perfection” is five million human lives. Geoff Johns and John Romita Jr.’s Superman 37 finds Superman and Ulysses debating the morality of the Great World, and in doing so, they draw some compelling parallels to our own lives. Continue reading
Spencer: At first glance, there are hardly any similarities between being a writer and being a lawyer, but ultimately, both professions owe a lot to the power of words. Writers use words to bring life to worlds and characters, while lawyers use them to argue and persuade, and sometimes even to tell stories of their own. The case between Jen Walters and Matt Murdock over the fate of Steve Rogers, as presented in Charles Soule and Javier Pulido’s She-Hulk 10, is just one of those situations; everything comes down to the two lawyers each telling their own version of the truth and leaving the jury to decide which story they believe. As a look into the criminal justice system, it’s a bit unnerving, but as a showcase of the kind of power storytellers hold, it’s absolutely fascinating. Continue reading
Spencer: Lex Luthor has basically been the main character of Justice League ever since Forever Evil ended, and to be honest, I’m not quite sure how I feel about that. It’s inevitable that Lex will go back to being a full-time villain at some point (unless writer Geoff Johns manages to pull off the biggest reformation in DC history and make it stick), but I’m not sure how much that should influence my reading of Luthor’s intentions. There are two things I do know for certain, though: 1. Luthor’s presence has finally made the rest of the Justice League the competent, inspirational team we’ve been hoping they’d become since the New 52 began, and 2. even if Luthor’s reformation is somehow 100% legit, he still has plenty of misdeeds in his past to face up to. Continue reading
Patrick: Okay, so why “five years later,” huh? What’s the point of all these glances into the theoretic furutre of DC Comics? I know it shouldn’t matter that these stories may prove to be part of a future-narrative that gets wiped out of the canon, but it’s hard to shake the feeling that we’re reading a bunch of what-if stories. Intriguingly, these glimpses into future have their eyes set on the past; evoking elements of Pre-Flashpoint continuity and reconciling that with what’s been established since September of 2011. The future is a point on a line, plotted using the past and present as reference. It’s a herculean task, but one that writer Charles Soule and artist Jesus Saiz are more than up for, aligning themselves with the intrepid Alec Holland, perhaps unsure that they would make it through to the other side unharmed.