Today, Patrick and Taylor are discussing The Star Wars 3, originally released November 6th, 2013.
Patrick: When my friends and I first discovered that soda fountains existed, we became obsessed with creating new concoctions by combining sodas. I think this is a phase that we all go through: while the specific recipes and names change from friend-group to friend-group, we’ve all heard of ‘The Suicide” – an unholy mixing of all the options at once! (Even Diet? YES EVEN DIET.) Appropriately enough, my buddy Pete and I had both a Luke Skywalker and a Darth Vader in our recipe rolodexes. The Luke Skywalker was basically just the light sodas — Seven Up, Mountain Dew, Orange Crush — and the Darth Vader was basically just the dark sodas — Coke, Cherry, Dr. Pepper and Root Beer — and we loved coming up with those drinks based on our favorite Star Wars characters. But, as everyone eventually learns, this is silly: those individual sodas are delicious because they have strong individual identities, and the joy is lost when you just pile everything together and hope for the best. Darkhorse’s The Star Wars reveals the experimentation behind the original script to Star Wars. It’s a big nasty pile-up, but it makes me all the more happy we ever got the simplicity of the original trilogy. Continue reading →
Today, Ethan and Patrick are discussing Deadpool 13, originally released July 17th, 2013.
Ethan: Back in issue #7 of Deadpool, the writers and artists took us on a timewarp with a faux, never-before-printed “inventory special”. The issue was allegedly produced in the late 70s/early 80s giving the team an excuse to indulge in 10 times the saturation of pop culture references in the already saturated title. It was an entertaining issue in its own right and a nice break after the Zombie Presidents arc. Now that Vetis is taken care of, writers Gerry Duggan and Brian Posehn and artists Scott Koblish and Val Staples are back to their tricks with another trip back to the era of disco. And if you think the bell bottoms and dated catch-phrases were flying thick and fast last time, you might want to sit down and hold onto something before you open #13. The hair is longer, the polyester is louder, and the racism is, if far from accurately depicted, at least touched on.
Today, Drew and Patrick are discussing Secret History of the Foot Clan 4, originally released March 20th, 2013.
Drew: In my experience, there are two types of characters in action movies: those that act like it’s no big deal that that car just blew up, and those that understand that HOLY SHIT THAT CAR JUST BLEW UP! The former is obviously more badass, and I think captures a kind of aspirational relatability in the audience, even if the latter is ultimately more relatable — who wouldn’t freak out if they were caught in the middle of an action movie? Curiously, the relatability may make the characters in the latter category less realistic, as their presence often draws our attention to the artifice of the genre. It can be tricky to balance these characters (or these traits within characters), but Secret History of the Foot Clan continues to do so with aplomb. Continue reading →
Today, Taylor and Patrick are discussing Secret History of the Foot Clan 3, originally released February 27th, 2013.
Taylor: It’s weird to consider the effect that our legacies have on us. Who are family is and was, where we have lived and what we have done all impact us greatly when it comes to crafting our current identity. For some, a legacy is a source of strength and pride, while for others it may be the cause of embarrassment and pain. But speaking in the context of just a single lifetime, a person’s legacy can greatly influence their future actions. For a fun example, let’s take George Lucas. The man who created a classic and beloved franchise was so enamored with his legacy that he refused to listen to others when it came time to create his ill-fated prequels. Perhaps he was enamored with his own legacy as a genius myth-maker or perhaps he simply let pride get in the way. Nonetheless, his past influenced his actions, the resulting in a set of films that many felt betrayed his previous endeavors. It’s interesting to consider the role of legacies at play in the Secret History of the Foot Clan both — narratively and creatively — because they cannot be ignored in either instance. In this case, is the legacy a source of strength or a source of weakness?