Today, Andy and Spencer are discussing Justice League 44, originally released September 30th, 2015.
Andy: Justice League stories usually come in one of two shapes: seismic clashes between legions of good and evil that change the universe forever, or workplace procedurals driven by quirky-character team ups. Justice League 44 sits firmly in the first category, as Darkseid and Darkseid-wannabe Anti-Monitor punch each other to decide the true big baddie of the DC universe. Continue reading →
Retcon Punch is on Summer Hours, which means we’re going to be writing fewer in-depth pieces for the month of August. But we’re addicts at this point, so we need a place for our thoughts on all those comics we can’t stop reading. Today, we’re discussing Bizarro 3, Black Canary 3, Dr. Fate 3, Green Lantern The Lost Army 3, Justice League 43, Martian Manhunter 3 and Robin: Son of Batman 3.
Today, Patrick and (guest writer) Reid are discussing Justice League 42, originally released July 15th, 2015.
Patrick: Justice League 42 is all about gods – who are gods, who are not gods, who can defy gods, who can become gods, whose godliness can be taken away. But that’s the real difference between a ‘god’ and a ‘superhero?’ Is it physical abilities? Do our gods need to be able to destroy worlds? Do we need our gods to present pure morality? Do we just need to feel that our gods are in control and have a plan? Or maybe gods just need to come from an established pantheon? Whatever other qualities you want to ascribe to gods, I think the most important idea is that they matter in a way that mere humans don’t. Geoff Johns and Jason Fabok’s “Darkseid War” zeroes in a conflict so big and so “important” that we need to check in on the godliness of every hero and every villain. Continue reading →
Today, Michael and Mark are discussing Justice League 41, originally released June 3rd, 2015.
Michael: My biggest gripe with super hero movies or comic book reboots is that their world isn’t fully-formed; typically we have to wait an hour into the movie before the hero does the hero-ing we came to see. Origins, exposition and plot machinations take up an overwhelming amount of time and space in these situations. “Darkseid War” might be my favorite Justice League story yet because it doesn’t take that commonplace route. While Justice League41 does have a lot of exposition, we are entering into the fully-formed world of the New Gods of Apokolips. This isn’t the origin story of Mister Miracle; he’s BEEN Mister Miracle for a while now. Continue reading →
Today, Michael and Patrick are discussing Justice League 38, originally released January 21st, 2015.
Michael: No one is 100% honest 100% of the time. We often present each other with “versions of the truth.” In Star Wars, Obi-Wan Kenobi told Luke Skywalker that Darth Vader had murdered his father. After Luke figured out that Vader was the daddy, Obi-Wan justified his actions as telling the truth “from a certain point of view.” People withhold information from one another for a lot of reasons, but typically it’s to protect someone else or to protect yourself. Continue reading →
Today, Spencer leads a discussion on Batman Eternal 3, originally released April 23rd, 2014.
Spencer: I’m impressed by how quickly Batman Eternal is moving along. A year-long story with new chapters releasing every week could easily fall into the trap of being slowly paced, or even worse, of using filler to stretch out the story to fit into 52 issues, but if anything, the creative team of Scott Snyder, James Tynion IV, Ray Fawkes, John Layman, Tim Seeley, and Jason Fabok seem to be speeding through the story at an alarming rate. I’m starting to think that “the end” teased back in issue one may come sooner than we think; at the speed they’re throwing out ideas, the end may very well be the beginning of the story. Continue reading →
Today, Drew leads a discussion on Batman Eternal 2, originally released April 16th, 2014.
Drew: What do we expect of this series? Grand world-building? Serviceable (if maybe uninspired) Batman stories? When we discussed the first issue, I argued that the way this series addresses our expectations — the way it fulfills some but defies others — may be its most distinctive characteristic. Indeed, issue 2 is so drastically different in form and focus, it’s easy to see defiance of expectations as this series’ unifying trait.
Today, Patrick leads a discussion on Batman Eternal 1, originally released April 9th, 2014.
Patrick: I love Batman, but I’ve been exposed to so many books and games and movies and TV shows (plus one Stunt Show Spectacular at Six Flags), that very little in a Batman story can genuinely surprise me. The writing team on Batman Eternal acknowledges this familiarity, simultaneously leveraging those emotional beats for everything they’re worth, and suggesting that there are still some surprises out there.Continue reading →
Today, Mikyzptlk and Drew are discussing Detective Comics 27, originally released January 8th, 2014.
Mikyzptlk: Detective Comics 27 is an anniversary issue not only because it’s the second “Detective Comics 27” in DC’s publishing history, but also because it’s Batman’s 75th anniversary (or close to it, anyway). With that, DC has brought on an impressive array of writers and artists (Brad Meltzer! Neal Adams!) in order to celebrate the Bat’s 75th birthday. The result is as intriguing as it is entertaining and heartwarming. Continue reading →
Today, Drew and Scott are discussing Detective Comics 16, originally released January 9th, 2013. This issue is part of the Death of the Family crossover event. Click here for complete DotF coverage.
Drew: Batman, as an idea, is essentially a very elaborate scared-straight program. The whole reason Bruce Wayne dresses up like a bat is because he believes criminals — a superstitious and cowardly lot — will be too afraid to commit crime in Gotham. Sure, some criminals are too cocksure to fear him, or simply don’t believe that he exists, but pretty much everybody runs once he actually shows up. Joker is different. For whatever reason — that he doesn’t feel fear, doesn’t mind fear, or just that he just sees Batman as a guy in a costume who keeps insisting that everybody take him seriously — the idea of Batman doesn’t deter Joker from crime. In fact, modern interpretations of the character suggest that he commits crimes in order to gain Batman’s attention. That notion is what’s made their struggle such a fundamental one, and also explains why the Joker has so many fictional fans — if he can not blink in the face of terror, so can others. The idea that the Joker could be an empowering figure is a fascinating one, but unfortunately, Detective Comics 16 doesn’t take the time to do it justice. Continue reading →