Patrick: I love Batman, but I’ve been exposed to so many books and games and movies and TV shows (plus one Stunt Show Spectacular at Six Flags), that very little in a Batman story can genuinely surprise me. The writing team on Batman Eternal acknowledges this familiarity, simultaneously leveraging those emotional beats for everything they’re worth, and suggesting that there are still some surprises out there. Continue reading
Today, Mikyzptlk and Drew are discussing Detective Comics 27, originally released January 8th, 2014.
Mikyzptlk: Detective Comics 27 is an anniversary issue not only because it’s the second “Detective Comics 27” in DC’s publishing history, but also because it’s Batman’s 75th anniversary (or close to it, anyway). With that, DC has brought on an impressive array of writers and artists (Brad Meltzer! Neal Adams!) in order to celebrate the Bat’s 75th birthday. The result is as intriguing as it is entertaining and heartwarming. Continue reading
Today, Drew and Scott are discussing Detective Comics 16, originally released January 9th, 2013. This issue is part of the Death of the Family crossover event. Click here for complete DotF coverage.
Drew: Batman, as an idea, is essentially a very elaborate scared-straight program. The whole reason Bruce Wayne dresses up like a bat is because he believes criminals — a superstitious and cowardly lot — will be too afraid to commit crime in Gotham. Sure, some criminals are too cocksure to fear him, or simply don’t believe that he exists, but pretty much everybody runs once he actually shows up. Joker is different. For whatever reason — that he doesn’t feel fear, doesn’t mind fear, or just that he just sees Batman as a guy in a costume who keeps insisting that everybody take him seriously — the idea of Batman doesn’t deter Joker from crime. In fact, modern interpretations of the character suggest that he commits crimes in order to gain Batman’s attention. That notion is what’s made their struggle such a fundamental one, and also explains why the Joker has so many fictional fans — if he can not blink in the face of terror, so can others. The idea that the Joker could be an empowering figure is a fascinating one, but unfortunately, Detective Comics 16 doesn’t take the time to do it justice. Continue reading
Today, Scott and Patrick are discussing Detective Comics 15, originally released December 5th, 2012. This issue is part of the Death of the Family crossover event. Click here for complete DotF coverage.Scott: It can be surprisingly easy to convince yourself of something that is obviously not true. I had a crush on a girl in elementary school and then some years later, I retroactively convinced myself that she had been my girlfriend. I don’t know how exactly it happened, but over time I came to believe this to be true, and only when I really stopped to think about it did I have the sad realization that I never had a girlfriend in elementary school at all. I also more recently convinced myself that this story sounded cute, and not at all desperate and creepy, which again may not be totally true. Regardless, I can sympathize with the Clayface arc that dominates Detective Comics 15: discovering that a love you believed in never existed sucks.
Today, Shelby and Patrick are discussing Detective Comics 14, originally released November 7th, 2012.
Shelby: Scott Snyder has spoiled us with his work on Batman. His take on the Dark Knight is complex and expansive, allowing for a lot of personal growth for the character as well as massive cross-over events. It’s gotten so that is what I expect from Batman; epic, sweeping narratives on a grand scale. It’s easy to forget the fun to be had in a simple Batman vs. bad guys story. That’s exactly what John Layman gives us in Detective Comics; Batman chasing the baddies, being a detective. While the storytelling is a little bit clunky, it’s still a fun little jaunt into an old-school Batman adventure.
Today, Scott and Patrick are discussing Detective Comics 13, originally released October 3rd, 2012.
Scott: My former boss created a “Law and Order” cheat-sheet, a minute by minute breakdown of every plot point, twist and reveal that occurs over the course of an episode. Each episode follows this same format, almost down to the second. Even more impressive though, is that the show still manages to captivate, and even surprise the audience. Even though the format is totally predictable, they withhold just enough information that we still feel like we’re solving the crime along with the detectives, and revelations that we might have known were coming are completely satisfying. Withholding that information is key, and it’s also where Detective Comics 13 falters; what could have been an interesting mystery ultimately lacks intrigue because it gives away too much at the start.
Today, Peter and Patrick are discussing Justice League International Annual 1, originally released August 29th, 2012.
Peter: With any reboot, world-building is near the top of the priority list. If you’re starting from scratch, you have to start with something and move on from there. Justice League International is a series that has become central to the future of the Justice League family of books. While this Annual will be the last issue bearing the JLI banner, I doubt this is the last we will see of these characters, many of whom have other books to appear in. This is a glimpse of the future of the Justice League family, and even if you haven’t read the 12 issues of Justice League International, the Annual is definitely worth the read.
Today, Drew and Peter are discussing Batman Annual 1 originally released May 30th, 2012. This issue is part of the Night of the Owls crossover event. Click here for complete NotO coverage.
Drew: Let’s talk about baggage. Comics (especially comics with 70+ year histories) have a lot of fictional history that fans have long demanded that creators adhere to. DC’s relaunch promised to shake that status quo up a bit, freeing up editors, writers, and artists to keep what works and jettison anything that doesn’t. Of course, Batman being Batman, damn near everything about him worked. Writer Scott Snyder has revealed a lot of new information, largely by focusing on things that aren’t Bruce (or his core relationships), but much of what we knew about Batman has remained true. This makes any changes that are made — like those revealed towards the end of Batman Annual 1 — particularly effective; especially when they play so brilliantly against what we expect. Continue reading