Today, Shelby and Drew are discussing Green Arrow 30, originally released April 2nd, 2014.
Shelby: Because I like to stay on top of pop culture trends, I recently discovered the TV series Legend of the Seeker. It’s a pretty straight-forward magic-based fantasy, based on Terry Goodkind’s series The Sword of Truth. You know, right up my alley. Anyway, there are two groups of magical women in this universe: Confessors and Mord-Sith. The Confessors’ power is based on love and truth; they can see when someone is lying, and as a last resort force them to tell the truth by causing people to fall desperately in love with them. The Mord-Sith, however, get their power from hate; all love, kindness, and compassion is burned out of them from youth until all they know is how to cause pain and hatred. While neither situation is ideal, it’s made clear that the love for a Confessor can elicit positive change in a person, whereas “training” from a Mord-Sith can only breed more hate. So, what do you get when someone is motivated by both love AND hate? By quiet dignity and unbelievable cruelty? Maybe we should ask Green Arrow.
Today, Spencer and Shelby are discussing Trillium 8, originally released April 2nd, 2014.
Spencer:A good ending can make or break a story. While there are many stories that are beloved due to endings that managed to respect its themes, satisfactorily tie-up loose ends, or even just provide a thought-provoking twist, there are just as many rotten endings that manage to ruin everything that came before; look at the controversy over the recent finale of How I Met Your Mother?, for example. Going into the final issue of Jeff Lemire’s Trillum, we’re left with more questions than ever and almost no idea how things might wrap up or what a satisfying ending to this series would even entail; will the ending make or break Trillium?
Alright, I won’t keep you in suspense: it makes it. This is one of the best finales I’ve ever experienced. Continue reading →
Today, Scott and Drew are discussing Animal Man 29, originally released March 19th, 2014.
And the best part of all was that one day… when they were all real old and had lived happily for a long, long time, they would die, too…
Scott: This statement, made by a four year old finally processing the meaning of her brother’s death, underlines the tragic nature of the final issue of Jeff Lemire’s Animal Man. It’s both the realization her father, Buddy Baker, needed her to make, and the promise he knows he can’t keep. Not every family gets to live happily ever after, especially not when the patriarch has as many responsibilities as Animal Man. This issue shows Buddy doing whatever he can to make sure everyone around him gets the happiest ending possible, even if it’s not the fairly tale ending they desire. In the face of uncertainty, maybe that’s the best you can do.
Today, Shelby and Patrick are discussing Trillium 7, originally released March 9th, 2014.
Time has stopped before us / The sky cannot ignore us / No one can separate us / For we are all that is left
The Beginning is the End is the Beginning, Smashing Pumpkins
Shelby: While the execution is a little more angsty than I might prefer at my advanced age of 29, the lyrics to The Beginning is the End is the Beginning from the soundtrack of The Movie Which Shall Not Be Named very well match Jeff Lemire’s penultimate issue of Trillium. More than anything else, the song’s title (as well as its partner, The End is the Beginning is the End) seem to capture Lemire’s whole approach to time and the relationship of William and Nika. It’s an interesting love story that finds its beginning at the end of the universe, possibly at the end of time itself. Continue reading →
Today, Shelby and Patrick are discussing Animal Man 28, originally released February 19, 2014.
I’m sorry I was late, baby. I had to go to space.
Buddy Baker, Animal Man 28
Shelby: I feel like this quote from the latest issue of Animal Man perfectly sums up my experience with Buddy Baker in the hands of Jeff Lemire. Buddy’s defining characteristic has, for me, always been his connection to his family. Nowhere else have we seen someone forced to balance a spouse and family with being a superhero, occasionally having to go to space, etc. Mostly, Buddy’s balancing act has brought a lot of suffering to the Baker clan, so it’s nice to see our favorite family man finally get a real win.
Today, Mike and Shelby are discussing Green Arrow 28, originally released February 5th, 2014.
Mike: I took the opportunity to reread Jeff Lemire’s run so far on Green Arrow from #17 on and man is this a well-executed series. I remember reading it for the first time and being as uncertain as to what was really going on as Oliver himself was. When The Magus popped up and told Oliver that “you were never supposed to leave the island!” I immediately thought of Lost, for the obvious “island” premise as well as the intriguingly vague cliffhangers the show was known for. An early episode of Lost was called “All the Best Cowboys Have Daddy Issues” – absent fathers being a recurring theme on the show. It’s also a title which is very appropriate for Green Arrow, a character with his own daddy issues that have now been taken to a different level entirely with the revelation of Robert Queen being alive. Continue reading →
Today, Shelby and Scott are discussing Trillium 6, originally released February 5th, 2014.Shelby: I’ve lived alone for about 3 years. It’s not always the easiest thing to do; sometimes you want more than anything to have some other person around. It doesn’t have to be someone you talk to, or even know. There’s just something about the presence of another person that is comforting. Now, luckily, I have dear friends who live pretty close, so whenever I get that urge to talk to someone other than a houseplant, I can do something about it. Not everyone is so lucky; there are some who, for reasons physical or mental, have no choice but to be alone. Jeff Lemire takes a look at what it is to be alone in his latest installment of Trillium. Continue reading →
Today, Drew and Scott are discussing Animal Man 27, originally released January 22nd, 2014.
But as a Go game progresses, the possibilities become smaller and smaller. The board does take on order. Soon, all moves are predictable.
Maximillian Cohen, Pi
Drew: Do you ever find yourself wondering exactly how apt an analogy is? Or that it might be more apt than we realize. One of my favorite moments from Darren Aronofsky’s Pi finds Sol positing that the unlimited possibilities of a game of Go reflects the chaos of life, and Max not quite refuting his point with the quote above. Maybe life simply becomes more predictable as we move through it. That’s certainly true of narratives — what starts as a completely open field often falls into a well-worn pattern as it winds to a close. Take Animal Man: as a series, it has been as original and unpredictable as they come, but as Jeff Lemire sets up his endgame in issue 27, some of the beats feel a bit more familiar. In fact, this issue seems to employ just about every tension-goosing tool in the box, building to what promises to be a pretty spectacular two-part finale. Continue reading →
Today, Patrick and Shelby are discussing Green Arrow 27, originally released January 8th, 2014.
Patrick: The mystery is an amazingly compelling form of storytelling. It’s also pretty straightforward: there’s a piece of information we don’t have and the author assures us that the reward of experiencing the story will be having the mystery solved before our very eyes. But there’s one big drawback, principally that the subject of a mystery takes places in the past. Sure, a detective might stop a killer from killing a second time, but they’re working to figure out a thing that already happened. The mysteries of the Green Arrow universe are vast, but even the most stunning revelations play out in the past. That might leave us with an interesting present, but it’s hard not to feel like we’re a little late to the party. Continue reading →
Today, Scott and Drew are discussing Animal Man 26, originally released December 18th, 2013.
Scott: If you could board a space shuttle and take off on a one-way trip towards the other end of the universe, would you do it? Could you leave behind the life you know forever in exchange for a unique human experience, a first look at the beauty and wonder of the cosmos? It’s a question many people would at least consider. Now, instead, imagine you woke up tomorrow and you were already on that ship, zipping past the asteroid belt, never to return home. Would you feel the same way about the experience if you didn’t get to make the choice? Would it be easier or harder to accept that your life would never be the same? Buddy Baker now finds himself in a situation where his life will soon be completely and eternally changed, and by no choice of his own (it also happens to an outer-space-related change). It’s a crazy curveball from writer Jeff Lemire. Continue reading →