Today, Ethan and Shelby are discussing FF 7, originally released May 15th, 2013.
Ethan: Family is the most important thing. The ones closest to us make all the difference, whether that’s helping us reach our goals, being there for us when we’re down, or providing vital sustenance when we kill them and eat them. More on that later. Writer Matt Fraction and artist Michael Allred continue to shepherd FF forward through the latest crisis — the assault by The Wizard — with the all of the quirks and charm we’ve come to expect. Even for an issue that spends more time than usual on its fight scenes, Fraction still finds ample room to pack in both the standard measure of goofball interactions and touching moments.
Today, Shelby and Ethan are discussing Hawkeye 10, originally released May 1st, 2013.
Shelby: There are two sides to every story, even stories wherein our favorite, loveable auxiliary character is shot in the head by a new bad guy for seemingly no reason. Even though we’re all still a little sad about the loss of Grills last issue (Matt Fraction included, as indicated on the title page of this month’s issue), we have to remember it was a man who pulled the trigger, a man with his own story to tell. Continue reading →
Today, Shelby and Patrick are discussing Fantastic Four 7, originally released April 24th, 2013.
Shelby: When I read comics (or watch movies), I throw myself into it completely; I get so wrapped up in the world these types of media create, strongly written characters can affect me very deeply. This happens with characters I love (you all know of my gigantic crush on Clint Barton), and it happens with characters I hate. Sometimes, I just can’t extricate myself from a fictional universe to remember that it is, in fact, fictional, and I probably don’t need to get angry at a character for being a total ass. Continue reading →
Today, Shelby and Ethan are discussing FF 6, originally released April 24th, 2013.
Shelby: It’s interesting to see the real world creep into comic books. On the one hand, real world elements make comic books more relateable; if we can relate to the events our heroes are facing, it’s easier for us to become immersed in the story. On the other hand, real world events juxtaposed with fantastic (and sometimes dumb) comic book events can be jarring and ultimately make the story unnecessarily nonsensical. Matt Fraction maintains the balance of real world and comic world by making the silly comic book stuff EXTRA silly while at the same time making the characters extra endearing. I don’t understand how or why, but it works. Continue reading →
Today, Courtney and Shelby are discussing Hawkeye 9, originally released April 10, 2013.
Courtney:Oh, poor, dear boy, Clint, what will we do with you? Getting mixed up with shady ladies, pissing off cops and criminals alike, dirtying the name of the Avengers by living in the morally gray, breaking hearts, and, always, always getting hit in the face. Continue reading →
Today, Drew and Patrick are discussing Fantastic Four 6, originally released April 10th, 2013.
Drew: “Take only pictures, leave only footprints” has long been the rule of thumb for eco-tourists — or really anybody visiting nature. The point is simple: don’t change things (and indeed, many ecologists now advocate for “leave no trace” practices, which argue that even footprints are too disruptive). This idea is quite common in sci-fi as well — the Star Trek had the prime directive, and Ray Bradbury’s time traveler had the butterfly effect — which exaggerates the danger of changing things to potentially harming history itself. You’d think, then, that a group as smart as the Fantastic Four would be especially careful when encountering alien cultures while time traveling, but issue 6 proves yet again that they can’t really be bothered with such concerns, willing to alter things at the very dawn of time itself. Continue reading →
Today, Drew and Shelby are discussing FF 5, originally released March 27, 2013.
Drew: Comics have a LOT of history, which is precisely what makes them so intimidating. Marketing ploys like the New 52 and Marvel NOW are designed specifically to minimize the cost of entry — sure, there may be decades of dense continuity to follow, but why bother when you can start with a brand new #1. As someone who was enticed by those ploys, I often have the false sense of security that I understand the universes these stories are told in. Sure, there are references to events and characters I don’t know, but I continue on the faith that, if it’s important, everything will be explained. For the most part that attitude has served me well, but every so often, I’m reminded of just how my ignorance might color my readings. The recent twist ending in Age of Ultron 3 is a great example — everything about the reveal told me that this was a big surprise, but I completely lacked the knowledge to understand what actually happened, forcing me to consult the Marvel Wiki for answers. Of course, the long, convoluted histories that most characters have often make that experience more confusing than helpful, which is exactly the experience I had trying to parse the ending of FF 5. Continue reading →
Today, Patrick and Courtney are discussing Fantastic Four 5AU, originally released March 27th, 2013. This issue is part of the Age of Ultron crossover event. Click here for complete AU coverage.
Patrick: How do you say goodbye? I believe that we don’t have a choice in matter — our goodbyes tend to come out in ways that most honestly get to the heart of our relationship with the person we’re saying goodbye to. There’s always a sense of obligation, like you’re trying to impart one lasting image of yourself in the person’s brain. Something to remember you by. While the rest of the Age of Ultron event seems interested in telling the stories of heroes pulling themselves up by their bootstraps, Fantastic Four lingers on goodbyes, and finds some touching honesty in the process. Continue reading →
Today, Courtney and Drew are discussing Hawkeye 8, originally released February 27th, 2013.
Courtney:Once, in high school, I attempted to make an 800-mile cross-country road trip in secret over spring break, not because I really wanted to, exactly, but because a girl I really liked had demanded it, and at seventeen, that was enough to get me to agree to what I knew was perfectly stupid. (I was saved, incidentally, by the sage intervention of my less-stupid, less-seventeen brother, who later went on to found Retcon Punch.) I like to think we all grow out of that by the time we start making regular car payments, but this month’s Hawkeye raises some unsettling questions. Continue reading →
Today, Ethan and Patrick are discussing FF 4, originally released February 27, 2013.
Ethan: Growth is hard. Everyone’s familiar with the usual childhood “growing up” process, with all of its difficult changes, naïve missteps, puppy love, and idealism. Then there’s the second adolescence — of the mind rather than the body — that we deal with as we explore what it means to be an adult. The changes are more situational and relational than hormonal; the missteps become less laughably naïve but often have much larger consequences; idealism fades to pragmatism, and puppy love — well, love doesn’t really change that much. Alongside these more mundane types of development, life occasionally confronts us with something truly awful and growth stops being something we do as a matter of course and starts being something we do just to survive. In the hands of writer Matt Fraction and artist Michael Allred, FF #4 continues to show us a world in which the varieties of growth faced by children, adults, and survivors collide. Continue reading →