Today, Drew and Patrick are discussing Grayson 8, originally released March 4th, 2015.
Drew: I like to read into titles. We tend to boil down the difference between Superman and Action Comics to the creative teams involved, but I think the focus of every story is informed by its title. Luke Skywalker may feature prominently in Star Wars, but not in quite the same way he would if the movies were titled Luke Skywalker. In that same vein, when a story’s title is the protagonist’s name, we understand that story to necessarily be about that character. Oliver Twist may deal with poverty and exploitation, but the story is ultimately about a single orphan. In the month-to-month grind of comics, it’s sometimes easy to forget that Spider-Man is actually about Spider-Man (and not the criminal-of-the-month), but the best writers manage to keep the focus on the heroes, even as they’re put up against an endless lineup of threats. Tom King and Tim Seeley have never lost sight of Dick as the center of Grayson, but issue 8 reasserts that focus so strongly, we never feel lost — even as they yank the rug out from under us. Continue reading →
Today, Patrick and Spencer are discussing Grayson 6, originally released January 14th, 2015.
Your nifty hypnos tech trick may make it so I can’t see Spyral agents’ faces, but I’d know that ass anywhere. Grayson.
Midnighter, Grayson 6
Patrick: Do you have any idea how many times Sherlock Holmes has been adapted? From George C. Scott to Benedict Cumberbatch, from VeggieTalesto The Great Mouse Detective, there’s virtually no end to the twists and variations writers, actors and filmmakers can apply to this character. But no matter how the story is dressed up, the personality of Holmes himself always shines through. Dick Grayson, as it turns out, is very much the same way; whatever the genre, whatever the story, whatever the supertechnology trying to disguise him, we’re always going to recognize Grayson. Continue reading →
Today, Spencer and Drew are discussing Grayson 4, originally released November 5th, 2014.
Spencer: I’ve been told that the key difference between introverts and extroverts is that interaction with other people drains introverts’ energy, while it recharges extroverts. I can believe that — I love spending time with friends, but if I’m around people too much it can be mentally exhausting, and I end up retreating to my room to charge my batteries for a few days. As an extrovert, though, Dick Grayson — the newest agent of Spyral — has the opposite problem: he needs people and personal connections to thrive. Dick certainly has the skills necessary to succeed as a spy, but his personality is much less suited to the job. Being alone is not Dick’s forte, and his need to connect could every well end up being his downfall. Continue reading →
Today, Patrick leads a discussion on Batman Eternal 13, originally released July 2nd, 2014.
Patrick: One of the bigger driving forces within Batman Eternal is Carmine Falcone’s desire to rid Gotham of “freaks” like the Penguin and Professor Pyg. In effect, Falcone is trying to drive all the fantastical elements out of Gotham City — whether they’re heroes or villains doesn’t seem to matter much to him. He’s even gone so far as pit the police directly against the Bat Family, furthering the absoluteness of this idea of fantasy vs. reality. But there’s a point that Falcone is missing — or willfully ignoring: everyone engages in a little bit of fantasy to get what they want. What Jim Gordon experienced in the train station – was that fantasy or reality? Covering up a gang war: fantasy or reality? Issue 13 brings that dichotomy into stark relief, showing how embracing fantasy can be equal parts advantageous and horrifying. Continue reading →
Today, Spencer leads a discussion on Batman Eternal 12, originally released June 25th, 2014.
Spencer: Batman Eternal is a loaded title. In our world, Batman is already 75 years old, and it’s easy to see this character, with his endless reinterpretations, existing on in perpetuity. Yet, within the narrative, Batman is very much fallible, and has already died once, with Dick Grayson taking up the mantle in his absence. Bruce Wayne may not be eternal, but the legacy he leaves behind will be, be it the good he does for the city or the crimefighters he raises, trains, and/or inspires. Of course, Batman’s not the only one in this title with a legacy.
Taylor: Superheroes are, by nature, egotistical creatures. Think about what it requires to be a superhero. Not only do you need some sort of amazing ability or power, but more importantly, you need to have a belief in yourself and that you can help the world. For some, such as Spider-Man and Superman, this egotism can be a burden, while for others, like Batman, it can be a tool to fulfill unspoken desires. Regardless of the why, superheroes must believe they are doing the right thing, otherwise they lapse into inaction or perhaps outright villainy. But this raises a question: what happens when superheroes team up and they have to make a decision, but everyone has a different opinion on how to solve that problem? Being egotists, it’s not in their nature to give in to another’s will, so what happens when they come to an impasse with their superhero peers? Justice League Dark 22, the third installment in the Trinity War tackles this question and the results are explosive, to say the least.
Today, Taylor and Shelby are discussing Justice League Dark 21, originally released June 26th, 2013.
Taylor: When you’re John Constantine, it’s always good to predict future as best you can. In order to escape the jaws of death time and again, John needs to predict what his enemies will do and how they will do it. Usually the man is pretty good at that sort of stuff and since he is often the focus of Justice League Dark it’s easy to forget that there are other ways of going about things. In fact, in Madame Xanadu the team has a colleague who can literally see the future and who doesn’t need to indulge herself in guesswork of any sort. But how useful is this power? More importantly, how does she choose to use this power and is it responsible? Issue 21 of Justice League Dark delves into these questions while also exploring a character that — up until this point — we have known very little about.
Today, Drew and Taylor are discussing Justice League Dark 20, originally released May 29th, 2013.
Drew: Comic books love team-ups, to the point that we rarely question their utility. Whether it’s random circumstance or a specific goal that brings the team together, once the team is formed, we kind of take it for granted that they will stick together. Who cares if Ocean’s 12 requires a ballistics expert (or whatever it is that Brad Pitt’s character does)? The team is the team — don’t question it. Unless, of course, you’re Jeff Lemire and Ray Fawkes, who devote Justice League Dark 20 to examining the utility of each team-up, from the random cameos to the team’s core members. The result is a fresh, surprisingly compelling argument for the team’s existence. Continue reading →
Today, Taylor and Shelby are discussing Justice League Dark 19, originally released April 24, 2013.
Taylor: There’s nothing like having a little time to yourself. This proves to be especially true after you’ve completed a large project or gone through an important life event that required a lot of your time or energy. Having just completed a stint as a student teacher, I understand how nice it is to regain a little bit of time for yourself. Suddenly, I have ample time to pursue my own interests, to take care of things I’ve been putting off for too long, and to generally dedicate myself to laziness and slobbery. Comic book writers and artists, along with the characters they give life to, similarly get to enjoy these moments of re-centering when they come to an end of a story arch. Without the obligations of having to progress a plot or defeat absolute evil, comic creators have the chance to spend a little more time on their characters and enjoy their company. Additionally, this is a chance for writers to reassess where they would like the focus of their series to fall and on whom. Justice League Dark, having wrapped up the Timothy Hunter arc, is enjoying one of these precious moments and in issue 19 it’s a pleasure to see what effect that has on the series.
Today, Patrick and Shelby are discussing Justice League Dark 17, originally released February 27th, 2013.
Patrick: Have you ever been introduced to a group of new people with a specific adjective? Someone says “this is my funny friend Patrick” or “you’ll be working with Patrick, he’s really smart.” Suddenly, it doesn’t matter how you view yourself, it becomes your singular goal to live up to that defining adjective. It’s stressful, but having your friends state their expectations of you right upfront increases that likelihood that you will be the thing they say you are. So what do you say about someone to turn them into your hero?