Today, Mark and Spencer are discussing Grayson 12, originally released September 23rd, 2015.
Mark: Grayson 12 is billed as Dick’s return to Gotham after quitting Spyral, and it is, but it’s also a continuation of the Grayson spy game. Dick truly intends to leave his life as international sex spy behind, but his hand is forced when the mysterious Agent Zero attacks him at Wayne Manor. Unless he returns to Spyral, she threatens, they’ll reveal to the world that Bruce Wayne is Batman. It’s a threat that’s been made in Bat Family comics forever, but it actually has greater weight here as Bruce is currently in no position to defend himself. Continue reading →
Today, Spencer and Shane are discussing Convergence: The New Teen Titans 1, originally released April 22th, 2015. This issue is part of Convergence. For our conversations about the rest of Convergence last week, click here.
Spencer: I think most of us take on certain comfortable roles when we’re among our friends. Sometimes, though, things change, and those roles no longer suit us, but they’re so firmly entrenched among the group dynamic that they can be impossible to escape. Marv Wolfman and Nicola Scott’s Convergence: The New Teen Titans finds this happening to the Teen Titans. After a year spent under the dome, the Titans are attempting to take their relationships to new places, but find themselves caught up in the same old roles and conflicts that have always defined them. Continue reading →
Today, Mark and Patrick are discussing Convergence: Nightwing/Oracle 1, originally released April 8th, 2015. This issue is part of Convergence. For our conversations about the rest of Convergence last week, click here.
Mark: It’s been about four years since DC’s controversial reboot into the New 52, and now that it’s come to a nominal end, I think it’s fair to say it was a success. Yes, I miss old, family-man Superman (and man was it great to see him again last week) but going back is also an illustration as to why the New 52 was necessary. Having that 30 years of history (counting from Crisis on Infinite Earths) was both a blessing and a curse. These characters were fully formed over decades of discovery. They were adults with families and complicated relationships. They carried the weights of their decisions with them. The problem is that eventually the weight of all that continuity became overwhelming, the stories you’re able to tell are limited by the past. Continue reading →
Today, Spencer and Patrick are discussing Forever Evil 7, originally released May 21st, 2014.
Spencer: I often find myself thinking of Geoff Johns as “the comic-bookiest writer in all of comics”, in the sense that so much of his work revolves around the history and mythology of the characters he’s writing, and enjoying his work often depends on having a history with the characters yourself. That’s not necessarily good or bad on its own; Johns’ style has its strong points and its weak ones, and while examples of both pop up in Forever Evil 7, it fortunately falls mostly on the “strong” side. Continue reading →
Today, Patrick and Spencer are discussing Batgirl 30, originally released April 9th, 2014.
Patrick: One of the tricks to performing satisfying long form improv is the ability to call out an unusual thing and deal with it. In fact, most of the Upright Citizens Brigade’s comedic philosophy is based around that single truth: whatever’s happening, let’s identify it, explore it and process it. “Don’t be coy” is what that usually breaks down to. Issue 30 of Batgirl is mercilessly coy, refusing to share its biggest secret, but still tries desperately to mine pathos out of it. The result is an emotional clusterfuck — one that I doubt would be satisfying even if the powers that be deemed us worthy of Forever Evil‘s biggest reveals.
Today, Spencer and Shelby are discussing Nightwing 29, originally released March 12th, 2014.
Spencer: It’s hard to talk about Nightwing 29 without talking about the circumstances surrounding it. Forever Evilrevealed Nightwing’s identity to the world and may possibly be killing him off; even if Dick survives, his life is going to be drastically different, as indicated by the cancellation of his title and the premature end of writer Kyle Higgins’ run. I admit that I’m a little bitter; Nightwing’s move to Chicago had rejuvenated the title, and I’m disappointed not to see the story of the Chicago Mask Killer resolved. I certainly can’t claim to know how Higgins feels about the decision, but if he’s upset, he’s not letting it show. Instead, he uses his final issue to create a highlight reel of his run, show us how it’s changed Nightwing, and ultimately, remind us why Dick Grayson is such an important, beloved character in the first place. Continue reading →
Today, Spencer and Patrick are discussing Forever Evil 6, originally released March 5th, 2014.
Spencer: One of the biggest issues I’ve had with Forever Evil has been trying to figure out just how, exactly, its interpretation of Earth-3 works. Before the reboot Earth-3 was a world of opposites, where all evil characters were good guys and all the good guys were villains, and villains always won, but ever since the Crime Syndicate forced their way onto our world at the end of “Trinity War” writer Geoff Johns has largely shown Earth-3 as a world where everybody is evil, which I haven’t quite been able to wrap my head around up to this point. Johns and David Finch’s Forever Evil 6 has finally helped put things in perspective for me, though, by unmasking the Syndicate’s prisoner and showing us exactly what a hero looks like on Earth-3. Continue reading →
Today, Mikyzptlk and Drew are discussing Detective Comics 27, originally released January 8th, 2014.
Mikyzptlk: Detective Comics 27 is an anniversary issue not only because it’s the second “Detective Comics 27” in DC’s publishing history, but also because it’s Batman’s 75th anniversary (or close to it, anyway). With that, DC has brought on an impressive array of writers and artists (Brad Meltzer! Neal Adams!) in order to celebrate the Bat’s 75th birthday. The result is as intriguing as it is entertaining and heartwarming. Continue reading →
Today, Patrick and Spencer are discussing Forever Evil 4, originally released December 24th, 2013.
Patrick: Did y’all see Crazy Heart? Part of that movie hinges on the fact that Jeff Bridges’ character quietly and gradually writes a song so good that he can retire on it. I love imagining the moment in the script where the screenwriter must have written: “Then he writes the best song ever” and then goes back to describing a bar bathroom or something. Luckily, the people tasked with actually demonstrating this skill were up to the task. Geoff Johns has a habit of writing himself into similar corners, but always leaves it to himself to bail himself out. The result is an oddly self-contradictory narrative, one that comes so very close to acknowledging its own absurdity before doubling down on it.
Today, Drew and Scott are discussing Batman/Superman 5, originally released November 6th, 2013.
Drew: Ironic detachment is a dangerous thing in a work of art. It calls our attention to the weaknesses of a story, but it can’t do much to address those weaknesses. In calling our attention to the foibles of a work of art, the artist is intentionally leaving them in, which either means they’re either left there intentionally (maybe just to point them out), or they’re actually unavoidable, in which case, making fun of them is entirely superficial. Either way, it makes the art about itself, which is great if the point of the art is to comment on the limitations of the form, but starts to break down if it needs to make any other points. Unfortunately, Batman/Superman 5 aims for something beyond its postmodern trappings, and falls firmly into this latter category. Continue reading →