Today, Spencer and (guest writer) Mark are discussing on Batman Eternal 22, originally released September 3rd, 2014.
Spencer: 2014 marks the 75th Anniversary of Batman, so it’s easy to understand why DC decided to publish a weekly Batman book this year. It’s interesting to me to think about Batman Eternal as a part of the celebration, though, because it’s a series that is decidedly not about Batman; instead, it’s focused on those who Batman has inspired and the city he protects. Issue 22 is the first in a new arc, but it only further emphasizes those themes, welcoming a reluctant new ally into the family and presenting more villains with their own twisted ideas about what Gotham city truly is.
Today, Patrick leads a discussion on Batman Eternal 13, originally released July 2nd, 2014.
Patrick: One of the bigger driving forces within Batman Eternal is Carmine Falcone’s desire to rid Gotham of “freaks” like the Penguin and Professor Pyg. In effect, Falcone is trying to drive all the fantastical elements out of Gotham City — whether they’re heroes or villains doesn’t seem to matter much to him. He’s even gone so far as pit the police directly against the Bat Family, furthering the absoluteness of this idea of fantasy vs. reality. But there’s a point that Falcone is missing — or willfully ignoring: everyone engages in a little bit of fantasy to get what they want. What Jim Gordon experienced in the train station – was that fantasy or reality? Covering up a gang war: fantasy or reality? Issue 13 brings that dichotomy into stark relief, showing how embracing fantasy can be equal parts advantageous and horrifying. Continue reading →
Today, Spencer leads a discussion on Batman Eternal 12, originally released June 25th, 2014.
Spencer: Batman Eternal is a loaded title. In our world, Batman is already 75 years old, and it’s easy to see this character, with his endless reinterpretations, existing on in perpetuity. Yet, within the narrative, Batman is very much fallible, and has already died once, with Dick Grayson taking up the mantle in his absence. Bruce Wayne may not be eternal, but the legacy he leaves behind will be, be it the good he does for the city or the crimefighters he raises, trains, and/or inspires. Of course, Batman’s not the only one in this title with a legacy.
Today, Drew leads a discussion on Batman Eternal 11, originally released June 18th, 2014.
Drew: Happy belated Fathers’ Day, everyone! I know I’m close to a week late, but hey, it’s not like your my dad, right? Okay, I may have missed the moment there, but Batman Eternal 11 actually hits a bit closer to the mark, landing only four days after the actual holiday. Still seem a little late? Consider how non-topical other comics tend to be. It makes sense; a six-issue arc may span a matter of days of narrative time, but would cover six months in real time — how do you sync that up to fixed holidays? It’s still done from time to time, but it’s usually relegated to one-off anthologies, or even commemorating events a few months after the fact. There are a few notable exceptions, which manage the feat largely by synching their narrative rate to their release schedule, like The Long Halloween or 52, two series to which Batman Eternal obviously owes a great debt. The weekly format truly gives the writers an opportunity to line events up on the calendar, giving us just a bit more to relate to in the pages. Far from hackneyed or forced, this issue reveals one of the primary perks of such a large ensemble cast: it’s easy to find occasion-appropriate themes when so many plates are spinning at once. Continue reading →
Today, Shelby leads a discussion on Batman Eternal 10, originally released June 11th, 2014.
Shelby: I have some friends who are legitimate circus performers, one a pole dancer and the other a trapeze artist, and so I naturally have attended a cabaret-style circus performance held in an old warehouse. It was exactly as awesome as it sounds, with acrobats of every flavor, a hoop dancer, clowns, and a juggler. This guy was incredible, he used a rainbow array of balls that lit up, and they shut off all the lights in the place so all we could see were the glowing orbs and the trails they left behind. Comic books aren’t totally dissimilar; we don’t see the creators specifically, just the art they leave for us. Also, sometimes it feels like a team is juggling waaaaaaay too many ideas, and it’s only a matter of time before things fall apart. Continue reading →
Today, Spencer leads a discussion on Batman Eternal 8, originally released May 28th, 2014.
Spencer: Last time I wrote about Batman EternalI praised how quickly the plot seemed to be coming together, but in the five issues since, things have slowed down dramatically. The end of issue three saw the genesis of a brutal gang war that threatened to rock Batman’s city down to its core, but the resulting conflicts haven’t looked all that more dangerous than any typical Gotham evening. There’s a lot of fun stuff going on in Batman Eternal 8, but these pacing issues sap much of the tension from the developments, leaving a final product that’s not quite as awesome as it should be. Continue reading →
Today, Drew leads a discussion on Batman Eternal 6, originally released May 14th, 2014.
Drew: Why does society seem to place a premium on auteurism? The vast majority of artforms are highly collaborative, yet we still talk about directors, show-runners, composers, and other creators as if theirs is the only intent that matters. Aside from a few notable exceptions, comics have always been a collaborative medium, but there’s something palpably different about a written-by-committee series like Batman Eternal. Indeed, it seems to have more in common with the conveyer-belt system of network tv than the short-season, tightly controlled cable model, but is that a bad thing?
Today, Shelby leads a discussion on Batman Eternal 4, originally released April 30th, 2014.
Shelby: Last week, Spencer referenced the breakneck speed at which the Batman Eternal crew was giving us our story. While I do think this story is progressing along at a pretty good clip, I think it has more to do with us adjusting to a weekly story instead of a monthly one. Each issues gives us as much story as we’re used to, but now we’re getting 4 times the dosage every month. The weekly release schedule makes the story so much more effective — like Bruce, we are astounded and somewhat alarmed at how quickly events unfold.
Today, Spencer leads a discussion on Batman Eternal 3, originally released April 23rd, 2014.
Spencer: I’m impressed by how quickly Batman Eternal is moving along. A year-long story with new chapters releasing every week could easily fall into the trap of being slowly paced, or even worse, of using filler to stretch out the story to fit into 52 issues, but if anything, the creative team of Scott Snyder, James Tynion IV, Ray Fawkes, John Layman, Tim Seeley, and Jason Fabok seem to be speeding through the story at an alarming rate. I’m starting to think that “the end” teased back in issue one may come sooner than we think; at the speed they’re throwing out ideas, the end may very well be the beginning of the story. Continue reading →
Today, Drew leads a discussion on Batman Eternal 2, originally released April 16th, 2014.
Drew: What do we expect of this series? Grand world-building? Serviceable (if maybe uninspired) Batman stories? When we discussed the first issue, I argued that the way this series addresses our expectations — the way it fulfills some but defies others — may be its most distinctive characteristic. Indeed, issue 2 is so drastically different in form and focus, it’s easy to see defiance of expectations as this series’ unifying trait.