Today, Spencer and Michael are discussing Robin War 2, originally released January 13, 2016.
Spencer:Have you ever watched or read something that you could tell was good, but something about it just didn’t work for you? Maybe there was just one small plot point that rang false, but the failure of that one moment led to the rest of the narrative collapsing around it? That’s the way I feel about Robin War 2. There’s quite a bit about this issue that I like, but there’s one flaw in its very premise that kinda ruins the entire event: writer Tom King never explains why the Court of Owls wants to reclaim Dick Grayson so badly. Continue reading →
Today, Spencer and Mark are discussing Robin: Son of Batman 6, originally released November 25th, 2015.
Spencer: “Redemption” can be an awfully selfish pursuit if the person seeking redemption is more interested in clearing their own name and conscience than about alleviating the pain they’ve caused others. I certainly wouldn’t accuse Damian Wayne of being selfish, but he is young, and still learning just what, exactly, redemption and forgiveness are all about. In Robin: Son of Batman 6, Patrick Gleason uses the events of the past five issues to teach Damian an entirely new definition of redemption, one focused more on others than himself. Continue reading →
Today, Michael and Spencer are discussing Robin: Son of Batman, originally released October 28, 2015.
Michael: Here’s an odd question: do you ever have cognitive dissonance about traditional story progression when you’re reading a particular comic book? I know I do. I’ve been exposed to so many comic book series and arcs that I have been conditioned in a way. I often find myself judging the pace of a series and when it hits certain plot points – all based on standards set by prior comic books. Do stories need to be examined with such a focused lens? Or can we as the readers let go of any preconceived notions and trust that the creator has an intentional plan? Continue reading →
Today, Mark and Spencer are discussing Grayson 12, originally released September 23rd, 2015.
Mark: Grayson 12 is billed as Dick’s return to Gotham after quitting Spyral, and it is, but it’s also a continuation of the Grayson spy game. Dick truly intends to leave his life as international sex spy behind, but his hand is forced when the mysterious Agent Zero attacks him at Wayne Manor. Unless he returns to Spyral, she threatens, they’ll reveal to the world that Bruce Wayne is Batman. It’s a threat that’s been made in Bat Family comics forever, but it actually has greater weight here as Bruce is currently in no position to defend himself. Continue reading →
Today, Spencer and Mark are discussing Robin: Son of Batman 2, originally released July 15th, 2015.
Spencer: We see a lot of redemption stories in comics (and in pop culture in general), and while many of them end in death, almost all of them end with the person seeking redemption finding some sort of forgiveness. Yes, the ideas of atoning for past crimes and being forgiven for them tend to go hand-in-hand, but should they? It’s an interesting notion, one which Patrick Gleason seems interested in examining throughout Robin: Son of Batman 2. Damian Wayne is out to atone for a year full of horrors he committed before becoming Robin, but atoning for some crimes is clearly going to be much harder than atoning for others — and it may simply come to down to who he’s seeking redemption from. Continue reading →
Today, Drew and Spencer are discussing Batman and Robin 40, originally released March 25th, 2015.
Drew: Bruce Wayne’s back was broken. Otto Octavius took over Peter Parker’s body. Superman had a mullet. Steve Rogers was dead. We often talk derisively of these kinds of easily-reversed changes in superhero comics because they seem gimmicky and cheap — what better way to boost sales than to trumpet the death of Superman? — but I’d actually argue that these stories offer a clever way of exploring what makes these heroes great. Moreover, they remind us not to take what we like about these characters for granted. Fewer characters have been put through quite so many changes recently as Damian Wayne, who has both died and gained superpowers, so while Batman and Robin 40 ends with him back in his non-dead, non-superpowered state, it’s actually kind of refreshing. Continue reading →
Today, Patrick and Spencer are discussing Batman and Ra’s al Ghul 32, originally released June 18th, 2014.
Patrick: No one’s got a deeper bench than Batman. A lot has been made of the integrity of his relationships lately — it’s almost the most important piece of Batman’s mythology in the New 52. Check it out: Batman Eternal is all about Batman struggling with his relationship with the city, and even pulls Gordon out of rotation. This comes on the heels of The Death of the Family and the Leviathan killing Damian, which all just compounds the stress put upon those relationships. Nightwing, Batgirl, Red Robin, Red Hood, they all have reason to distrust the man who’s a superhero first, and a human being second. But Batman’s not just the biggest superhero in Gotham, he’s the biggest superhero in the DC Universe, so there’s no end to the relationships we can explore to learn something just a little bit more about Bruce Wayne. Continue reading →
Today, Greg and Scott are discussing Batman ’66 Meets The Green Hornet 1, originally released June 4, 2014.
Greg: Christopher Nolan’s Dark Knight Trilogy are both some of my favorite and least favorite things to happen to contemporary pop culture. I love them because the movies, particularly that second one, are smashingly good entertainments, with towering performances, consistent style, and an attitude of taking the world seriously that feels naturally extended from the best Batman comics and ‘90s animated series episodes. I hate them because now it feels like every single big budget blockbuster that comes out (even the new Captain America, for goodness’ sake) is dark, gritty, oppressively somber, po-faced, and muted. It’s a conflicting feeling because as much as I love the shock and awe that comes from treating these extraordinary scenarios with verisimilitude, I similarly love the fun and joy that comes from treating them as, well, fun and joyful. Batman ‘66 Meets The Green Hornet is a strikingly contagious example of what happens when you have affectionate fun in your larger-than-life storytelling, and I’d like writers Kevin Smith and Ralph Garman to get their own big budget trilogy, please.
Peter Tomasi can be seen as a workhorse of DC’s writer stable. He is constantly dealing with other people’s baggage in his own series, including the Batman and Robin-alteringdeath of Damian Wayne. But that’s not the only thread Tomasi has used to weave his Batman epic. Indeed, the loss of Robin has turned into survey of how the New 52’s Batman fits into rest of the Universe. Issue 30, titled Batman and Wonder Woman, plays with some of the best toys in the box. Patrick sat down with Pete and went through the issue page by page, so get your copy handy and join us on the Commentary Track.
Retcon Punch: First, can you talk about going after Wonder Woman and exploring the more magical end of the Universe. I know we’re chasing around resurrection pits and whatnot…
Peter Tomasi: Yeah,it seemed like a good place to explore. They’ve had Lazarus Pits all around the globe, and it felt like a cool bit that we hadn’t ever seen where: why wouldn’t a secret island full of Amazonshave one? Maybe there’s a little something-something going on there, and we could play with a little magic there. I don’t really do this a lot, I’m a very linear storyteller — I wrote this whole sequence of them going to the island first and all this stuff. Continue reading →
Today, Spencer and Shelby are discussing Nightwing 29, originally released March 12th, 2014.
Spencer: It’s hard to talk about Nightwing 29 without talking about the circumstances surrounding it. Forever Evilrevealed Nightwing’s identity to the world and may possibly be killing him off; even if Dick survives, his life is going to be drastically different, as indicated by the cancellation of his title and the premature end of writer Kyle Higgins’ run. I admit that I’m a little bitter; Nightwing’s move to Chicago had rejuvenated the title, and I’m disappointed not to see the story of the Chicago Mask Killer resolved. I certainly can’t claim to know how Higgins feels about the decision, but if he’s upset, he’s not letting it show. Instead, he uses his final issue to create a highlight reel of his run, show us how it’s changed Nightwing, and ultimately, remind us why Dick Grayson is such an important, beloved character in the first place. Continue reading →