Today, Spencer and Patrick are discussing Lando 1, originally released July 8th, 2015.
Spencer: Maybe it’s just because of the way superheroes dominate the medium, but when I think of comic books, my mind immediately turns to fighting. It’s almost unheard of to find a superhero who doesn’t fight in some capacity, and even in the indie books I read, most of the characters are spies, soldiers, robots wielding built-in weaponry, or kids struggling to survive in the wild — the one thing they have in common is that they all fight. Lando Calrissian, however, does not. Throughout Lando 1, Charles Soule and Alex Maleev depict Lando as someone who may know the value of a good warrior, but prefers to win his battles with cunning. It’s a compelling take on the character, one that helps set him apart from his good buddy (and fellow smuggler) Han Solo, and one which also establishes this mini-series as a heist story through and through. Sure, there’s action, but the twists and turns of Lando’s high-stakes schemes (as well as the schemes hatched against him) are what this series is really all about, and that’s a fun new direction for the Marvel Star Wars books to explore. Continue reading →
Today, Michael and Patrick are discussing Convergence: Green Lantern/Parallax 2, originally released May 13th, 2015. This issue is part of Convergence. For our conversations about the rest of Convergence last week, click here.
Patrick: There’s a scene in every Star Wars movie where the score drops out entirely and the audio landscape is occupied entirely by sound effects. George Lucas, for relying so heavily on the excitement and gravitas of John Williams’ symphonic scores, understood the power of allowing the action itself to dictate the viewer’s sonic experience. Suddenly, Luke and Vader’s lightsaber duel in Cloud City becomes more intimate and immediate, as the viewer no longer has the dramatic distance afforded us by a full orchestra. A silent medium, comic books have a strange relationship to sound effects: do they imply sound? are they fun panel-dressing? are they a reminder of the medium’s limitations? Tony Bedard and Ron Wagner’s conclusion to the Convergence: Green Lantern Parallax mini-series presents an intense sound effects symphony, only, y’know, completely silent. Continue reading →
Today, Michael and Taylor are discussing Darth Vader 5, originally released May 13th, 2015.
Michael: Comic book narratives have always been about the change of the status quo. Common examples include the balance between good and evil, the latest hero to don a particular mantle, and in the realm of Star Wars, there’s the frequent rotation of Sith Lords. Darth Vader 5 questions the villain’s relevance in the galaxy that his master is trying to maintain a hold on. Continue reading →
Today, Taylor and Drew are discussing Star Wars 4, originally released April 22nd, 2015.
Taylor: There’s a been a lot of Star Wars news lately thanks to the release of the second trailer for the upcoming The Force Awakens. Aiding the hype of this trailer has been a number of costumes and props that recently went on display at the “Star Wars Celebration. Additionally, there’s a new Star Wars Battlefront game that’s about to be released, the first in a number of years, which has gamers truly excited. Lost among all of this fanfare has been the teaser trailer for the spin-off Star Wars movie, Rogue One. Like the Star Warscomic, this movie takes place between famous episodes of the primary trilogies and like the the comics it offers a behind the scenes, gritty look at the rebellion. This aspect, more than anything else, is what makes the comic interesting and what makes issue four of the series so fun to read. Continue reading →
Today, Drew and Patrick are discussing Star Wars 3, originally released March 11th, 2015.
Drew: Ah, The Treachery of Images. I remember chuckling mildly at Magritte’s pedanthood when he insisted that it really isn’t a pipe — it’s a picture of a pipe — but I think the painting is actually much more clever than it initially seems. That anyone would be given pause by a painting of a pipe insisting it is not a pipe speaks to some of our most basic assumptions about art. Indeed, that we’re confronted with the fact that a picture of a pipe is not a pipe forces us to question what it means for something to be a pipe. Clearly, it’s not just a matter of looking like a pipe, so some element of pipe-iness is lost in the translation. As Marvel’s new Star Wars series marches on, I find myself wondering if some piece of what makes Star Wars Star Wars isn’t also lost in the translation to comics. Continue reading →
Today, Taylor and Patrick are discussing Princess Leia 1, originally released March 4th, 2015.
Taylor: The Empire Strikes Back features a memorable scene where Han and Leia share their first kiss. The scene is a gem, with both of them behaving in such a manner so essential to their characters that they (and the audience) can’t resist each other. Han is charming, smooth talking, and a little sleazy. Leia, on the other hand, is cool, distant, and fiercely independent. Looking at this scene, you can’t help but recognize that this is who Leia is. Even though we know passion burns hotly underneath her cool exterior, she’s never one to give away her true feelings. Princess Leia 1 picks up on these characteristics and fleshes out not only one of cinema’s most famous heroines, but also fleshes out Star Wars at the same time. Continue reading →
February 14th is about three things: socks with hearts on them, discount chocolates on the 15th, and corny Valentines cards for your friends. We can’t really share the first two with you, our loyal readers, but boy can we share the third! A couple years ago we made a bunch of corny Valentine’s Day cards, and we had so much fun we did it again last year. Because we’re once, twice, three times a lady, we’ve done it again and made a new batch of Valentines for you all. Feel free to print and pass them out to the nerds you love the most, just keep our name on them, huh? More after the break.
Today, Taylor and Patrick are discussing Star Wars 2, originally released February 4th, 2015.
Taylor: When do you officially become too old to play with action figures? I’ve often wondered this because I suspect I played with my action figures longer than most. Was it too long? I have fond memories of having adventures with my Star Wars toys well into sixth grade. However, when I made the transition to middle school in 7th grade (that’s Kansas for you) I felt I had reached the age where it wasn’t socially acceptable to play with them anymore. This was a sad time for me.What made it painful then, as it does now, is that it signaled a loss of creativity for me. No longer would I be able to create my own Star Wars adventures. I’d have to take them as they were handed to me in video games and books. Marvel’s Star Wars, while still feeding me a Star Wars story, and captures the wild imagination of someone creating their own adventures, and that’s damn fun. Continue reading →
Today, Drew and Taylor are discussing Star Wars 1, originally released January 14th, 2015.
Drew: I was eight years old when Michael Crichton’s The Lost World was published. I hadn’t read Jurassic Park (reminder: I was eight), but I LOVED the movie. Nothing, not even my reading level, could stop me from consuming this new tale of genetically resurrected dinos, so I convinced my parents to get me the book on tape. When the film adaptation came out in 1997, it was my first experience seeing a movie based on a text I was already familiar with. There were substantial changes to the plot, but I didn’t care — the draw for me was dinosaurs, and the movie definitely delivered. I was similarly undaunted by the streamlining of the plot in Peter Jackson’s Lord of the Rings adaptations — the draw here was a heroes journey set in a lushly detailed fantasy world.
It wasn’t until Zack Snyder’s Watchmen that I was first apprehensive about a film adaptation — the draw for me was no longer the plot or specific characters, but the medium of the story itself. A film couldn’t hope to capture the formal elements specific to comics that makes Watchmen such an achievement. I find myself confronted with these questions as I think about Marvel’s new Star Wars series (my first foray into any non-film explorations of the universe) — what is the draw for Star Wars? Is it the space operatics? The characters? The actors that play them? The thrilling John Williams score? It turns out, my answer may be “all of the above,” but that doesn’t stop this issue from being a largely successful translation of the Star Wars universe onto the page. Continue reading →
Today, Taylor and Patrick are discussing Star Wars Rebel Heist 1, originally released April 30th, 2014.
Taylor: Recently the cast for Star Wars Episode VII was announced. As long rumored, Mark Hamill, Carrie Fischer, and Harrison Ford will be reprising their roles as Luke, Leia, and Han in this installment, which is cause for mixed bag of emotions. I appreciate that the new Star Wars movies will attempt to link themselves to the original trilogy, but I also want the thing I loved preserved. George Lucas has given us ample reason to fear further Star Wars movies, and I worry that casting original actors in the new movie will somehow taint what came before it. At the same time, I’m also aware that my beloved characters have been taken out for a spin by multiple writers in the past. This hasn’t ruined my love of the original trilogy in the slightest, so maybe I just need to relax. With these ideas fresh in my mind, it’s interesting to pick up Star Wars Rebel Heist 1. Can it assert that use of beloved characters in new stories is okay? Or will it show they are best left to our memory? Continue reading →