Today, Drew and Patrick are discussing Batman Incorporated 10, originally released April 25th, 2013.
Drew: One of the defining characteristics of Batman is his relative plausibility. Fictional technology aside, he’s basically an extremely wealthy, extremely determined individual — no alien DNA, no radioactive animal bites, no magic. Writers will vary in just how plausible they want their version of Batman to be, but most respect that believability as one of the character’s biggest draws. Every so often, writers will break that rule — Jason will be resurrected via magic, or Bruce might call in a favor from Superman — to show you just how big the stakes are. In this issue, the situation is so dire, Bruce turns to not one, but several such outlandish solutions, tapping into every corner of Batman-exess he can. Continue reading →
Today, Mikyzptlk and Shelby are discussing Batman and Red Robin 19, originally released April 10th, 2013.
Mikyzptlk: Some of the things we enjoy discussing here on Retcon Punch are the various themes that come up in the comics that we read. Sometimes those themes are buried deep within the surface of the story while other times they are a bit more telegraphed. With the latest issue of Batman and Rob –sorry– Batman and Red Robin, Peter Tomasi has chosen the latter option as he’s begun to take Bruce Wayne on a journey through the 5 stages of grief due to the loss of his son. There is no doubt that this issue is all about denial to the extent that it’s the actual title of the issue, but if Bruce is going through denial Tomasi is going to make sure he doesn’t do it alone. The obvious guest-star of this issue is Red Robin, but Tomasi has another surprise for you up his sleeve. Continue reading →
Today, Drew and Patrick are discussing Batman Incorporated 9, originally released March 27th, 2013.
Drew: In Batman Incorporated 0, Grant Morrison asserted that “the first truth of Batman” was that he was never alone, and backs it up with the fact that Alfred was there from the start. But is that the first truth of Batman? If Batman was born that night in his father’s study, he was surely conceived 18 years earlier as Thomas an Martha died, making loss the first truth of Batman. With that loss comes the loneliness that Morrison’s “first truth” was reacting to. Sure, Bruce sought comfort in his friends and wards, but every moment of his life was shaped by the crushing loneliness he felt watching his parents die. The death of Damian reemphasizes that point, distancing Bruce even from Alfred, who — as Morrison asserted — was always there. The result is a uniquely lonely Batman, spinning another take on the character into the tapestry of Morrison’s epic. Continue reading →
Today, Mikyzptlk and Drew are discussing the Batman Incorporated 8, originally released February 27th, 2013.
Mikyzptlk:Spoiler Alert. Hahaha, just kidding. Fuck you very much, internet. Alright, now that I’ve gotten that out of my system–Seriously, couldn’t you have just kept your mouth shut for a few more days?!? Okay, it’s okay, I’m all better now. As I write this, I’ve just finished reading issue 8 of Grant Morrison’s Batman, Inc. and I’m still not quite sure what to make of things. We all know by now that Damian “The Boy Wonder” is dead. And though I have some wild theories that say he’s not actually dead, the issue leaves us with that conclusion. Grant Morrison has stated (a bit earlier than he should have mind you) what the death of Damian means in the greater sense of the themes he was presenting us with, but I’d like to focus on the character of young Damian and what his death means in the context of the world in which these characters live. I’ll leave the heavy lifting to Drew. Continue reading →
Drew: They say a man is known by the company he keeps. For Batman, we might think of the bat-family — Alfred, Commissioner Gordon, and the various Robins and Batgirl(s) — but we also think of his rogues gallery. Indeed, Batman has long been defined by the villains that he fights, but I’ve always thought of that as “Batman,” the idea, not Batman, the character. Indeed, the fact that Bruce is perpetually locked in battles with his nemeses has always seemed more a curiosity of circumstance than of design — Batman doesn’t kill, and they keep breaking out. Batman 17 puts that assumption under the microscope, asking just what his perpetual battle with Joker might say about Bruce. Obviously, SPOILERS after the jump.Continue reading →
It can be hard to keep up with all the comics you love. But it’s damn near impossible to keep up with all the comics you’re interested in.
Retcon Punch got you covered.
Sure, you’re reading Batman. Did you realize there are like 20 other issues that contain Death of the Family stories? How can you possibly understand the mind-bending reveal in Batman 17 without those volumes of additional content? Here’s how: we collected every single issue of the Death of the Family — all but the very last — so you can be totally, 100% caught up. (All of our coverage of individual issues can be found here.)
Today, Patrick and Drew are discussing the Batman Incorporated 7, originally released January 30th, 2013.
Patrick: If the last issue of Batman Incorporated was a little heavy on the heady themes and explicit symbolism (it was), then issue 7 is the antidote. The issue starts with Batman in free fall, then zips ably through surprise reveals, heartwrenching goodbyes, booby-traps and betrayals. As Talia calls the members of Leviathan into action — be they security guards or children — it’s immediately clear that The Plan is in motion, and Damian is uniquely positioned to put a stop to his mother’s attacks and save his father.
Today, Shelby and Drew are discussing Teen Titans 16, originally released January 30th, 2013. This issue is part of the Death of the Family crossover event. Click here for complete DotF coverage.
Shelby: What is the point of being a villain? Some do it out of greed, like the Penguin, others for a cause, like Poison Ivy. Then there’s the Joker, who’s just a psychopath. The source of his villainy is insanity; he is chaos incarnate. You’d think that would make it easier for writers to use the Joker in their stories. Just think of the craziest, most out there plan, add some gratuitous murder and cruelty, and you’re done, right? Wrong-o. The Joker is chaos, but he’s directed chaos. He has an end point in mind, there is a “reason for his madness.” Batgirl plays with the core idea that the Joker’s latest spree is based on love with a twisted wedding. Batman and Robin also ties back to love, either the love of Robin for Batman or the love of a son for his father, depending on whether or not you believe the Joker knows who everybody is. Teen Titans and Red Hood, however, have a tougher time showing us that central theme of love, so that at the end of the issue I’m left wondering, “what was the point?” Continue reading →
Today, Drew and Shelby are discussing Batman 16 originally released January 16th, 2013. This issue is part of the Death of the Family crossover event. Click here for complete DotF coverage.
Drew: One of the most thrilling things about Christopher Nolan’s The Dark Knight was the surprisingly strong case it made for Joker’s way of thinking. Obviously, we aren’t meant to agree with his murderous methods, but any time he’s given a chance to explain his worldview, he actually makes a pretty compelling argument. The effect was a surprisingly nuanced take on the nature of freedom, drawing our attention to just how untenable Batman’s outlook is, as well. Scott Snyder manages a similar trick in Batman 16, making Joker’s argument alluring, even as his methods are utterly horrifying. Continue reading →
Today, Patrick and Drew are discussing the Batman Incorporated 6, originally released January 2nd, 2013.
Patrick: There’s a moment early in this issue when Batman realizes that Talia is going to put him through the Ten Ox Herding Pictures before being able to confront her directly. Batman asks, “Can’t we just have a conversation, like normal people?” to which, Talia replies, “We’re not ‘normal people.’ We’re special.” Batman’s got a point: Batman Incorporated is in ruins and Leviathan is everywhere. To make matters worse, Talia is moments away from making Bruce choose between his city and his son — with conflict so clear and so immediate, what room is there for a Zen parable about the process of becoming enlightened? Continue reading →