Today, Shelby and Patrick are discussing Hawkeye 13, originally released October 16th, 2013.
Shelby: FINALLY! Six months ago, something terrible happened to our favorite hot mess Clint Barton.I won’t spoil it here before the jump, but if you’ve been reading this title you know what I’m talking about. Matt Fraction has taken us on a whirlwind tour of everyone’s involvement and reactions, and I mean everyone: the man responsible, Kate, Lucky the Dog, even Clint’s brother. The one voice who’s been silent is the one I’ve been most eager to hear. That is, of course, Clint, and finally today Fraction, David Aja, and Matt Hollingsworth tell us Clint’s side of the story. It’s exactly as heartbreaking and lonely as you would expect. Continue reading →
Today, Drew and Spencer are discussing Hawkeye 12, originally released July 10th, 2013.
Drew: What is it that excites you most about a narrative? Or, what element of a story is so important to you that you might overlook other issues? Obviously, there’s a baseline for quality, but in a pinch, some of us might excuse weak plotting if the character work is good, or flat characters if the story is exciting enough. For me, that magic element is form. I’m willing to excuse wrote plotting or stiff characters as long as the story is told to me in a new way. Hawkeye has never suffered from either of those problems, but its recent discursive plotting and focus on seemingly every character except Clint has the potential to bore plot- and character-philes. Its form, on the other hand, has been absolute crackerjacks. Issue 8 kicked of a series of issues — each from a different perspective — that have revisited scenes time and again, each offering a different perspective on the events. It’s part Roshomon, part A/B plotting, creating a hybrid form that keeps each episode emotionally satisfying, all while weaving an incredibly dense chain of events. Hawkeye 12 adds Barney Barton to the mix, mining a great deal of pathos from the brothers’ childhood. Continue reading →
Today, Ethan and Shelby are discussing Hawkeye 11, originally released June 26th, 2013.
Ethan: Heroes often have a fundamentally different way of perceiving the world than the rest of us – a unique challenge for the artists who have to bring them to life in comics. We’ve seen Iron Man’s in-suit view, cluttered with dozens of HUD displays showing vectors, power levels, and incoming angry phone calls. Spider-Man suffers an attack of Wavy-Line-Halo when he’s in danger. Daredevil’s world of radar-sense is one of the most foreign: wireframe surfaces instead of color, ripples of information spreading from source to receiver. In Hawkeye #11, artists Matt Hollingsworth and David Aja gives us our first close look at one of this title’s new heroes, along with his fascinatingly alien way of experiencing his surroundings. Lucky, the Pizza Dog, is pretty out of this world. Continue reading →
Today, Shelby and Ethan are discussing Hawkeye 10, originally released May 1st, 2013.
Shelby: There are two sides to every story, even stories wherein our favorite, loveable auxiliary character is shot in the head by a new bad guy for seemingly no reason. Even though we’re all still a little sad about the loss of Grills last issue (Matt Fraction included, as indicated on the title page of this month’s issue), we have to remember it was a man who pulled the trigger, a man with his own story to tell. Continue reading →
Today, Courtney and Shelby are discussing Hawkeye 9, originally released April 10, 2013.
Courtney:Oh, poor, dear boy, Clint, what will we do with you? Getting mixed up with shady ladies, pissing off cops and criminals alike, dirtying the name of the Avengers by living in the morally gray, breaking hearts, and, always, always getting hit in the face. Continue reading →
Today, Courtney and Drew are discussing Hawkeye 8, originally released February 27th, 2013.
Courtney:Once, in high school, I attempted to make an 800-mile cross-country road trip in secret over spring break, not because I really wanted to, exactly, but because a girl I really liked had demanded it, and at seventeen, that was enough to get me to agree to what I knew was perfectly stupid. (I was saved, incidentally, by the sage intervention of my less-stupid, less-seventeen brother, who later went on to found Retcon Punch.) I like to think we all grow out of that by the time we start making regular car payments, but this month’s Hawkeye raises some unsettling questions. Continue reading →