How many Batman books is too many Batman books? Depending on who you ask there ain’t no such thing! We try to stay up on what’s going on at DC, but we can’t always dig deep into every issue. The solution? Our weekly round-up of titles coming out of DC Comics. Today, we’re discussing Batman 9, Cave Carson Has a Cybernetic Eye 1, Green Arrow 9, Nightwing 7 and Trinity 2 . Also, we discussed Green Lanterns 9 on Thursday and we’ll be discussing Dark Knight III: The Master Race 6 on Tuesday, and Superman 9 on Wednesday so come back for those! As always, this article containers SPOILERS.
Today, Drew and Taylor are discussing Infamous Iron Man 1, originally released October 19th, 2016. As always, this article contains SPOILERS.
Drew: I tend not to sweat spoilers — frankly, the notion that a story could be “spoiled” by knowing the plot ahead of time so disregards the importance of every other aspect of storytelling that I believe it misses the point of stories entirely. BUT, I do get how annoying it is to have the ending of a story blurted out when I wasn’t suspecting it. I may not mind clicking on articles I know contain spoilers, but I’d at least like to know what narratives those spoilers pertain to. Which is why Infamous Iron Man 1 seems to warrant a special spoiler warning: one for readers of Civil War II. Certain events in this issue fall out directly from events of Civil War II that haven’t happened yet, making it all but impossible to talk about the issue without spoilers. Consider yourself warned. Continue reading
We try to stay up on what’s going on at Marvel, but we can’t always dig deep into every issue. The solution? Our weekly round-up of titles coming out of Marvel Comics. Today, we’re discussing Amazing Spider-Man 20, Astonishing Ant-Man 13, Black Panther 7, Black Widow 7, Captain America Sam Wilson 14, Death of X 2, Doctor Strange 13, Patsy Walker AKA Hellcat 11, Silk 13, Spider-Woman 12, Unbeatable Squirrel Girl 13, and Uncanny Inhumans 14 — and come back on Friday for our discussion of Infamous Iron Man 1, on Monday for our discussion of Mockingbird 8, and on Wednesday for our discussion of Mighty Thor 9! As always, this article contains SPOILERS.
Today, Michael and Patrick are discussing Green Lanterns 9, originally released October 19th, 2016. As always, this article contains SPOILERS.
Michael: Is today gonna be the second day in a row I write about what makes a good supervillain? I think today’s gonna be the second day in a row I write about what makes a good supervillain. Green Lanterns 9 is true to its name in that it features multiple wielders of Willpower, but mainly it focuses on a man who is posed to be Simon Baz and Jessica Cruz’s new foe. Continue reading
Today, Drew and Ryan D. are discussing Kill Or Be Killed 3, originally released October 12th, 2016. As always, this article contains SPOILERS.
Drew: Narrative modes in comics are a particular fascination of mine, as the visual “narrator” isn’t necessarily tied to any of the modes we understand in prose — indeed, while comics may have an explicit narrator in the text, the visual storytelling isn’t necessarily tied to the perspective of that narrator. Film may be a better analogue, because the visual storytelling can similarly be divorced from, say, voiceover narration, but I’d argue that such explicit narration is FAR more common in comics than film. Point is: narrative modes are complicated in comics, yet are rarely remarked upon. Unless, of course, we’re talking about a comic by Ed Brubaker and Sean Phillips, in which case, I struggle to talk about anything but the narration. I’ve never really been able to put my finger on why their use of narration draws my attention in this way, but Kill Or Be Killed 3 reveals that the idiosyncrasy may be more with their visual narration than their textual one. Continue reading
Today, Spencer and Michael are discussing Daredevil 12, originally released October 12th, 2016. As always, this article contains SPOILERS.
Spencer: What is art? I suppose if I had to answer that question, I’d say that art is something one creates that’s intended to elicit some sort of emotional reaction, but even that incredibly broad statement doesn’t cover the full spectrum of what art is, or isn’t, what it can or can’t do. What truly is or isn’t art is subjective, yet the debate rages on; in a way, it even defines the conflict between Daredevil and his new villain, Muse. Muse just wants Daredevil to like his work, while, of course, Matt doesn’t because his work is murder. Can murder be art? Muse certainly seems to think so, and in his mind, that justifies everything he does. Continue reading
Today, Spencer and Taylor are discussing Howard the Duck 11, originally released October 12th, 2016. As always, this article contains SPOILERS.
Spencer: On her twitter, Gail Simone recently discussed something she calls the “Batmobile Effect.” In short, it’s the exhilarating feeling a creator gets when they realize they’re working on a comic icon, on a character they grew up adoring and now, all of a sudden, are in charge of. That feeling right there describes much of the appeal of writing for Marvel or DC — the downside, of course, is that you never truly “own” a character. At the Big Two there’s only so much a writer can change a character because, when their run is over, it has to go right back into the “toy box” for another creator to use.
Howard the Duck 11 brings Chip Zdarsky and Joe Quinones’ run to an end, and the two show an exquisite understanding of how to handle a work-for-hire ending. Zdarsky and Quinones have truly made Howard their own, yet leave the character in better condition than when they found him, leaving the door open for future creators to try their hand at Howard as well. It’s a skill their in-story counterparts, Chipp and Jho, never quite grasp. Continue reading
Today, Mark and Patrick are discussing Reborn 1, originally released October 12th, 2016. As always, this article containers SPOILERS.
Mark: Most of the time, I’m at peace with the idea that death is the end of all things. Part of this peace is born out of a sense of self-preservation because I am a Wear-a-Nightguard-Otherwise-You’ll-Shatter-Your-Teeth level worrier by nature and worrying about something as far out of my control as the afterlife would be enough to end me, but some of it is also that I’m a (relatively) healthy 32 year old. Death is not looming over me at this moment (fingers crossed), and so it isn’t something I think about all that often.
But occasionally, when I’m lying in bed thinking about something dumb I said in 6th grade and fretting that that moment negatively altered the course of my life, an inescapable existential terror bubbles up. Someday I’m going to die, and that’ll be it. Lights out. For that reason, I envy people who believe in something greater coming after this life. It’s unquestionably comforting to think that there’s a great reward for living life well. The classic Western idea of an afterlife is Heaven—a paradise designed as a gift to God’s faithful servants for a job well done. Continue reading
Look, there are a lot of comics out there. Too many. We can never hope to have in-depth conversations about all of them. But, we sure can round up some of the more noteworthy titles we didn’t get around to from the week. Today, we discuss Star Wars Han Solo 4, Teenage Mutant Ninja Turtles 63, The Fix 6, Jupiter’s Legacy Volume 2 4, Lazarus 25. Also, we discussed Darth Vader 25 on Thursday and will be discussing Reborn 1 on Tuesday and Kill or Be Killed 3 on Wednesday, so come back for those! As always, this article contains SPOILERS.
Today, Michael and Ryan M. are discussing Detective Comics 942, originally released October 12th, 2016. As always, this article containers SPOILERS.
Michael: The “Night of the Monster Men” comes to a conclusion in Detective Comics 942. Though I haven’t been the biggest fan of this storyline, I’d argue that its resolution came too fast, too soon. After four issues of monster mayhem and catastrophe, Hugo Strange is defeated and cuffed as quickly as he arrived. Continue reading