The Wicked + The Divine 6

wicked and divine 6
Today, Suzanne and Spencer Spencer and Drew are discussing The Wicked + The Divine 6, originally released December 17th, 2014.Spencer: I’ve gone to a lot of shows by myself over the last couple of years, but it’s rare that I’m ever lonely. I am not a bold or outgoing person, but there’s something about knowing that the majority of the people in that building all love the same band I do that makes it easier to reach out and make new friends. That’s what I love about fan culture, how shared love of a show or book or band can bring strangers together, be it in person or online. Unfortunately, there’s a dark side to fan culture, be it pretentious elitists who believe their way of loving a piece of media is the only “right” way or gatekeepers who want to push out anybody they don’t want in their fandom, often resorting to violent or illegal means. The Wicked + The Divine 6 marks the beginning of a new storyline, one which Kieron Gillen and Jamie McKelvie already seem eager on using to explore the darker side of fan culture. See, it turns out that not all of the Pantheon’s fans are as loyal or level-headed as our Laura…

In the month since we last saw her, Laura has been restless and depressed, haunted by visions of Luci’s death and unable to replicate her trick with the cigarette. That all changes when she’s contacted by the god Inanna, who actually met (and came to admire) Laura at a Pantheon fan-convention known as “Ragnarok” in his pre-deity form. Inanna’s been investigating the gunmen who attacked Luci back in issue one, and he’s come to the conclusion that they weren’t zealots, but fans.

Laura responds to this news by breaking her media silence and offering herself up as a guest-speaker, a move I find interesting for its ambiguity alone. Is Laura simply tired of being alone and isolated, emboldened by her positive encounter with Inanna, or is she hoping to infiltrate fan communities to help Inanna find more answers?

Either way, it means we’re gonna see a lot more Pantheon conventions like Ragnarok.RagnarokRagnarok is a clear stand-in for Comic-Con and other fan conventions, and Inanna’s observation in the first panel is one I know many can relate to. For most, conventions are a wonderful experience, but they can turn ugly fast — for example, you don’t have to search long to find articles criticizing cosplayers for “ruining” cons or articles about cosplayers being sexually harassed, and that’s just the tip of the iceberg.

In Laura’s case, the speaker on this panel uses his supposed knowledge of the Pantheon to spread his prejudices against young people. It reminds me a lot of the anti-youth culture bias discussed in this week’s Ms. Marvel, but beyond that, he’s elevating himself to a position of authority so he can get off on pushing around others, dictating who “deserves” a Pantheon and who doesn’t as if he has any say in the matter. It creates a hostile environment at what should be a welcoming event, and this is all too similar to the kind of “gatekeepers” you can find in almost any fandom today.

Fortunately, Laura seems to be learning the same lesson many of us have: just because you enjoy something doesn’t mean you have to like or agree with its fans. Sometimes you won’t be able to find a place within a fandom at first, but that shouldn’t dissuade you from enjoying what you love or from fighting to create a place for yourself. In many ways, it’s a lesson Inanna’s already learned.
AfraidInanna’s attempts to find kinship with other Pantheon fans failed — it was only when he learned to let go of his fear that he gained the confidence he was looking for, and that was something only he could do. Maybe this is a reminder for us not to invest ourselves too wholly in things or the culture that pops up around them, but instead take charge of our own problems?

Regardless, this issue doesn’t paint the most flattering picture of fan culture, but considering all the controversy surrounding it recently (including the infamous “Gamergate”), it’s a discussion that needs to be had no matter how unflattering it may become. Of course, this is only the first issue of this arc, and with Laura set to make a slew of con appearances in the near future, Gillen and McKelvie have plenty of time to expand and clarify their view on the subject.

In the meantime, they use the first half of the issue to paint a clearer picture of Laura.
Just like in Take On Me...Gillen and McKelvie stick to a pretty strict grid in The Wicked + The Divine, making any time they subvert that layout all the more powerful. As subtle as it is, that second panel is one of my favorite examples, with Laura’s bursting into the gutter depicting her breaking free from reality and taking refuge in her thoughts.
In Laura's headHere Gillen gives us a clear, straightforward look into Laura’s thoughts, magnificently complimented by McKelvie’s acting, but in typical teenage fashion, Laura can’t find it in her to say any of it out loud. The next page shows us Laura’s room, and again, it’s painfully normal. All of this is here to better characterize Laura, but also to remind us how “normal” she is in comparison to the Pantheon — in fact, her room is still covered in Pantheon posters, and she’s even still lusting after Baal despite meeting him and thinking he may be a murderer. Whatever her connection to the Pantheon may be, Laura is still a “fan” first and foremost, and I can only imagine that will be an important distinction to remember going forward.

Drew, I think this is the first time we’ve gotten to discuss this series together, so I’m eager to hear your thoughts. Have you been digging it as much as I have? Also: do you still have a landline? I often forget we do.
Drew: Gosh, what a geezer. Even my parents don’t have a landline any more.

In all seriousness, though, I think you’ve tapped into a lot of elements that make this series — and particularly this issue — interesting. I’m particularly intrigued by your assessment of fan culture, and wonder if you might agree that this series might actually be about aging out of that culture.

People getting too old for their youth-oriented music scene or having more important things to worry about than trading theories about their favorite tv show is nothing new, but Gillen and McKelvie have found a very earnest approach to the issue. I hope it’s not too controversial to suggest that fan culture tends to be more fervent in younger folks, which I think is largely rooted in their quest for an identity. It wasn’t so long ago that I was confusing “what someone likes” with “what someone is like”, but that’s a way of life in high school. Maybe your tastes weren’t as demonstrative as, say, goth, but virtually everyone’s sense of “cool” is at least in part influenced by the music they  listen to. For me, the “ugly” side of fan culture also includes the pressure to dress or act a certain way — self imposed social strictures arbitrarily tied to the art you enjoy.

That quest for identity has always been a big part of this series — when we first meet Laura, she’s cosplaying — but Gillen and McKelvie amplify its effects here. Notice the language Innana uses when describing becoming a god [emphasis mine]:

I was terrified of so many things before, so many things about myself. Divinity and imminent demise have given me clarity…I’ve got no reason to be afraid anymore. And what can you do when you’re not afraid of anything? Anything you want. Anyone you want. I can be whoever I want to be. I can be whoever I am.

It seems pretty clear that he’s talking about sexuality. Before he was given a death-sentence, Innana was afraid to be himself, but realizing that life short (his life in particular), he felt liberated. It’s fascinating to me that he boils it down to the freedom of a shortened life and not just divinity on its own — perhaps this freedom comes to the rest of us when we face our own morality. Indeed, perhaps it doesn’t need to be so imminent as two years away, but perhaps just more realistic to us than the famed “immortality” we feel as teens.

In fact, I think that eschewing of social strictures is the coming-of-age message buried in this series. Laura was a superfan of sorts, but is now about as distant from that fan culture as you can get. She’s disinterested — dare I say disgusted? — when talking with other fans, and seems to have her posters up more because she hasn’t taken them down than because she cares to keep having them up. The realities of the pantheon have jaded her — her time as a superfan is over. More importantly, her return to the culture teased here sets her up as an outsider.

Full disclosure: I tend to be pretty wary of “fan culture,” particularly the histrionics tied up in clothing styles and manner of speech that we associate with certain fandoms. I know that may sound ironic for someone who runs a comic book blog in his free time — and I can’t promise that my position isn’t at least somewhat hypocritical under close scrutiny — but it should hopefully explain why I liken emerging from that fan culture to the freedom of coming out of the closet, or why I see Laura’s own distance from her fandom as a sign of her maturation. Mileage will vary on that reading, and I look forward to a spirited debate in the comments.

Whatever the stance on fan culture, Gillen and McKelvie have crafted a fascinating, gorgeous series. The investigation of Luci’s would-be assassins was one of my favorite elements of the first arc, and I’m thrilled that we’ll be returning to it in the second. I can’t wait.
For a complete list of what we’re reading, head on over to our Pull List page. Whenever possible, buy your comics from your local mom and pop comic bookstore. If you want to rock digital copies, head on over to Comixology and download issues there. There’s no need to pirate, right?

5 comments on “The Wicked + The Divine 6

  1. Okay, good, I’m glad I’m not the only one who got the impression that Inanna was gay.

    Though, I do wonder how much these guys’ pre-divinity sexual orientations affect how they view sexuality as gods. Luci seemed open to sleeping with just about anyone — was this always her sexuality, or a part of her that awakened when she became Lucifer?

  2. There’s a part of me that’s always resented the fact that becoming less interested in things you once loved is automatically considered growing up. Why can’t adults love things too? I understand we have less time and more responsibility, and it’s important to own that, but the idea that really loving something is inherently immature rubs me the wrong way. Notice how this is only ever applied to niche interests, and never to the fifty year old men painting their faces for football games and running fantasy leagues and all that stuff? I’m not knocking sports — they’re not really my thing, but even I appreciate how fun it can be just to get together with my friends and watch a game now and then — but there’s this double-standard in society that shames you for loving certain things as an adult but not others, and I don’t buy into that garbage one bit.

    But then again, I was also the kid who never bought into the pressure to dress or act a certain way just because you like certain things anyway. I listen to a lot of punk — or at least a lot of the modern-day offshoots of the genre — and growing up my friend Dave always pressured me to dress more punk. Putting aside the fact that I would have been grounded for thirty years, it always bothered me that a scene that was supposed to be about rebellion and individuality had a dress code in the first place, but no matter what the clothes, I resented anyone telling me how to dress. Who gives a crap? How does that affect your enjoyment of the music, or the show, or whatever?

    So I guess I’ve always picked and choosed the parts of fan culture and fandom I’ve embraced and which I’ve ignored, and as far as I’m concerned that’s the only viable way to interact with them anyway. Drew, I can see where discovering this could be liberating or a sign of maturation, I’m all on that. But I certainly don’t think you have to abandon the culture around the things you love to grow up — just accept it for what it is and participate in the parts that move you, and call out the parts that are broken. I mean, I know I’m not going to want to be friends with every Saves the Day fan or every Flash fan, for example, but knowing I have those interests in common with people opens up an avenue for a connection I wouldn’t have otherwise.

    But then again, I’ve never figured out how to talk to people about things that aren’t shows or books or music anyway, so maybe that’s something I should work on.

    • I’d hesitate to equate “moving away from fan culture” and “becoming less interested in things you once loved”. On the one hand, I can see how we can think of them as related — someone who used to follow their favorite band around the country certainly seems like they’ve lost interest if they now only go to shows when they’re in town — but for me, being a fan and buying into fan culture are very different things.

      And I want to be clear that I don’t begrudge anyone their fan culture — I totally appreciate that dressing punk (or whatever else) is really important to people — I just think building a culture around anything makes it way less penetrable to more casual fans, and creates this sense that you aren’t as interested in something if you don’t do X, Y, and Z. I won’t deny that the art I consume plays a huge role in how I think (and thus, who I am), but I really think that’s separate from the kind of extraneous other stuff people add to make it a “scene.” Again, that other stuff is fine if you like it, but I really think it has nothing to do with fandom.

      That said, the reality is that it does, and the reality is that that’s not necessarily something you can sustain when you also have a a job, kids, mortgage payments and whatever else requires different priorities than being in high school. That’s not to say they aren’t fans anymore, just that their lives are less defined by their fandom.

      Ignoring that the required clothing or hairstyles that might prevent you from getting a job, just having the mental energy to care that much about a band or show is kind of counter to, you know, real life. When I was in high school, I could afford to listen to a new album a hundred times and pore over the liner notes — that’s just straight up not possible for me nowadays.

      Maybe that’s sad, but I really see that as part and parcel of not having the same emotional intensity of being a teenager, which I’m super grateful for. Fewer things seem like the end of the world, and my awkward boner quotient is at an all-time low. Priorities changing is a simple fact of life, and I don’t think it’s in any way bad to suggest that, as our lives get richer, the things that used to matter a lot kind of fade to less pressing interests. I mean, remember when it felt like whatever the fuck was going on in high school mattered? It’s not that you don’t like music or tv as much, it’s just that they’ve been replaced by things you care about more.

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