Uncanny X-Men 34

uncanny xmen 34

Today, Taylor and Patrick are discussing Uncanny X-Men 34, originally released May 20th, 2015.

Closing time,
Every new beginning comes from some other beginning’s end.

Semisonic, “Closing Time”

Taylor: Chances are that if you’ve been in a bar in the past 17 years, you’ve heard these lyrics wafting across a half-filled room. Generally played to indicate that yes, indeed that bar is closing soon, it signals to stragglers of a long night that it’s time to go home. But be not sad, the bittersweet song entreaties its listeners. There is a silver lining to something coming to an end: it signals the beginning of something new, and isn’t that something to be optimistic about? A nice enough thought, but what if the ending of something isn’t all that great and therefore the thought of something beginning again is not cause for celebration, but sadness? A tough question to ask, but Uncanny X-Men 34 has me asking it whether I want to or not.

Dazzler is free thanks to the likes of Magneto. Wanting to take her revenge on the woman who captured her, she appeals to S.H.I.E.L.D. to give her the resources to track down Mystique. She’s successful in her task, posing as Scott Summers to trick her nemesis, making some new friends along the way. Scott’s former pupils help her in her quest, helping Dazzler get her old job back.

Issue 34 of Uncanny X-Men follows in the vein of 33. That is, it’s looking to tie up some loose ends before the series is “concluded” in issue 600. As such, this issue doesn’t act so much as an end to the Uncanny X-Men but rather as a jumping off point for what comes next. Unfortunately, writer Brian Michael Bendis has once again forsaken solid storytelling in an effort to wrap up the series in a nice pretty package.

With all comics we need to suspend our belief to truly enjoy the story. In a realistic series, this might mean we need to believe the characters we are reading about are real and worth caring about. With any X-Men series, we need to believe that people have super powers. Generally this is an easy thing to do, but with any comic there are rules and when they are broken I find it’s hard to re-submerge myself into that world. Take, for example, when Mystique learns that she’s not actually talking to Scott Summer, but merely a mental projection of him.

Where did it come from?

She whips out a gun fast as can be threatens to blow off Dazzler’s face. While I’m fine with this response (this is Mystique we’re talking about, after all), my question is: where did that gun come from? In the panels leading up to those pictured above, we never see Mystique reach for a gun while she and Alison are sitting on the couch. Unless Her tunic has larger pockets than one would think, this gun has simply materialized from nowhere. This is kind of lazy writing and all it would have taken to make it believable would be an establishing shot showing Mystique reaching for a hidden gun. As it is, it takes me out of the moment and makes me wish the scene had come together better.

The frustrating thing about this issue is that while it’s trying so hard to wrap up the story with Dazzler and Mystique, it misses opportunities to be a really fun and neat issue. In the last couple pages, Bendis reveals that all of Scott’s former pupils, who helped capture Mystique, may not be all that thrilled about be X-Men of any sort.


I can’t help but feel that this is what the the issue should have been about. If indeed endings are the beginning of something new (as that issue #600 tag insinuates), I would have been happier to see this issue focus on our young mutants here. That would properly get me excited for what’s about to happen as opposed to feeling a little miffed about guns materializing out of the nether.

Ultimately, for me, there are just too many little things about this issue to make it enjoyable. Sure, some miscues are annoying, but more than that I feel like this issue lacked any definite heart or emotional resonance. The abandoned Xavier School pupils are ripe for this type of narrative and I can’t help but feel like a great opportunity was missed here to explore their story. While this might excite others for a new beginning, it makes me mostly happy it’s coming to an end.

Patrick! I’m not a huge fan of this issue; how do you feel about it? I know you liked issue 33 better than me — is that the case here? There are some fun things in this issue. For instance: I really like Kris Anka’s art and how he depicts Mystique’s transformations. Your thoughts?

Patrick: I think I did like this issue quite a bit more than you did, Taylor. Uncanny always feels like the darker, directionless sibling of All-New, and I loved getting resolution on the outstanding Mystique issue. She’s been out in the world, buying islands, impersonating people, and generally being an asshole for so long that I was ready for her to get some comeuppance. Said comeuppance would have been more emotionally rewarding were they coming from Scott, which is what makes the stated premise of the issue so intriguing. We don’t know that we’re not dealing with Cyclops until Mystique figures it out on her own. I love this idea that Dazzler has to pose as Scott to carry out his mission. It almost makes her an ideological shapeshifter. I really can’t imagine a neater marriage of theme and superpowers.

But there’s also the added bonus of seeing Scott’s new class of mutants in action (and uniform!). For the first time, they’re out to accomplish something of their own volition. Their motivation for helping Dazzler has to be two-fold: on the one hand, they can get their S.H.I.E.L.D. records cleared, but on the other hand, they’re also seeing their teacher’s mission through to the end. Mystique’s like Scott’s white whale, and they’re able to catch her! Mutants spend a lot of time learning to accept themselves and their powers, which is where Triage, Hi-Jack and Goldballs have been stuck for so long. They’re only now starting to realize that they have power to make their world better too. The mutant metaphor blows right past puberty and lines up nicely with growing up, taking responsibility and carving your own identity. I can’t wait to see where the future takes this team.

I’m also totally enamored with the art team of Kris Anka and Marte Gracia. Most of the look of Uncanny X-Men appears to have been driven by Chris Bachalo’s trademarks: portraiture staging, slender and erratic paneling, and graphic high contrast. That makes Bachalo’s work perfectly suited for the non-stop parade of X-struggles this series had become. Anka is a distinct departure from that sensibility, and instead channels some of that lighter, more hopeful visual energy from All-New X-Men artists like Stuart Immonen and Mahmud Asrar. In fact, there are a couple series of panels that recycle drawings (or large portions there-of) to amazing effect. Earlier in the issue, the camera lingers on Dazzler reading through Mystique’s file, cuts to Maria Hill asking if she found anything, and then cuts right back to a static image of Dazzler still frozen looking at the file. In the midst of a chatty issue (and a chatty scene), that beat of silence is effective as hell. Anka pulls out a similar trick just for funsies later.

Magik and Dazzler

Which isn’t to say that all of Bachalo’s influence is stomped out of this issue. Gracia carries his commitment to contrast over into the coloring, which establishes a very clear red / blue dynamic from the very first page. Red represents Cyclops and blue represents Mystique, and even if she’s wearing someone else’s skin, the blue makes itself known in the panel. One of my favorite examples of this comes early on, and Raven cycles through her standard bag of tricks to try to freak Scott out. Amazingly, the blue appears on Scott’s body.

not Magik not Phoenix Mystique not Cyclops Dazzler

First of all, look how bold and dark that coloring is. Mystique and Cyclops (or Dazzler, but Cyclops too) are super serious people tackling super serious problems. By the end of the issue, as the new class has exerted their own will on the situation, the colors have faded to candy-versions of themselves. Check out the crowd at Dazzler’s show.

you guys wanna see Dazzler play tonight

That’s all a function of how excited I am to see the new generation step up and take control of their lives, carving out their own group, their own identities, their own priorities. Taylor might be right in that this issue might be more effective at promises that in the future than actually delivering on in within the issue itself. Still, I can’t help but be excited to see the team in costume and looking amazing.

the new new new new new xmen

In fact, Gracia might be using colors again to signal that these characters have graduated from that long Mystique-Cyclops drama. The dominant color in this panel is yellow — which is naturally the only thing left when you’re purged yourself of cyan (blue) and magenta (red).

For a complete list of what we’re reading, head on over to our Pull List page. Whenever possible, buy your comics from your local mom and pop comic bookstore. If you want to rock digital copies, head on over to Comixology and download issues there. There’s no need to pirate, right?


10 comments on “Uncanny X-Men 34

    • Oh man, I love this idea. I’m loath to hypothesize about Marvel’s treatment of the X-Men as they relate to the cinematic universe, but a team of mutants not called the X-Men that work for S.H.I.E.L.D. could be a path to the movies.

      • I mean “S.H.I.E.L.D. Mutant Task Force” is a concept I’m super ready to buy into, regardless of the medium. Also, hilariously, these are all mutants that have not appeared in X-Men movies (unless they sneaked Dazzler or Magik into the first Wolverine movie or something like that). All I’m saying is: let’s see Goldballs on screen.

  1. Taylor, can the gun not just be tucked away behind the couch? Does it really matter where the thing comes from? I’ll admit that its origins aren’t explicit, but I’d argue that knowing HOW she pulled that gun out is infinitely less important than WHY she pulls the gun out. And you point out that the moment is properly motivated. Just seems like a weird moment to get hung up on.

    Are there maybe other holes in the Mystique story that this is simply emblematic of? If this phantom gun is a symptom of something larger, I’d like to get to the heart of that.

  2. Patrick, I didn’t notice the red/blue play in this issue, but you’re absolutely right. There are so many layers to that detail (from Mystique’s blue coldness and Dazzler’s red rage to the way those colors reverse as Mystique changes), but I’m most intrigued by the yellowness at the end of the issue. Yellow is a key X-Men color (arguably even more than their blue spandex), and aligns this group as separate from Mystique, Cyclops, and Dazzler. Marte Gracia has not been a colorist on my radar, but I think he’s going to be someone to watch.

    • Yeah, it wasn’t my first observation about the issue either, but that color-messaging is totally in there. This was another one of those things where I observed the effect — i.e., feeling like the new mutants were especially independent by the end — and had to go back and find the cause. I know we frequently point out clever things that might be a little harder to use (what Kaif will describe as “made up”), but I think this is a solid example of an artist basically using color magic on the reader. It’s a damn useful spell, and I’m happy to have identified it.

      • Armed with this knowledge, I am going to go buy this comic and study the coloring. I will say no more until I have had the opportunity to go over this completely.

        Other than: Thanks again for pointing out things that I otherwise would not see. It’s fascinating. Did I come down on you guys for this too hard last time about this? I love that you see it. I wish I had that level of visual acuity and awareness. Sometimes I think you’re seeing fairies in the sunbeam, but that’s really cool to me.

        • Don’t you dare apologize! I obviously think there’s a lot of value in digging deep and really looking for this stuff, and I’m sure we turn up bullshit from time to time (i.e., fairies in the sunbeams).

          I hope you dig the issue!

  3. Also, that Dazzler redesign is sick as fuck. Still, maybe doesn’t hold a candle to Triage, who just gets to wear a dope suit with a skinny black tie (and goggles because why not).

    • Speaking of re-designs, putting the cuckoos in pants and giving them hair color goes a long way to making them actual characters. Bendis has had a lot of fun differentiating those girls over the course of his run, and their new design totally reflects that.

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