by Drew Baumgartner
This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
If we could change ourselves, the tendencies in the world would also change. As a man changes his own nature, so does the attitude of the world change towards him. […] We need not wait to see what others do.
You might be more familiar with this quote as it is often paraphrased, “Be the change that you wish to see in the world.” It’s a (hilariously self-actualized) misquote that kinda sorta captures the sentiment of the original, paring a nuanced sentiment down to something that could fit on a bumper sticker. But we only need to think about the cheery optimism of that bumper sticker for a moment to see the pessimism inherent in it. We can be the solution to the world’s problems, sure, but only because we’re already the cause of them. We need to change because we are what the world is — any problems in it are caused by us (whether by malice, ignorance, or complacency).
It’s a lesson many Americans learned (too late) after Donald Trump was elected. Not because we voted for him, but because we thought not voting for him was enough. We thought we were the solution to the problems we saw in the world, but didn’t appreciate how we were also the problem. We saw the battle over the future of this country as an “us vs. them,” failing to understand that there is only an “us,” that we can only be the solution when we accept that we are the problem. We thought fascism was a thing that happened in other countries, and that America would band together to reject it. We were wrong. Few people understand this (or have articulated it quite as clearly) as Ta-Nehisi Coates, which makes him the ideal writer to tackle Captain America, a series also coming to terms with its own in-universe convulsions of fascism.
At least, Coates’ insights on American socio-politics is part of what makes him an ideal fit for this series. We might be quibble about when exactly in his Black Panther run that he came into his own as a comics writer, but there’s no debate that he’s on solid footing here. It helps that he’s working with Leinil Francis Yu, a seasoned storyteller who can make even the most perfunctory talking heads sequences enthralling. Check out this short scene between Steve and Sharon:
On the surface, it’s easy to recognize these shots as basic coverage: we’ve got closeups of both characters, along with a two-shot to break things up. But Yu is selecting these shots deliberately, and intensifying them throughout the sequence. It’s not just that he’s catching all of Steve’s reactions, check out how the second row there repeats the shot structure of the first, but with tighter shots. By the end of this sequence, we’re inside the conversation. We’re not watching Steve wonder who was behind the attack — he’s straight-up asking us.
In this way, Yu’s shot choices can tell us any story, highlighting the richness of Coates’ subtext. But the real message here isn’t subtext — Coates has Steve articulate it in no uncertain terms: it’s not that America was conquered by fascist forces, it’s that we were tempted by the easy answers of fascism and conquered ourselves. Obviously, there’s more nuance to the story than that (certainly more nuance than my intro really leaves room for), and this is certainly the creative team for nuanced political takes, but there’s something thrilling about seeing Captain America come to terms with the thought that America’s worst enemy is itself. Or, more precisely, that the greatest threat to “America” as an idea isn’t some cackling supervillain, but the worst impulses of the American public run amok. There may be hints of “Nomad, the man without a country” in this “Captain America vs. America” premise, but there’s no doubt that this creative team will bring a fresh perspective to that idea. This is Captain America like we’ve never seen him before, and I couldn’t be more thrilled.
The conversation doesn’t stop there. What do you wanna talk about from this issue?