Today, Patrick and Drew are discussing Vision 12, originally released October 26th, 2016. As always, this article contains SPOILERS.
Patrick: I run payroll at the office I work in. No accounting experience, trusted with cutting paychecks for a dozen employees. I was intimidated at first — that’s the livelihood of my friends and co-workers I’m handling — but I was soon numbed by the inevitable monotony of the task. Something recently kicked me out of that stupor: a co-worker got married, and so the rate at which we withheld income tax changed. I’d been used to cutting this check for about the same amount twice a month, so I noticed that it looked like she was suddenly bringing home about 7% more than she had been before she got married. As a non-married dude in a committed relationship, I started to jealously ask “what the fuck?” The fuck, it turns out, is that the US government subsidizes marriage. I had always known there were tax benefits to getting married, but I’d never internalized what that really means. It means that marriage, and by extension family, are so integral to the platonic ideal of the American experience that the government is morally obligated financially encourage it. The Vision has always been about the fallacy of the domestic American dream, and issue 12 brings that fallacy back to the relationship from which that fantasy stems: husband and wife.
Today, Ryan D. and Michael are discussing Vision 11, originally released September 21, 2016. As always, this article contains SPOILERS.
Ryan D: One of the best teachers I ever had, a high school English teacher who also directs theatre, always urged us when starting a new book to think of the first page as “curtains up”; in other words, what is the first thing the audience sees when beginning a work. Tom King and Gabriel Hernandez Walta craft their opening panel beautifully:
Today, Patrick and Spencer are discussing Vision 9, originally released July 13, 2016.
Patrick: Last month, Ryan lead off her discussion with the weird relationships uncles have with their families. Uncles have a way of bringing the outside world in to an insular little unit. I’m an uncle myself, and I know that when I walk into my sister’s house, she and her husband and their two children are going to be exposed to whatever weirdness I might inject into their routine. They all tolerate (or celebrate, depending on how open they’re feeling) my weirdness precisely because we’re family. But I always harbor a secret fear that my uncle-y eccentricities will reveal themselves to be uncle-y weaknesses in the eyes of a completely put-together family. Of course, I’m projecting. Just because there’s a pair of kids and two well-employed parents doesn’t mean that something isn’t lacking. But it’s hard not to view your own shortcomings as catastrophic in the face of such idyllic perfection. Vision 9 exposes Victor’s biggest uncle-y weaknesses – he’s a drifter and an addict and spent his whole life fighting. Continue reading →