We try to stay up on what’s going on at Marvel, but we can’t always dig deep into every issue. The solution? Our weekly round-up of titles coming out of Marvel Comics. Today, we’re discussing Daredevil 5, Moon Girl and Devil Dinosaur 5, and Unbeatable Squirrel Girl 6.
“Hey Liz, how’s your telescope?”“I don’t know Kelsey, how’s your mom’s pill addiction?”30 Rock, “Reunion”
Today, Patrick and Shelby are discussing Rocket Girl 1, originally released October 9th, 2013.
Patrick: The first weekend I ever owned an iPhone, my friends I tried to see James Bond: Quantum of Solace at a movie theatre in downtown Chicago. We had driven, which was atypical for us at the time – we were very train-reliant when we lived in Chicago. But on this particular evening we had a car. Much to our dismay, the movie was sold out. That’s when I, armed with my shiny new phone , found another theatre that was playing the flick, bought us tickets and got directions to this new theatre. The night’s revised plans were a rousing success, due in no small part to wicked piece of sorcery in my pocket. I boldly declared then that we were Living In The Future. Of course, this was over five years ago now, and the ability to access that kind of future tech is commonplace — and much of the software and hardware I was using on that night would seems repulsively slow and awkward to me now. But I love this idea that the present is just our past’s future. Brandon Montclare and Amy Reeder leverage this idea to present us with an insane alternate future… set in 2013. Continue reading
We generally avoid quantifying our enthusiasm around here — we’ll gladly praise or condemn comics as our tastes dictate, but turning that into a grade or a score makes us uncomfortable. As there are in our pull-list, there are holes in this ‘Best of’ list. Mea culpa. We’ve had some great experiences with comics this year, and these are the series that were consistently fun, thoughtful and beautiful. Too subjective for a year-end list? Ignore the rankings. Any way you slice it, these are fantastic series that deserve the scrutiny we heap on everything. Each is a rewarding read and well worth your attention. Our picks for the top 12 series of 2012:
You know you shouldn’t judge a book by its cover, but that doesn’t mean you can’t judge the cover on its own merit. Some covers are so excellent that they back all the drama, excitement and emotion of the whole issue into one succinct image. Sometimes they end up being their own surreal experience. And other times, we’re just exciting to see our favorite heroes kicking ass one more time. These are our top 12 most awesome, creative and graphic covers of 2012.
Today, Patrick and Drew are discussing Batwoman 8, originally released April 11th 2012.
Patrick: Every time I pick up an issue from this arc of Batwoman, I have to retrain my brain on how to read this thing. The defining characteristic of this story has been a fractured chronology that essentially demands to be re-read over and over again until the pieces fit. Whenever I assemble the pieces and take a step back, more connections become apparent and the complexity of the narrative grows.
Drew: Last month, Batwoman kicked off its “To Drown the World” arc, separating the action into six separate times and perspectives: Batwoman’s, Jacob’s, Kate’s, Maro’s, Maggie’s, and Chase’s. It’s an interesting gambit, but one that makes assessing individual issues quite difficult. Each mini-story only has a few pages devoted to it each issue, which means they don’t have time for more than one or two story beats. I’m not entirely certain why the story is being told this way, but I have faith that writers J.H. Williams and W. Handen Blackman will more than justify breaking the story up in this way. Until that happens, though, these issues are a little frustrating in terms of how little each story moves. Continue reading
Patrick: Batwoman #6 opens close on the Bat symbol on Kate Kane’s chest. Subtitles indicate that we are reading “Batwoman’s Story. Now.” Setting and protagonist are stated up-front in writing because we won’t be with this person, or in this time, for very long. The rest of the 22-page issue touches on the story of 5 other characters as related to the kidnapping and murder of children by members of Medusa and the origin of the La Llorona myth. It is a dizzying exercise in perspective and chronology that skips wildly between characters and locales. Some of the stories offer new perspective on events that unfolded in the five issues that proceeded it, while others (those presented as “Now”) seem to have skipped ahead in time to a climactic battle for the safety of the kidnapped children. Continue reading