Failure Defeated by Pure Action in Daredevil 601

By Patrick Ehlers

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Daredevil is a punching bag. I know all superheroes suffer — conflict is the engine of story, and masked dudes with superpowers have to really be put through the ringer for a desensitized audience to feel anything. But Matt Murdock is a special case: his default state seems to be “just got beat up.” I mean, look at the cover to this issue. No one’s going to ask “oh no, is Matt gonna be okay?” Yeah, sure — he’ll be fine. He always bleeds from the face when he’s working on a plan. So part of what makes Daredevil 601 feel so unsettling is how smoothly everything goes for the Mayor Without Fear. Continue reading

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Star Wars: Poe Dameron 26: Discussion

by Michael DeLaney and Mark Mitchell

This article containers SPOILERS. If you have not read the issue yet, proceed at your own risk!

Michael: Marvel’s Star Wars line of comics were launched on the idea that what happens between the movies behind the scenes are stories worth telling. Surprisingly, many of these stories have been deep, creative chapters in the lives of the characters we know and love, building upon their respective character philosophies. Not every aspect of these characters’ lives shares that amount of depth or insight, however. We spend a lot of our lives sitting around, not doing anything consequential. Unfortunately, the same is true for the heroes of Star Wars: Poe Dameron 26. Continue reading

Sacrifice and the Long Fight in Darth Vader 14

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Given how pervasive politics are in our current landscape, it’s no surprise that so much of the media being created nowadays contains political allusions and allegories. Both the allusions and especially the politics themselves can be exhausting at times, but given how dangerous so many political groups are today, getting involved and taking a stand seems absolutely necessary, no matter what the cost. That’s certainly the theme that runs throughout Charles Soule and Giuseppe Camuncoli’s Darth Vader 14, a clear allegory for our fraught modern political times that argues that great sacrifices must be made to fight oppression wherever it rears its face. Continue reading

Daredevil 600: Discussion

by Patrick Ehlers and Ryan Desaulniers

This article containers SPOILERS. If you have not read the issue yet, proceed at your own risk!

Patrick: Where does power come from? I’ve been seriously grappling with this one since Trump was elected to the White House, but this question obviously extends waaaay beyond that fucking monster. Does power ultimately come from money? From social connections? From one’s willingness to sacrifice their friendships? From violence? From non-violence? As the battle between Wilson Fisk and Daredevil reaches a fever pitch, questions of where either of them gets their power are posed right alongside the question of where Daredevil 600 gets its power. This is a six-hundredth issue, after all — so what makes this one special? Continue reading

Are New Mediums Influencing the Artwork in Astonishing X-Men 10?

by Taylor Anderson

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Much has been made about how the internet and e-books are killing the printed word. Even though that’s a bit hyperbolic, it is true that more and more people are reading books on an electronic device. This same trend holds true in the world of comic books, where sites such as Comixology have cut into the traditional printed market. I myself prefer to read comic books on my iPad these days, and as I do so, I sometimes wonder how this change in medium might be affecting the way comics are made and published. With that in mind, I couldn’t help but consider Astonishing X-Men 10 an interesting case study in the way electronic formats might be alternating the way comic book artists produce their craft. Continue reading

The Philosophy of The Last Jedi in Star Wars: Poe Dameron 25

By Michael DeLaney

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Up to this point, Lor San Tekka has basically been a human McGuffin. When Poe & Co. finally retrieve the old man in Poe Dameron 25 however, he doesn’t yet know where Luke Skywalker is. You can’t blame that on Charles Soule, the guy’s gotta line stuff up for The Force Awakens. Interestingly, the movie that Soule pulls from the most is The Last Jedi. Continue reading

Characters Revise Their Own Histories in Darth Vader 13

by Michael DeLaney

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

When Star Wars comics relaunched under Marvel in 2015, Kieron Gillen and Salvador Larroca’s Darth Vader was far and away the best title. Charles Soule and Giuseppe Camuncoli have continued that tradition with their latest incarnation of the book. Darth Vader 13 is the latest example of how the comics can flesh out characters and concepts in a way that the movies never really did. Continue reading

The Dangers of the Unknown in Curse Words 12

By Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

What is magic? In many ways it’s the unknown — mere mortals attempting to wield power beyond their comprehension, attempting to control and contain vast, foreign energy. At the end of Charles Soule and Ryan Browne’s Curse Words 12 Margaret puts her total faith in magic, despite not knowing what effects it may have on her. Why? Because when you define something with infinite possibilities as “magic” that definition makes it trustworthy? Because she trusts the source of this particular magic (Wizord and Ruby Stitch?)? That idea of who and what you can trust, and what you know and what you don’t, is one that runs throughout this entire issue. Turns out not everyone trusts the unknown quite as much as Margaret does. Continue reading

Vader’s Uncertainty Threatens All — Including Himself — in Star Wars: Darth Vader 12

by Spencer Irwin

This article contains SPOILERS! If you haven’t read the issue, proceed at your own risk.

Why is Darth Vader scary? It’s not necessarily because he’s so powerful, or because he’s so evil, although he’s obviously both. It’s because he’s unknowable, robotic, relentless, opaque. His mask betrays no expression, his words and actions only rarely betray emotion, and his motives often seem inscrutable. That kind of ambiguity begets strong reactions from almost everyone who sees Vader, be it outright fear or the kind of resentment festering in the Imperial Officers who place a hit on him in Star Wars: Darth Vader 12, not realizing what he’s done to gain his authority. In many ways, Vader’s unknowability is his greatest strength (only those who truly know Vader — such as Luke or even Jocasta Nu — ever manage to defeat or one-up him), but it also might be his greatest weakness, because as Charles Soule and Giuseppe Camuncoli suggest, even Vader doesn’t seem to fully understand himself, and his frustration over that is tearing him apart inside. Continue reading

Kingpin Drowns Out Everything Else in Daredevil 599

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Ever since Donald Trump was elected president, the media has been a constant bombardment of scandals, missteps, and outrage. Every new sound bite is accused of being a “distraction” from something more important, but the truth is that almost every one of these stories is important (and horrifying) in their own way. Still, so many stories flying around at once can be absolutely overwhelming — nobody can get their bearings straight or agree on which scandals to tackle first. There’s just no way to focus in a world absolutely overwhelmed by Trumpian horrors, which is exactly what Matt Murdock is discovering in Daredevil 599, where newly-elected Mayor Fisk is just as divisive, dangerous, and all-encompassing a figure. Continue reading