Batman 32: Discussion

by Drew Baumgartner and Michael DeLaney

Batman 32

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

I don’t know.

Teenager, Traditional

Drew: I used to work as an Assistant Dean for an academic enrichment program — basically, high-school students would come to a college campus for a few weeks over the summer to take some classes and get a feel for dorm living. The Dean’s office was there to keep kids out of trouble, or, more accurately, to address the trouble that the kids inevitably got into. Most of the time, the motives for their infractions were clear enough — they skipped class because it was boring or they tried to sneak into the girl’s dorm to see their girlfriend — but every so often, a kid would do something so inexplicable, the first question had to be “why?” And the answer, invariably, was “I don’t know.” Sometimes, our better judgement eludes us, allowing weird impulses or emotions to lead us to actions we can neither explain nor defend. It’s a phenomenon that teens are particularly prone to, with their hormonally-charged emotions and only-partially-developed impulse control, but it happens to adults, too (even sober ones). It is one of these moments that turns out to be Bruce Wayne’s “greatest sin,” as the climax of “The War of Jokes and Riddles” leads him to a rare flash of moral weakness. Continue reading

Batman 30: Discussion

by Michael DeLaney and Drew Baumgartner 

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Michael: I’ll admit, I haven’t really understood Tom King’s fascination with Kite Man during his tenure on Batman. King placed Kite Man in the middle of “The War of Jokes and Riddles” in Batman 27 and his tragic origin — Riddler poisoning and killing his son — still left me unmoved. Batman 30 marks the second part of “The Ballad of Kite Man” as well as my cold heart thawing to Kite Man’s tragic existence. Continue reading

Balance in the Space Between in Batman 27

by Patrick Ehlers

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

What’s the difference between camp and genre fiction? How about the difference between parody and pastiche? All of these categorical distinctions share the same powerful feature — exploiting tropes to elicit involuntary emotional reactions. And usually, that reaction is a laugh. A knowing chuckle, a boisterous guffaw, rolling chortles — what’s the difference? Is one form ridiculous while the other form is cool? Is one form important while the other form is base? And is there any space between them? Tom King and Clay Mann’s Batman 27 answers that question with the simultaneously ludicrous and tragic origin story of Chuck Brown: The Kite Man. Continue reading