Saga 28

Alternating Currents: Saga 28, Drew and Patrick

Today, Drew and Patrick are discussing Saga 28, originally released May 13th, 2015.

Drew: There are few things more depressing than studying altruism at a biological level. In a world driven by survival, what could possibly compel an individual to risk life and limb (or, more modestly, share food and shelter) with another? For sexually mature individuals, the most obvious answer is reproduction — helping your mate or your offspring survive increases the chance of your genes, and thus, the behavior of protecting your mate and offspring, will be carried on to future generations. But what about other relationships? Well, in 1964, W.D. Hamilton proposed that we help others for basically the same reason we protect our offspring: because we share genes with them. Importantly, we only share genes with those that are actually related to us, and a key part of Hamilton’s formula was the “relatedness coefficient” — essentially, you’re more likely to help your sibling than your cousin because you’re more related to them, or, more precisely, because you’re more likely to share genes with them. Which is to say, we don’t help people at all, we help their genes, and only because their genes are our genes. From that perspective, “altruism” doesn’t exist at all — we’re all just working in service of totally self-interested genes.

Of course, we’re not entirely driven by our genes. If genes give us our hardware, culture gives us our software, allowing us to do all kinds of things our genes wouldn’t dream of, from taking vows of celibacy to covering a live grenade to protect our platoon. Those are some extreme examples, but I think they become more relatable when we think of those acts as protecting family. Sure, a religious congregation or military unit aren’t technically families, but they can act as families for those who need it. It’s exactly these types of makeshift families — and the sacrifices they elicit — that Saga 28 is all about. Continue reading

Saga 27

saga 27

Today, Patrick and Drew are discussing Saga 27, originally released April 8th, 2015.

Grace comes home drunk some times / and beats on the doorway to my guts. / I fumble with the locks / ’til the wound opens up. / She falls in, laughing: “Honey, I’m home.”

I wince as she stumbles up my spine / leaves a trail of bruises on my ribs. / I choke on her dancing on my tongue / she kicks out a tooth. / “Honey, I’m home.”

She lights a cigarette inside my head / blows all the smoke into my eyes / until she sees a tear. / Then she sighs: “just what I thought — another fragile Buddha”

Stuart Davis, “Grace”

Patrick: The language of love and the language of violence are uncomfortably similar. I’d also argue that they are two cultural constants we never really understand. The impulses to nurture and destroy are down deep in the human subconsciousness, ungoverned by rationality. Bryan K. Vaughan and Fiona Staples explore this through Marko’s bad fadeaway trip in Saga 27, suggesting that pacifism may mute more than Marko’s passion for violence, but all of his passions. He wakes up with a clarity, but is that a clarity to be celebrated or to be reviled? Continue reading

Saga 23

Alternating Currents: Saga 23, Drew and PatrickToday, Drew and Patrick are discussing Saga 23, originally released September 24th, 2014.

Artists use lies to tell the truth. Yes, I created a lie. But because you believed it, you found something true about yourself.

-Alan Moore

Drew: In looking for an epigram for this piece, I sifted through about a dozen quotes that boil down to the same point: fiction is a lie that tells the truth. Ultimately, I chose Moore’s quote because it goes into a bit more detail (and because Alan Moore has a bit more cachet on a comics site than, say, Albert Camus), but I think its the pervasiveness of this notion that is truly remarkable. I understand the sentiment — fiction is by definition not true, but must be emotional honest in order to succeed — but I’m not sure I agree that fiction and lies exist on the same continuum. Lies exist to obscure the truth, either for the benefit of the liar or the person being lied to, while fiction simply seeks a novel way to approach the truth. There’s a difference between fiction and lies, a notion that Saga waded into in its fourth arc, and one that absolutely permeates issue 23. Continue reading

Saga 22

saga 22

Today, Drew and Patrick are discussing Saga 22, originally released August 27th, 2014.

Drew: The interpersonal relationships within families are insanely complex. They’re necessarily the longest relationships anyone has, meaning each one has years of subtle dynamics informing our behavior. Moreover, the stakes of any conflict within family are significantly higher — it’s one thing to be alienated by a friend, but quite another to be alienated by a parent. With all of these subtle dynamics and amplified emotions, it’s easy to understand why families are so often at the center of great dramas, from King Lear to Breaking Bad. As Saga’s fourth volume passes the halfway mark, it’s decidedly become a family drama (as opposed to the parenting focus of the first volumes), yet writer Brian K Vaughan finds tragedy not in the inflated stakes of family relationships, but in the all-too relatable act of taking family for granted. Continue reading