Today, Taylor and Patrick are discussing Unbelievable Gwenpool 14, originally released April 12th, 2017. As always, this article contains SPOILERS.
Taylor: When you read an issue of Deadpool you know what you’re in for. Violence, cursing, and most of all, irreverent humor. Gwenpool falls much in the same line as the character that inspired her creation. Being a character who once read the comics about the other characters she’s interacting with, she can’t but be the living embodiment of meta-humor. This type of humor lends itself to the same kind of irreverence that we’re used to seeing in Deadpool but that doesn’t mean it is by any means easy to create. In Gwenpool 14 these types of laughs are present, but show the first signs that perhaps they are growing a bit stale as well.
Today, Spencer and Drew are discussing Hawkeye 5, originally released April 5th, 2017. As always, this article contains SPOILERS.
Spencer: A defining trait of Hawkeye is that they’re a bit of a “hot mess.” For all their skill as archers, both Clint Barton and Kate Bishop tend to be disheveled, disorganized, and often immature in pretty much all other aspects of their lives. This likewise applies to Kate’s new job as an L.A. P.I., a job she’s thus far succeeded at largely through luck and improvisation rather than skill. Thankfully for her, though, it turns out that this may actually make the job a perfect fit for her. Who better to teach that lesson than fellow P.I., and the “Queen of Hot Messes” herself, Jessica Jones? Continue reading →
Today, Spencer and Drew are discussing America 1, originally released March 1st, 2017. As always, this article contains SPOILERS.
Spencer: I’ll never forget a piece of advice a friend once gave me: “You’ve learned everything you can from this job. It’s time to move on.” That statement has always stood out to me because, up until that moment, I had never considered the challenge provided when looking at a potential job; I’d grown up thinking of a job only as a means to an end, a way to get money to survive and pursue more meaningful hobbies. Now though, while I recognize that there’s a certain amount of privilege involved in that advice, I also recognize the truth in it. I think that statement is certainly going through America Chavez’s mind in America 1 as well, as the hyper-competent Ultimate embarks on a new stage of her career: college. Continue reading →
Today, Taylor and Drew are discussing Hawkeye 3, originally released December 14th, 2016. As always, this article contains SPOILERS.
Taylor: Legend has it that carved upon the Ancient Greek Temple of Delphi are the words gnothi seauton — Know Thyself. For the Greeks, it was important to know who you were and your place in society. This maxim not only helped you achieve glory, but prevented you from overstepping your bounds, as so many ill-fated Greek characters learned all too late. In our modern culture, knowing yourself has taken on a completely new meaning. Because of social media, you’re not only yourself but also the brand you push out there on Facebook, Twitter, and comic blogs. Given this, it’s imperative not to only know thyself, but also know how thyself is viewed by others. Hawkeye 3, knows itself and how it comes off to its readers, and that makes it a smart, funny, and interesting read.
Today, Ryan M. and Taylor are discussing Hawkeye 1, originally released December 14th, 2016. As always, this article contains SPOILERS.
Ryan M.: Los Angeles is a mainstay of detective fiction. There is something about the contrast between the sunshine and the darkness within the worst of humanity. Modern noir is rife with the stories of private investigators getting entangled in what starts as a simple case but turns into a much bigger problem, all the while surrounded by the superficial beauty of the city. In Hawkeye 1, Kelly Thompson and Leonardo Romero not only establish the series’ specific version of Los Angeles but also give us a spin on Kate Bishop that feels fresh, while still acknowledging her history.
Today, Spencer and Ryan M. are discussing Avengers 1.1, originally released November 9th, 2016. As always, this article contains SPOILERS.
Spencer: Take 2014’s Amazing Spider-Man 1.1-1.6 (which told a previously untold story set in Peter Parker’s first few months as a hero) and mix it together with Mark Waid and Barry Kitson’s JLA Year One (which retold the Justice League’s post-Crisis origin in a modern setting) and you’ll get something resembling The Avengers 1.1. Waid and Kitson take their trademark stylistic combination of classic storytelling set in the modern day (which Waid has also been employing in his modern-day Avengers stories) and use it to tell an “untold” tale of the Avengers’ past. If you have any experience with the aforementioned stories or creative teams, then the result is probably exactly what you were expecting. Continue reading →
Today, Patrick and Spencer are discussing Spider-Woman 13, originally released November 2nd, 2016. As always, this article containers SPOILERS!
Patrick: “It takes a village” is perhaps a imprecise idiom about what it takes to raise a child. After all, it’s not just that it takes volume of people to effectively care for a tiny, helpless human being and mold it into a functioning member of society. It takes the emotional investment of that village, not just in the child, but in each other, to raise a child. That’s how friends, strangers, and even enemies, become family. As Spider-Woman transitions into the next chapter of Jessica Drew’s life as a new mom, writer Dennis Hopeless and artist Veronica Fish examine that interdependence, and the huge emotional cost that comes with it.
Today, Ryan M. and Taylor are discussing Occupy Avengers 1, originally released November 2nd, 2016. As always, this article contains SPOILERS.
Ryan M: We are at the end of a very trying election season. Many elements of the political climate have built to this, but perhaps the most powerful is the competing narratives. Each presidential candidate has been reduced to a nearly binary status. In previous elections, the term “lesser of two evils” was a shorthand to say that neither candidate was perfect. This fall, both sides actively see their opponent as a force for evil. There is a political expediency to this. It’s an easy story to tell yourself and a great reason to go to the polls. What’s lost in the simplicity of the good/evil dictotomy is the true nature of humanity. When a person is reduced to an idea, we lose the ability to connect or help them. In Occupy Avengers 1, writer David F Walker shows the contrast between the simple stories we tell about each other and the true complexity within. Continue reading →
Today, Ryan M. and Spencer are discussing Mockingbird 8, originally released October 19th, 2016. As always, this article contains SPOILERS.
Ryan M.: When the cover of an issue includes the eponymous heroine wearing an “Ask me about my feminist agenda” t-shirt, you have no choice but to examine the work therein with a feminist lens. I will admit that going into the issue, I expected it to contend with Bobbi’s reactions to her rapist stalker and how she deals with being a trauma survivor, possibly with irreverent jokes about corgis and effortless flirting with Hunter. Instead Chelsea Cain and Kate Niemczyk deliver those corgi jokes and Hunter-flirting as they reveal the feeble heart of the patriarchy and use the Phantom Rider to skewer it.
Today, Drew and Spencer are discussing Spider-Woman 11, originally released September 28th, 2016. As always, this article contains SPOILERS.
The five stages — denial, anger, bargaining, depression, and acceptance — are a part of the framework that makes up our learning to live with the one we lost. They are tools to help us frame and identify what we may be feeling. But they are not stops on some linear timeline in grief.
Drew: As a psychological heuristic, Kübler-Ross’ five stages of grief is arguably as well-known as Freud’s id, ego, and super-ego structural model. However, that may make it one of the most misunderstood, as Kübler-Ross explains in the quote above. We often talk about those five stages as if they fall into a prescribed linear order, but it was never really meant to be understood in that way. Which is to say: someone experiencing grief may feel any or none of these feelings in any order or any combination. Grief is a remarkably complex phenomenon that everyone experiences differently — some might feel mostly depression or mostly denial, while others, like Jessica Drew in Spider-Woman 11, feel mostly anger. Continue reading →