Today, Spencer and Mark are discussing The Flash 23, originally released May 31st, 2017. As always, this article contains SPOILERS.
Spencer: I’ve never liked Barry Allen’s “new” origin story. It’s always struck me as an attempt to make the character — a likable, yet bland presence in his Silver Age heyday — more palatable to modern audiences by loading him with unnecessary angst, angst which tends to consume and overwhelm both Barry and his title. I’d be curious to see if current Flash writer Joshua Williamson agrees with me on that front or not. Flash 23 does indeed find Barry becoming consumed by angst, but not only do Williamson and Carmine Di Giandomenico present a rather compelling reason for it (in the form of Eobard Thawne), they also present it as being a rather glaring flaw on Barry’s part. Continue reading →
Today, Drew and Scott are discussing The Flash 27, originally released January 29th, 2014.
Drew: As a society, we emphasize “truth” above all else — even as we often acknowledge the necessity (or at least convenience) of small lies. We tell lies to beg off of social invitations, or to save face after doing something stupid — I once even made a fake email account just to avoid having to explain a too-complicated truth. These lies are generally pretty transparent, but we feel compelled to maintain the facade because “actually, your band sounded terrible,” just feels cruel. Of course, all of those lies flying around make it possible for people to get a false sense of themselves (or at least a false sense of how interested coworkers are in looking at pictures of their cats), that is, those little lies can become a bigger truth, upon which someones own sense of self might be based. Its those kinds of truths that seem to be in play in The Flash 27, as Barry begins to chip at the finish of his candy-colored world. Continue reading →
Today, Patrick and Drew are discussing The Flash 0, originally released September 26, 2012. The Flash 0 is part of the line-wide Zero Month.
Patrick: This issue is essentially the two discrete pieces of Barry Allen origin story that you might already be familiar with. DISCRETE PORTION A: Barry’s mother was murdered when he was a child. His father was arrested for the crime and Barry became a forensic scientist in the hope of catching the real killer and clearing his father’s name. DISCRETE PORTION B: Barry is struck with lightning and doused with chemicals, transforming him into the Fastest Man Alive. Previously, Geoff Johns’ The Flash: Rebirth attempted to dovetail these discrete story points mythologically — and that’s the best tool in his tool box, so I can’t fault him for using it. Francis Manapul and Brian Buccellato, revisit these moments and connect them emotionally. It is a story at once more sensible, more compact and more powerful. Continue reading →