Green Arrow 38: Discussion

by Spencer Irwin and Michael DeLaney 

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Spencer: In the Justice League Unlimited animated series, Green Arrow isn’t recruited to the League for his skills with a bow and arrow, but for his conscience and candor. Indeed, in all the character’s best portrayals Green Arrow’s greatest strength isn’t his trick arrows, but his unflinching honesty, his willingness to stand up to (and get in the face of) absolutely anybody, and his “man on the ground” perspective. These qualities are at the forefront of Green Arrow 38, an issue where (outside of one largely symbolic image) Oliver Queen doesn’t fire a single arrow, instead saving the day simply by standing up for what he believes in. Continue reading


“People” are the Detail that Matters Most in Green Arrow 28

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

At one point in Green Arrow 28 Lex Luthor compares himself to Sherlock Holmes, priding himself in his ability to be 12 steps ahead of everyone else, and proving it by (rather accurately) analyzing Arrow’s current situation based off of a few small clues in a most Cumberbatchian fashion. Yet for all his genius and detective prowess, there’s one small detail Luthor is rather blind to: people, especially the people who have helped make his company great. Continue reading

New Suicide Squad 20

suicide squad 20

Today, Michael and Ryan D. are discussing New Suicide Squad 20, originally released May 4th, 2016.

Michael: One of the big draws to New Suicide Squad 20 was the writer Tim Seeley and artist Juan E. Ferreyra – the team who worked on the short-lived, but inspired Gotham By Midnight. While that series was firmly steeped in questions of faith and spirituality from the get-go, it’s interesting that Seeley and Ferreyra seem to be tackling those very same themes in a comic about (mostly) unrepentant killers. Nevertheless, New Suicide Squad 20 gives us a standard shoot ‘em up story framed by the beliefs and personal philosophies of its characters. Continue reading

Gotham By Midnight 12

gotham by midnight 12

Today, Michael and Patrick are discussing Gotham By Midnight 12 , originally released December 16th, 2015.

Michael: The finale: the final act of a story, the climax and conclusion, the final word that creators have with a set of characters that they have been working with. There are countless variations on the classic finale recipe (a different kind of examination for another day), but Gotham By Midnight 12 is a very specific finale: the publisher-induced cancellation finale. Ray Fawkes and Juan E. Ferreyra are saddled with the task of punctuating the tale of Gotham City’s resident ghost chasers. Continue reading

Gotham by Midnight 10

gotham by midnight 10

Today, Patrick and Taylor are discussing Gotham by Midnight 10, originally released October 28th, 2015.

Patrick: Opinions very pretty wildly on whether or not Quentin Tarantino’s contribution to Grindhouse, “Death Proof,” works. It’s a talky flick, even by Tarantino’s standards, and the film’s sharp divide between two discrete halves makes it kind of an endurance test for the audience. By the time the movie reaches the final chase sequence, viewers are either totally bored or totally invested in the characters and the mythology. Those that invested during the first 80 minutes are rewarded with a harrowing vehicular action sequence, which would no doubt be impressive on it’s own, but which means tremendously more for all the groundwork laid before it. Gotham by Midnight 10, continues the talkiness of the interrogation-heavy ninth issue, but ultimately rewards them with — you guessed it — a thrilling car chase. It’s a testament to Juan Ferreya’s impeccable visual storytelling skills that this sequence it’s every bit as explosive and exciting as the most white-knuckle chase scene in the movies.

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Gotham by Midnight 9

gotham by midnight 9

Today, Michael and Taylor are discussing Gotham by Midnight 9, originally released September 23rd, 2015.

Michael: Though Sergeant Rook came knocking on their door back in issue 1, Jim Corrigan and the rest of the Midnight Shift finally have to answer for their mysterious dealings in Gotham by Midnight 9. Rook tears through their station house for any potential evidence against the Midnight Shift while Corrigan and Lisa Drake are poked and prodded by Internal Affairs in their interrogation rooms. Both Corrigan and Drake go a few round with their respective interrogators without breaking a sweat – they are seasoned cops who how to play the game. The cops start leading Corrigan to the conclusion that he is the Spectre and that he knowingly chooses the Spectre’s victims. Needless to say Corrigan becomes agitated and the Spectre takes control, killing the two cops. The kicker is that Spectre tells Corrigan that the interrogators were right – Corrigan DOES pick the victims.

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