This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
Drew: The Marvel Universe is big. That much is clear from the very beginning of Avengers 675, which skips across the globe to catch up with Marvel’s countless superhero teams and fictional countries as they deal with the Earth suddenly being transported…somewhere. Characters helpfully repeat each other’s names (and the names of their respective teams) to orient us, but being overwhelmed is kind of the point — these characters are facing down utter chaos, and that chaos is everywhere. Crossover events will often feature these kinds of “cash in all the chips” moments, straining our familiarity with Marvel’s lesser-known characters to really sell the massive scope of the story. But that’s where this issue differs from the standard crossover; where other stories simply revel in the bombast of throwing all of these characters together, Avengers 675 uses it as a cover to inject a new character into the narrative. [Phew, are there SPOILERS to follow.] Continue reading →
Today, Patrick and (guest writer) Zach Kastner are discussing Ravagers 0, originally released September 12, 2012. Ravagers 0 is part of the line-wide Zero Month.
Patrick: There are some story types that are fundamentally more compelling than others. Storytellers know these tropes well and trot them out whenever a) they’re also trying something new or b) they don’t have any better ideas. This is why most cop and detective shows put a child in danger in the first episode. We can all get on board with that: save the child – there’s no way not engage with that story. The trope on display in Ravagers 0 (and I suspect through most of the Culling story line) is a newer one: teenagers forced to fight each other to the death. Oh Hunger Games/Battle Royale/Ravagers, you do have one hell of an interesting concept. But while something like Hunger Games really finds itself in the details, Ravagers couldn’t be bothered with anything other than the broadest possible strokes.