Today, Patrick and Peter are discussing the All-Star Western 12, originally released August 22nd, 2012.
Patrick: One of the problems with dealing with 1890s Gotham City is that you know what that poor town has in store for it in the next 100+ years. It’s actually the same problem that plagues narratives about modern Gotham – nothing is every going to solve that city’s problems. Not Batman, not the GCPD, not Jonah Hex… oh wait a minute. Issue 12 actually closes a full year worth of stories, comprised of several multi-issue arcs. And the most surprising thing is that our heroes are successful. It’s almost unprecedented in this town, but the Religion is Crime is dealt a serious blow. Also unprecedented, Hex has developed an affinity for Gotham City and Amadeus Arkham. Continue reading →
Today, Peter and Patrick are discussing the All-Star Western 11, originally released July 25th, 2012.
Peter: All-Star Western has really embraced its role as a historic book. Writers Jimmy Palmiotti and Justin Grey have taken it upon themselves to not only tell incredible western tales, but to weave them into the greater DC Universe, even if they take place centuries before Bruce Wayne put on the cowl, or Superman strapped on the cape. Two of Gotham’s most notorious criminal organizations are gearing up to collide — of course Jonah Hex finds himself in the middle of it all. Continue reading →
Today, Drew and Peter are discussing the All-Star Western 10, originally released June 27th, 2012.
Drew: The Night of the Owls is an interesting case study in ways a title can approach a crossover event. Some books treated their involvement as a one-off, allowing maximum flexibility for their own stories before and after the event. Others focused a bit more on set-up, getting their heroes to Gotham or establishing the stakes for their characters, but pretty much treated the event as the conclusion of their involvement with the Owls. Sure, Batman still has some investigating to do, but pretty much all of the other titles are on to new conflicts, new villains, and new stories. All-Star Western, on the other hand, has upped the ante, featuring more owls than its ostensible NotO issue. The result is a portrait of 1880’s Gotham as a battleground between the Owls, the Religion of Crime, and the wealthy altruists just trying to do the right thing. Continue reading →