Jessica and Simon Regroup in Green Lanterns 32

by Drew Baumgartner

Green Lanterns 32

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

When talking about serialized narratives, we’ll often talk about how certain installments “put the pieces in place” — that is, it was saddled with setting up the next installment (often to its own detriment). But superhero comics represent a peculiar type of serialized narrative, one where “putting the pieces in place” often means putting things back where they belong. However far afield you may take Bruce Wayne, he’s always going to return to Gotham, return to his allies, return to fighting crime as Batman. These kinds of periodic resets are partially a vestige of a time when superhero stories were much more episodic than today but they also offer a straightforward way to keep the characters going into perpetuity. Often, that kind of reset is reserved for the very end of an arc, giving us just enough of the hero’s old status quo to restore some sense of normalcy. Occasionally, though, we’ll get a story like Green Lanterns 32, which takes time to remind us who our heroes are when they’re not busy dealing with a crisis. Continue reading

Green Lanterns 19

Alternating Currents: Green Lanterns 19, Drew and Mark

Today, Drew and Mark are discussing Green Lanterns 19, originally released March 15th, 2017. As always, this article contains SPOILERS.

What do you do?


Drew: I know a few people who love answering this question, but the majority of my acquaintances hate it — they resent the implication that they’ll be defined by whatever it is they do to pay their rent. I suspect (or hope, anyway) that those attitudes might change as we settle into more satisfying careers, but for many young people, their job is just a responsibility they take on to facilitate the rest of their lives. The odd thing about responsibility, though, is that it has a way of giving us tunnel vision, focusing all our energy on the responsibility rather than the reason we take it on in the first place. It’s the classic modern tragedy (or O. Henry short story, depending on how extreme the sacrifice), where the salaryman sacrifices the life he wants in order to afford that life. Something similar is at work in Green Lanterns 19, as both our heroes and our villain grapple with the responsibilities that have reshaped their lives. Continue reading