This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
There’s a whole corner of the Marvel Universe devoted to mutants with psychic abilities. It is a niche corner, seemingly invisible to the rest of the heroes, particular those without the X-gene, until the point one of them threatens to upend everything. Usually, this has to do with their connection to the Phoenix force, which is simultaneously the source of their most terrifying power and their most humbling weakness. It’s complicated, it’s abstract, it’s supernatural and extraterrestrial at the same time. In short, it’s not easy to understand. In Jean Grey 9, writer Dennis Hopeless and artist Victor Ibáñez illustrate just how much special knowledge is required to deal with Young Jean Grey and that ominous Phoenix. Continue reading →
Today, Drew and Shelby. are discussing All-New X-Men 10, originally released April 3rd, 2013.
Drew: They say that history is written by the victors. Generally, we mean that in a societal sense: the winners of wars paint their cause in a favorable light, which is why successful overthrows of the government are called “revolutions,” while failures are called “civil wars.” But what if we applied the phrase personally? Our lives are made up of decisions and compromises, which we tell ourselves were the right ones. This is easy enough to do, since we can always paint the opposing choice as naiveté or ignorance — sure, being a fireman seemed like a cool idea when I was six, but I realized it really wasn’t what I was interested in as I grew older — but does that mean it’s always right? This is hard to know because of the one-sided relationship we have with the past — we may know the mindsets of our past selves, but those past selves can’t know the circumstances that lead to where we are now. All-New X-Men has reveled in the idea of a dialogue with the past, forcing its characters to defend their actions in ways that they never would otherwise. Issue 10 brings this dialogue to a head, as Old, Evil Scott (as we’ve taken to calling him here) provides a measured response to Young Scott’s impassioned “how could you?”