A New Start for the Fantastic Four Marvel Two-In-One 5?

By Taylor Anderson

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Earlier this month it was announced that the Fantastic Four would be returning to comics. Many assumed that their absence from the pages of Marvel monthlies was due to the fact that Fox owns their movie rights. Disney, not wanting to promote movies from which they wouldn’t profit, phased them out of their comic pages, or so the theory goes. Whether this is true or not may never be known, but now that the Fantastic Four are soon to return, it’s interesting to consider how exactly that will happen. However, if Marvel Two-In-One 5 is any indication, the Fantastic Four may already have reunited. Continue reading

Advertisements

Existential Fears in Marvel Two-In-One 4

By Taylor Anderson

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

There are times deep in the night, and always at night, where I am plagued by existential fears. It’s the curse of the modern age, I guess, knowing about problems that are too great for any one single human to do anything about. Climate change, the meaning of life in a godless universe, and death (just to name a few) frequently wrack my brain. Of course, this is to say nothing of the eventual heat death of the universe, which, while possibly a googol years away, still worries me because it basically means the end of anything living (as we know it) in the entire universe. That’s sad and troubling! This fear of nothing being left is hard to fathom, but it’s made easier when it happens all at once, as in Marvel Two-In-One 4. Continue reading

Lettering Reveals Status and Power in Marvel Two-In-One 3

By Patrick Ehlers

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Marvel Two-in-One 3 is all about characters either rediscovering or redefining their relationship to their super powers. Our titular pair of marvels even goes to doctor Rachina Koul in the middle of nowhere Wyoming to jump-start Johnny’s powers. Ben describes Johnny as “broken” and whether that’s just referring to his ability to flame on, or more holistically applies to the man is left up to the reader’s discretion. But the implication is clear: without their defined roles as superheroes and supervillains, these guys just don’t know how to function. The damn Mad Thinker is going so crazy he’s styled his facial hair to look like Reed Richards and claiming to launch a “New Fantastic Four.” Basically: everyone goes nuts without boundaries. Today, I want to explore how lettering emphasizes the connection between a character, their powers, and how they view themselves in this universe. Continue reading

Simultaneous Silliness and Sincerity in Marvel Two-in-One 1

by Patrick Ehlers

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Patrick: Does writer Chip Zdarsky leverage humor to find pathos, or does he exploit genuine emotion for comedy? It’s almost impossible to tell. Zdarsky often rides the line between celebrating the absurdity and celebrating the sincerity of his characters and his stories. Marvel Two-In-One somehow achieves both simultaneously, giving the reader a sad, almost Venture Brothersian look into the loneliness and ennui of the last remaining members of the Fantastic Four, while never letting go of the inherent weirdness of these characters. It’s a stupendous feat of writing, emboldened by Jim Cheung’s reverent artwork. Continue reading

Secret Wars 9

secret wars 9

Today, Patrick and Drew are discussing Secret Wars , originally released January 13th, 2016. 

secret wars div

“Great societies are crumbling around us. And the old men who run them are out of ideas. So all eyes turn to you — our children — to build us something better […] We must do more, go farther… to somewhere no human has ever been. Your prize, Makers… are the stars themselves.”

T’Challa, Secret Wars 9

Patrick: The entirety of Jonathan Hickman’s incursion epic has hinged on this concept of master morality — that the decisions of the powerful necessarily cannot make sense to those less powerful. Individuals’ lives and rights are trampled for a concept as nebulous as “the greater” good, and it’s not really up to the subservient class to judge that trampling. With Secret Wars, the class of person making such impossible decisions is God — a literal, physically present, hands-on creator God — in the form of Doctor Doom. His decisions are immeasurably complicated, but they are also the decisions made by Hickman himself, and the conclusion to this mini-series, this event, and Hickman’s entire run at Marvel comics, links Godliness with creativity, and ultimately places the decisions and the morality behind those decisions in the hands of the storytellers.

Continue reading

Secret Wars 8

secret wars 8

Today, Spencer and Drew are discussing Secret Wars 8, originally released December 9th, 2015. 

secret wars div

Spencer: I recently got into a bit of a debate with the AV Club’s Oliver Sava on Twitter about whether Doctor Doom is the hero or the villain of Secret Wars. Sava argued that he’s the hero because he saved the universe — I argued that he’s the villain because he then proceeded to rule his salvaged universe as a brutal tyrant and dictator. In a way, we’re probably both right, and writer Jonathan Hickman seems less interested in laying blame at any of his character’s feet than he is in exploring their motives and varying levels of morality. Secret Wars 8 is a full-on action issue, but each confrontation changes the rules a bit in terms of who’s right and who’s wrong, who wins and who loses.  Continue reading

Silk 4

silk 4

Today, Patrick and Spencer are discussing Silk 4, originally released May 13th, 2015.

“My body can stretch all around this building. It’s natural state is a giant puddle of, well, me. It takes everything I have to hold myself together. So, yes. I’ve had anxiety.”

Reed Richards, Silk 4

Patrick: For obvious reasons, most superhero narratives that deal with mental illness stay pretty close PTSD or anger management problems. While debilitating issues in real life, in the realm of fiction, that all sounds very sexy — these afflictions either steam from or drive a character to action. Usually both. And it doesn’t much matter how negatively a writer tries to paint Bruce Wayne’s grief- and guilt-ridden revenge episodes, the reader always wants to see Batman kicking ass. Punisher may not be able to sleep without a gun under his pillow, but we sorta like that. Silk 4 toys with the idea that mental illness isn’t always so obvious and often isn’t so action-packed. Continue reading

Secret Wars 1

secret wars 1

Today, Ryan and Patrick are discussing Secret Wars 1, originally released May 6th, 2015. 

“Oh, best war ever…”

-General Nick Fury, Secret Wars 1

Ryan: Secret Wars grabs the baton from Jon Hickman’s Avengers/New Avengers beloved/despised/confusing “Time Runs Out” saga chronicling the futile struggle of Earth-616 against the collapse of the multiverse. Hickman dives in by tipping his hat to the concluding plot thread of Doom vs. The Beyonders, the significance of which — aside from helping to shrink the amount of surviving universes down to a baker’s dozen minus a bunch — is still a bit lost on me. The narration of the issue is provided by Reed Richards, and the first installment of this event belongs to him.

Continue reading

Avengers 42

avengers 42

Today, Patrick and Drew are discussing Avengers 42, originally released March 4th, 2015. 

“We don’t view our history as being broken or something that we need to fix. If anything we think we are building upon that history and we are taking the best and biggest pieces of it and seeing how easily they coexist with one another. We don’t expect all our moves to make everyone happy, but we think it will make for a really fascinating read through ‘Secret Wars’ and beyond.”

-Axel Alonso, Secret Wars Press Event

Patrick: The grander hyper-textual implications of Jonathan Hickman’s Avengers and New Avengers have been apparent for some time, but the importance and meaning of the meta-textual reasons have been something of a mystery. By Alonso’s own admission, Marvel doesn’t really need a Crisis-style reboot, but Secret Wars and Battleworld seem to bear all the multiversal signatures of one of DC Comics’ rebooting events. The problem with Crises (and it’s a problem that I think both DC and Marvel are starting to experience) is that the real world drama trumps the in-narrative drama. We’re more interested in answering the question “What’s going to happen to Batman?” than “What’s going to happen to Batman?” — and that means that we are necessarily less interested in the stories themselves than the companies telling those stories. Avengers 42 tries to reclaim some of that drama for itself, representing what appear to be conflicting editorial voices as characters within the Marvel Universe. Continue reading

New Avengers 30

new avengers 30

Today, Spencer and Mark are discussing New Avengers 30, originally released February 25th, 2015. 

slim-banner

Spencer: Jonathan Hickman and Dalibor Talajic’s New Avengers 30 reads a bit like a textbook on multiversal theory. It’s about as dry as beef jerky, and is focused so strongly on explaining every minute detail about the Ivory Kings that it largely fails to address why they’re doing what they’re doing. The information contained within its pages will likely prove important as Secret Wars grows closer, but for the moment, New Avengers 30 feels like an issue that highlights the greatest weakness of Hickman’s Avengers books: a focus on plot that supersedes “story” or characterization.  Continue reading