Today, Spencer and Michael are discussing Godshaper 1, originally released April 12th, 2017. As always, this article contains SPOILERS.
Spencer: Power, as they say, makes the world go round. Whether it be fame, money, authority, or any other form of strength, some sort of power and influence is behind just about every dealing in the world, no matter how large or how small the stakes. Simon Spurrier and Jonas Goonface’s Godshaper aims to explore the nuances behind the use and abuse of power, but what’s remarkable is how the creative team does so, consolidating nearly all forms of power to one central metaphor: a personal god for each citizen whose might determines their standing in society. Continue reading →
Today, Spencer and Patrick are discussing The Spire 4, originally released October 28th, 2015. Spencer: Racism and discrimination are more complicated issues than I could ever properly tackle here, with or without a word-limit. What I do know is that, while good ol’ fashioned mustache-twirling racism is certainly still alive and well, a bigger problem may just be the stereotyping and “othering” of anyone perceived as different. It’s the persistent, false perception of black children as being “older” than their white contemporaries, for example, that leads to cases like Trayvon Martin, and that’s only one example amongst a nearly uncountable number. These kind of false perceptions can exist even in those who claim to be tolerant and open-minded. The ways that prejudice and oppression persist even in a supposed land of “equality” has always been a major element of Simon Spurrier and Jeff Stokely’s The Spire, but it takes center stage in issue 4. Continue reading →
Today, Taylor and Drew are discussing Marvel Zombies 1, originally released June 10th, 2015. This issue is a Secret Wars tie-in. For our conversations on the rest of Secret Wars last week, click here.
Taylor: Whenever the subject of bleak and/or depressing stories comes up, I’m quick to point out that Cormac McCarthy’s The Road is perhaps the paragon of the genre. The book follows a man and his boy in an apocalyptic landscape as they struggle to survive in a world devoid of almost all life. While the narrative itself is heavy, what makes the book truly depressing for me is that it deals with the question of why try to survive at all. The book asks the uncomfortable question: if life is nothing but a struggle, why continue living it? Similarly, Marvel Zombies 1 has me considering these same questions. However, unlike the The Road, Marvel Zombies does spare some room for hope among the horror. Continue reading →