By Michael DeLaney
This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
Every time I read an issue of Star Wars: Doctor Aphra I come away thinking Aphra is a pretty despicable character. After reading Doctor Aphra 25 I found myself wondering if writer Simon Spurrier feels the same. Maybe that’s why, in the final issue of “The Catastrophe Con”, Spurrier provides a of bevy of even-more-despicable characters to favorably compare our girl to. Continue reading
by Drew Baumgartner
This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
I think it’s fair to say that Coda is set in a particularly fantastical world. Beyond the trappings of magical beings and beasts, the characters themselves recognize that they’re in a kind of mythical world that almost fetishizes heroic virtues of bravery and self-sacrifice. Which makes the cowardly pragmatism of our protagonist a distinguishing characteristic. He’s not an idealist willing to die in the battle against evil — he’s just a guy who wants to settle down for a quiet life with his wife somewhere. In pulling away from heroism, Hum forces us to reexamine the assumptions we have about what it means to be a hero, and what it means to not be one. It’s a subject Simon Spurrier and Matías Bergara have been playing with since the first issue, but one that comes to the fore in issue 6, as Hum argues his position with Serka. Continue reading
by Michael DeLaney
This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
I have been constantly struggling with my feelings in regards to the titular Doctor Aphra. Under writer Simon Spurrier, Aphra has become a more Deadpoolian character than she might have been before: riding the line between amusing and despicable. Dastardly villain or loveable rogue? Still uncertain. However Star Wars: Doctor Aphra 21 makes one thing clear: Aphra will do anything to survive. Continue reading
by Drew Baumgartner
This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
There’s a scene in Coda 1 where our protagonist hesitates to smell the wine he’s just been handed — he knows his host too well to trust them. It’s a revealing moment that also cleverly sets up a spiked wine gag a few pages later, driving home the point that nobody in this world can be trusted, least of all the characters we know. And it’s a point Simon Spurrier and Matías Bergara reemphasize towards the start of this issue, revealing their glowing wizard’s tower to be little more than a dank cave. The protagonist’s senses may be as difficult to fool as ever, but now we have to know not to trust our own eyes. And yet, the rest of the issue lulls us into putting our guards down, allowing us to believe we’ve found a refuge from the violence and deceit of the outside world. Which makes it all the more shocking when we learn all of those assumptions were bad, and that there really is no honesty left in this world. Continue reading
by Mark Mitchell
This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
There’s little point in being nice to people unless the act of being kind itself brings you happiness. Rude people are not unhappy — not categorically, anyway — because they don’t care that they’re rude, and there’s an undeniable freedom in not caring. Having a conscience is arguably a bug as well as a feature, since it’s easier to achieve your goals if you don’t care about the people you hurt in your pursuit of them.
In Simon Spurrier and Matias Bergara’s Coda 1, former bard Hum is determined to rescue his wife from a clan of savage orc-like creatures at the cost of everything and everyone else; as the issue closes he’s willing to potentially sacrifice the population of an entire city if it gets him one step closer to her. But it’s clear that Hum’s selfishness can’t last, and Coda is poised to be a series about one man in a terrible situation learning to put others above himself. Continue reading
By Michael DeLaney
This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
It’s often said that “villains are the heroes of their own story.” The most compelling villains are the ones that have a motivation behind their menace other than being evil. There is a gray area between “hero of their own story” and evil maniac however — a place that Doctor Aphra has resided in ever since Kieron Gillen created her. Star Wars: Doctor Aphra 19 suggests that despite her coy demeanor, Aphra might not be so morally ambivalent after all. Continue reading
by Michael DeLaney
This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
The relevance of the antihero has risen and fallen numerous times over the past couple of decades. With the mainstream introduction of Deadpool, we have a new mold that mashes antihero with that of lovable scoundrel. Since her arrival, Doctor Aphra has been more of the lovable scoundrel type, but with Star Wars Doctor Aphra 18, Kieron Gillen, Simon Spurrier, and Emilio Laiso lead her into Deadpool territory. Continue reading
By Mark Mitchell
This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
In this site’s Best Writers of 2017 list, we praised Simon Spurrier as one of the best — if not the best — world-builders in comics today. So it’s not that Labyrinth Chronicles 2 is bad or boring or otherwise deficient, it’s just that it feels like a waste of Spurrier’s considerable talents. At this point, the world of Labyrinth Chronicles is defined by the movie on which it’s based, and even though there is some opportunity for invention (The Owl King and Sir Skubbin are original creations), Spurrier seems boxed in by the creative choices of a film made over 30 years ago. Continue reading
by Spencer Irwin
This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
Angelic 6 is a massive issue. Writer Simon Spurrier recalls every seed of plot he’s planted throughout this arc, and artist Caspar Wijngaard brings the mass of ideas to life in a way that’s big and exciting, chaotic but never hard to follow. Even as the issue’s plot goes big, though, Spurrier and Wijngaard zoom in thematically, finding the one idea that connects the themes of religion, war, and blind faith that have run throughout this entire series. That theme, of course, is slavery. Continue reading
by Mark Mitchell
This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
Hey, what’dya know, actual queer people in Star Wars. Continue reading
