by Patrick Ehlers
This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
Aleš Kot and André Lima Araújo’s Generation Gone is arrestingly open about its central theme: the existential peril of disaffected youth. Hell, the name of the series gives it away. Kot is seemingly not content with even that level of obviousness, as he starts to reveal the stunted social lives of his main characters right on the cover of the issue, before we know who they are or even what they look like. Comics are a visual medium, and 999 times out of a thousand, the first thing we know about a character is what they look like. These kids are hackers — their skills, personalities, values and identities most likely forged online where text invariably acts as the vanguard for a digital persona. We’re meeting these people the same way you would in a forum: expressing something deeply vulnerable and hurtful, with no faces to associate with their comments. Continue reading