This article contains SPOILERS.If you haven’t read the issue yet, read on at your own risk!
Spencer: By some sort of weird cosmic coincidence, I’ve been re-reading Grant Morrison and Howard Porter’s late 90s JLA run this week. While that series is rightly remembered for its grand, heady ideas and breakneck-paced tales, what impressed me the most this time around was Morrison’s regard for the DC universe — every story was sprinkled with guest stars and allusions to past stories, well-known and deep cuts alike. Despite Rebirth’s best efforts, that sense of history is something I’ve been missing from DC the past few years, so I was pleasantly surprised when I opened Dark Days: The Forge — the prelude to Scott Snyder and James Tynion IV’s big summer event — and discovered that it’s practically an ode to DC’s past. Snyder and Tynion are clearly having a blast digging into DC’s sandbox, and it’s hard for that sense of enthusiasm and wonder not to rub off on the reader. Continue reading →
Today, Shelby and Drew are discussing Green Arrow 30, originally released April 2nd, 2014.
Shelby: Because I like to stay on top of pop culture trends, I recently discovered the TV series Legend of the Seeker. It’s a pretty straight-forward magic-based fantasy, based on Terry Goodkind’s series The Sword of Truth. You know, right up my alley. Anyway, there are two groups of magical women in this universe: Confessors and Mord-Sith. The Confessors’ power is based on love and truth; they can see when someone is lying, and as a last resort force them to tell the truth by causing people to fall desperately in love with them. The Mord-Sith, however, get their power from hate; all love, kindness, and compassion is burned out of them from youth until all they know is how to cause pain and hatred. While neither situation is ideal, it’s made clear that the love for a Confessor can elicit positive change in a person, whereas “training” from a Mord-Sith can only breed more hate. So, what do you get when someone is motivated by both love AND hate? By quiet dignity and unbelievable cruelty? Maybe we should ask Green Arrow.
Today, Mike and Shelby are discussing Green Arrow 28, originally released February 5th, 2014.
Mike: I took the opportunity to reread Jeff Lemire’s run so far on Green Arrow from #17 on and man is this a well-executed series. I remember reading it for the first time and being as uncertain as to what was really going on as Oliver himself was. When The Magus popped up and told Oliver that “you were never supposed to leave the island!” I immediately thought of Lost, for the obvious “island” premise as well as the intriguingly vague cliffhangers the show was known for. An early episode of Lost was called “All the Best Cowboys Have Daddy Issues” – absent fathers being a recurring theme on the show. It’s also a title which is very appropriate for Green Arrow, a character with his own daddy issues that have now been taken to a different level entirely with the revelation of Robert Queen being alive. Continue reading →