Animal Man 24

animal man 24

Today, Patrick and Scott are discussing Animal Man 24, originally released October 16th, 2013. 

Todd, of course, is nominated tonight for Best Actor for his chilling portrayal of a psychic FBI agent who falls in love with a beautiful, deaf dolphin trainer in the amazing film Sea of Echoes.

Animal Man 24

Patrick: DC has since abandoned the following nomenclature, but Animal Man used to fall under the line of “Dark” comics. This distinction generally just meant supernatural: we weren’t dealing with alien supermen or gadgety crime fighters, but Swamp Things and Magicians and Vampires. These stories also veered more into the horror genre, and there are few series that took that “dark” label to heart more literally than Animal Man. Buddy’s enemies are grotesque, his powers distort his body and mind and the bad guys routinely target his family. Hell, agents of the Rot killed his son. Writer Jeff Lemire is always careful to keep his eye on the tone, and keeps the series from becoming a slog. He’s able to lighten the mood here by pointing to his own work, and that of new series artist Rafael Albuquerque, and remind us that it might all be sorta silly. It’s a healthy reminder, and one that makes all the surrounding darkness go down a little smoother. Continue reading

Animal Man 23

animal man 23

Today, Scott and Patrick are discussing Animal Man 23, originally released August 21st, 2013. 

Scott: Nothing rocks us harder, on a personal level, than a betrayal of trust. A cheating spouse, a conniving business partner — nothing is harder to grapple with than the idea of someone you trust working against you. It’s distressing to both your head and your heart. A similar effect can be had on a community, or an entire society, as the result of a security breach. When a place we trust is safe- a school, a temple, a movie theater- is marred by an act of terror, irreparable damage is done to our collective trust. In Animal Man 23, writer Jeff Lemire combines these two types of betrayal in one fell swoop, destroying a place we thought was safe and pulling back the curtain on someone we thought could be trusted. It’s fantastically horrific, and will make you question whether anything you believe about this title is truly as it seems.

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Animal Man 21

animal man 21

Today, Scott and Drew are discussing Animal Man 21, originally released June 19th, 2013. 

Scott: We’ve reached a historic lowpoint for privacy. Every phone call, email, text message you send can and will be recorded and filed away in some classified government database. It’s ironic, I think, that the harshest condemnations of the NSA I’ve come across have been voiced on Facebook and Twitter, forums infamous for their users’ public over-sharing of thoughts better kept private. The rise of social media has made privacy invasion a daily risk for nearly everyone; most of us can only take solace in knowing our every thought is of little interest to anyone but our inner circles. But it’s enough to make you feel bad for celebrities, who must pay for their time in the spotlight by never being able to truly leave it — their privacy always at the mercy of any bystander with a smartphone. Animal Man 21 explores the potential dangers social media poses for newfound celebrity Buddy Baker and his fans.

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Animal Man 0

Alternating Currents: Animal Man 0, Shelby and Freakin' Animal Man

Today, Shelby and (guest writer) The Freakin’ Animal Man are discussing Animal Man 0, originally released September 5, 2012. Animal Man 0 is part of the line-wide Zero Month.

Shelby: In the comments for the Swamp Thing 0 write-up, we talk briefly about respect. One of the successes of Swamp Thing is that Scott Snyder manages to create his own story while still being respectful towards the stories previous writers have told. Swamp Thing 0 takes the flaming-lab-in-the-swamp origin and folds it neatly into the Rotworld story Snyder wants to tell. Jeff Lemire has done the same thing with Animal Man 0; he maintains the classic Animal Man origin story (powers from aliens), and merely shows us the other side of the story, that it was the Red this whole time! That is smart story-telling.

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