Fables 138

Alternating Currents: Fables 138, Drew and PatrickToday, Drew and Patrick are discussing Fables 138, originally released February 19th, 2014.

Drew: I know this cements me as a twenty-something white-boy nerd, but I love it when stories get meta. Fiction is full of characters and situations we can relate to, but few themes are as unifying as the love of storytelling itself. Fables has long been a celebration of the power of storytelling — the way it inspires us, challenges us, and teaches us — but in the wrong hands, that power can be dangerous. After all, what is a lie if not a story? It would be easy to ignore the dark side of fiction, but Fables 138 boldly turns away from Rose Red’s Camelot to detail the deceit Geppetto has hidden behind as he works in secret to rebuild his empire.

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Fables 136

fables 136

Today, Patrick and Drew are discussing Fables 136, originally released December 31st, 2013.

Patrick: I worked as a Residence Hall Director the year after I graduated from college. For me, the worst part of doing this job in a professional capacity was having to artificially take on a role that did suit me. I always believe that a Res Life staffer is only as good as they are authentic — college students have incredible bullshit detectors. A few weeks a month, I’d be in possession of the Duty Phone, which meant that I was going to have to act as back-up to campus security and bust parties at a moments’ notice. I used to hate it, and I’d stress out about my time with that damn phone all month. But as soon as the phone was in my hands, I took the duty seriously. It was the role I had to play at that time. As Rose Red’s new Camelot starts to take shape, the subject of roles comes up and makes everyone suitably uncomfortable. Continue reading

Dead Boy Detectives 1

dead boy detectives 1

Today, Patrick and Shelby are discussing the Dead Boy Detectives 1, originally released December 30th, 2013.

Patrick: The first issue of Dead Boy Detectives revolves around a young girl named Crystal Palace and a near-death experience that brings her — however temporarily — face to face with our titular detectives. The issue is pretty neatly divided into periods before and after the experience. The before-portion is an odd little mediation on art and artists and the relationship between the two, and that’s naturally what interests me most in this issue, so let’s pick that apart! Continue reading