Today, Patrick and Taylor are discussing Dial H 6, originally released November 7th, 2012.
Patrick: Fall of 2010, I went to a movie at Chicago’s Music Box theatre with Taylor and Shelby. The movie was Gaspar Noe’s Enter the Void. If you haven’t seen Enter the Void, the reason we were attracted to it was because the log-line is aggressively surreal: a single-shot, first-person perspective trip through life and death of an American expatriot in the sleazy underbelly of Tokyo. Sounds promising — and super weird — right? All three of us tolerated the visual and audio assault for the film’s 3-hour run time, but it wasn’t until we stepped out of the theatre and Taylor said “So, that sucked, right?” that I was able to process what the hell just happened. The movie is so relentlessly strange, that I couldn’t even respond to it as I was experiencing it. That’s frequently how I feel about Dial H: especially given the conclusion of the previous story arc – I just couldn’t get a handle on it. But now, China Mieville is kind enough to show us the cold light of day, and seeing them plainly, these characters and this world is boundless and exciting, with a healthy sense of humor about its own absurdities.